Exposé print issues (1993-2011)
Birdsongs of the Mesozoic — Dancing on A'a
(Cuneiform Rune 69, 1995, CD)
Dancing on A'a is another outstanding release from this unique, eclectic, and virtually-impossible-to-describe ensemble. The music of Birdsongs of the Mesozoic is a bizarre and quirky mixture of avant-garde, 20th Century classical, electronic, and progressive elements. Using electronic and live percussion along with keyboards, guitar and saxophone, their sound evokes a mood and atmosphere that truly does seem to belong to another era. While Birdsongs have moved slightly away from the more overt minimalism of their earlier material, the music on Dancing on A'a is essentially a brilliant refinement of their established sound. All of the elements that have made their previous works so engaging are here in even greater abundance. Sinuous guitar and sax leads weave in and out of repetitive yet complex rhythms. Intricate rhythmic and melodic piano and synth parts help to flesh out the dense, lush sound. Moods alternate from the dark and introspective to the aggressive and unsettling. Throughout it all, though, Dancing on A'a proves to be some of Birdsongs most cohesive work to date. The writing has improved continuously over their past several albums, and here proves to be consistently solid, dynamic, and fluid, with contributions from three of the group’s four members. For anyone into the more experimental and avant-garde realms of prog, Birdsongs of the Mesozoic present some fantastically innovative and complex music, and Dancing on A'a is their best album yet. If you've never heard these guys before, what are you waiting for?
by Rob Walker, Published 1995-07-01
This is Birdsongs eighth release, and their third new album on Cuneiform. They continue to sport one of the most unique and unclassifiable styles, residing somewhere between rock, jazz, and neo-classical minimalism, with echoes of industrial age experimentalism. Purely instrumental, the lineup includes dual keyboards, reeds, guitar, and a combination of electronic and acoustic percussion. Their music is a labyrinthine journey through angular passages, sometimes chaotic — sometimes serene, but filled with adventure at every turn. For anyone who hasn't heard the Birdsongs before, they have never been better. As on previous releases, the better part of the compositions are written by keyboardist Erik Lindgren. The big change with this album is the addition of new guitarist Michael Bierylo, who — in addition to composing three of the album's tracks — adds a new and dynamic guitar presence within their sound, complementing the saxes of Ken Field nicely. This time out, the percussion is handled much better, with guest musicians providing acoustic drums on several of the tracks. Furthermore, the sampled electronic percussion here is much better, giving the music a more natural and less mechanical feel than on previous releases. Some high points include the dramatic "Readymen" and "Sirius the Scorching," the subtle but energized "Ptinct," and an adventurous yet concise rendition of the "Peter Gunn" theme. In all, this is by far Birdsongs' most impressive effort to date, one I'll recommend highly to the fan and newcomer alike.
by Peter Thelen, Published 1995-07-01
by Mike Ohman, Published 1995-07-01
Filed under: New releases, Issue 7, 1995 releases
Related artist(s): Birdsongs of the Mesozoic, Ken Field
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