Exposé Online banner

Backhand — Through the Turbulence
((Not on label) , 2014, CD)

by Peter Thelen, Published 2014-09-25

Through the Turbulence Cover art

The eleven minute multi-part instrumental opening cut “Introspektion” by this Venezuelan five-piece featuring Canadian singer Phil Naro (of Druckfarben) is like a calling card that features a diverse collection of styles and some outstanding playing by everyone. The piece starts in earnest with some heavy metal chugga-chugga riffage mixed with with bombastic choral keyboard blasts before it finds its way into genuine symphonic prog territory, then in a quick scoop the listener is led away into a jazzy rock passage driven by keyboards, then onward into a sweet bluesy section that starts gently and slowly grows into full throttle blues rock, with the reappearance of those choral blasts and some truly outstanding lead guitar, full of power and emotion, all culminating an a massive coda, covering all the elements of a classic prog rock opus and more. Indeed, if the album ended right here it would alone be worth the price of admission. But it doesn’t.

For the remainder of the disc’s 76 minutes the listener will hear plenty of material that straddles mainstream prog (think Saga, later Kansas, Wall era Floyd, and post 90125 Yes) and straight-ahead classic rock, often punctuated with generous moments of instrumental brilliance. Naro’s vocals are a perfect match when the band is in this mode. Cuts like “The Big Red Wall,” “Me, Myself and I", ”Hold the Light” and “Crime Story” don’t really break much ground stylistically, staying too close to the all too comfortable and often hackneyed realm of accessible prog. The band throws some decent instrumentals in along the way that keep the fire of that opening track burning, like “Hardwood,” with its gentle and jazzy center section driven by piano and guitar. A couple other instrumental pieces that shine brightly are “Tears from the Sea,” with its emotional attack and melodic substance, and “Spider Riff,” a multi-part workout that shifts gears continuously as it goes through its six-plus minute duration. So there you have it; there are really two distinct albums here – one of commercial sounding vocal cuts, and another set of inspired instrumentals by a promising group of outstanding players and writers.


Filed under: New releases, 2014 releases

Related artist(s): Druckfarben, Backhand

Latest news

2020-10-14
Audion Is Back in Business – Our esteemed colleague Alan Freeman has restarted Audion Magazine after a seven year hiatus. The new incarnation is available online on their Bandcamp site. Audion's history goes back to 1984, and included 58 issues up to 2013. Issue #59 is available now, and #60 is in the works. » Read more

2020-10-06
Romantic Warriors IV – Krautrock (Part 2) Is in the Works – Zeitgeist Media, the people who have brought us the great series of documentary films chronicling the history of progressive rock, are working on the second installment of their examination of German music. Krautrock 2 will focus on artists from Münich such as Guru Guru, Amon Düül II, Xhol Caravan, Kraan, Witthüser & Westrupp, and Popol Vuh. » Read more

2020-09-09
Simeon Coxe RIP – Simeon Coxe, best known for his experimental electronics in the band Silver Apples, has died at the age of 82. The band's 1968 debut album set the stage for both German electronic music and experimental punk music a decade later. Coxe died on September 8 from pulmonary fibrosis. » Read more

2020-09-05
Gary Peacock RIP – Legendary bassist Gary Peacock, veteran of many recordings and performances with Paul Bley, George Russell, Roland Kirk, Bill Evans, Tony Williams, and many more. » Read more

2020-07-22
Tim Smith RIP – Tim Smith, leader of the eccentric band Cardiacs, has died at the age of 59 after many years of health problems. Cardiacs was known for intense and complicated music that combined punk energy with the rhythmic and harmonic sophistication of progressive rock. » Read more


Previously in Exposé...

Ars Nova - Sunshine and Shadows – A few issues back I reviewed the reissue of Ars Nova’s 1968 first album. Here we have their second and last effort. It takes the baroque-meets-psych sound of the debut and turns a bit more to...  (2006) » Read more



Listen & discover



Print issues