Exposé Online banner

Bill Mumy — The Landlord or the Guest
(Global Recording Artists, 2007, CD)

Bill Mumy — Carnival Sky
(Global Recording Artists, 2009, CD)

Bill Mumy — Speechless
(Global Recording Artists, 2009, CD)

by Peter Thelen, Published 2010-07-01

The Landlord or the Guest Cover artCarnival Sky Cover artSpeechless Cover art

If his name sounds a little familiar, it may be because many will remember him from his appearance on numerous television shows going all the way back to Rod Serling’s Twilight Zone and Lost in Space. Others may remember him as half of Barnes & Barnes, whose novelty song “Fish Heads” made a big splash on the Doctor Demento show many years ago. For the last fifteen years or so Mumy has produced a series of excellent releases showcasing his skills as a songwriter, singer, and multi-instrumentalist, of which the three at hand – all well-produced do-it-yourself projects, are his latest. On the acoustic guitar-centric The Landlord or the Guest, we have fourteen thoughtful and brilliant songs that aren’t overwhelmed by their accompaniment – Mumy plays an array of acoustic and electric stringed instruments, with occasional keyboards and drums supporting. For the song purists among us, this is probably the one, although its follow-up Carnival Sky is every bit as exceptional, though perhaps a bit more electric and eclectic, with a much stronger blues influence, and a bit more instrumentally gruff – but always strongly melodic. Of his singing and songwriting style in general on both of these releases, one reference point might be the best work of Paul Simon in the 70s but without all of Simon’s reggae and world music trappings.

Speechless is an entirely different matter. An album of twelve instrumental cuts that on the surface (and at the core) bear little resemblance to anything on the other two discs, it seemingly embraces a wider instrumental palette (certainly a lot more keyboards, synths, and treated guitars) and a more deeply introspective feel. More along the lines of the instrumental soundtrack-like symphonic electronic based music one might find on the Spotted Peccary label, this is clearly not rock – although sometimes it does bear elements borrowed from the rock idiom, especially in their propensity for liquid electric guitar solos. Each of these pieces is a self-contained vignette that stretches out in a multitude of different directions, no two the same. Some stronger jazz and classical influences come into play here as well, the latter especially on some of the keyboard driven pieces. All taken, each these three releases offer something different, and all come highly recommended.


Filed under: New releases, Issue 38, 2007 releases, 2009 releases

Related artist(s): Bill Mumy

Latest news

2020-09-09
Simeon Coxe RIP – Simeon Coxe, best known for his experimental electronics in the band Silver Apples, has died at the age of 82. The band's 1968 debut album set the stage for both German electronic music and experimental punk music a decade later. Coxe died on September 8 from pulmonary fibrosis. » Read more

2020-09-05
Gary Peacock RIP – Legendary bassist Gary Peacock, veteran of many recordings and performances with Paul Bley, George Russell, Roland Kirk, Bill Evans, Tony Williams, and many more. » Read more

2020-07-22
Tim Smith RIP – Tim Smith, leader of the eccentric band Cardiacs, has died at the age of 59 after many years of health problems. Cardiacs was known for intense and complicated music that combined punk energy with the rhythmic and harmonic sophistication of progressive rock. » Read more

2020-07-12
Judy Dyble RIP – Singer-songwriter Judy Dyble, who was a founding member of Fairport Convention and one of the distinctive voices of the 60s folk revival in Britain, has died at the age of 71. Her passing came at the end of a long illness, though which she continued to work. » Read more

2020-07-06
Ennio Morricone RIP – Famed composer Ennio Morricone has died at the age of 91. The creator of scores for more than 500 movies, some of his works have become the most recognizable sounds in the history of cinema. His soundtracks for Sergio Leone's Westerns made from 1964 to 1971, are iconic landmarks in film music, but he also composed for dramas, comedies, and other genres. He won the Academy Award for Best Original Score in 2016 for The Hateful Eight. » Read more


Previously in Exposé...

Sebastian Hardie - Live in L.A. – Live in L.A. is taken from part of Sebastian Hardie's headlining Progfest 1994 set, and represents their first, and only, show since their previous "final performance" in Melbourne way...  (1999) » Read more



Listen & discover



Print issues