Exposé Online banner

Backhand — Through the Turbulence
((Not on label) , 2014, CD)

by Peter Thelen, Published 2014-09-25

Through the Turbulence Cover art

The eleven minute multi-part instrumental opening cut “Introspektion” by this Venezuelan five-piece featuring Canadian singer Phil Naro (of Druckfarben) is like a calling card that features a diverse collection of styles and some outstanding playing by everyone. The piece starts in earnest with some heavy metal chugga-chugga riffage mixed with with bombastic choral keyboard blasts before it finds its way into genuine symphonic prog territory, then in a quick scoop the listener is led away into a jazzy rock passage driven by keyboards, then onward into a sweet bluesy section that starts gently and slowly grows into full throttle blues rock, with the reappearance of those choral blasts and some truly outstanding lead guitar, full of power and emotion, all culminating an a massive coda, covering all the elements of a classic prog rock opus and more. Indeed, if the album ended right here it would alone be worth the price of admission. But it doesn’t.

For the remainder of the disc’s 76 minutes the listener will hear plenty of material that straddles mainstream prog (think Saga, later Kansas, Wall era Floyd, and post 90125 Yes) and straight-ahead classic rock, often punctuated with generous moments of instrumental brilliance. Naro’s vocals are a perfect match when the band is in this mode. Cuts like “The Big Red Wall,” “Me, Myself and I", ”Hold the Light” and “Crime Story” don’t really break much ground stylistically, staying too close to the all too comfortable and often hackneyed realm of accessible prog. The band throws some decent instrumentals in along the way that keep the fire of that opening track burning, like “Hardwood,” with its gentle and jazzy center section driven by piano and guitar. A couple other instrumental pieces that shine brightly are “Tears from the Sea,” with its emotional attack and melodic substance, and “Spider Riff,” a multi-part workout that shifts gears continuously as it goes through its six-plus minute duration. So there you have it; there are really two distinct albums here – one of commercial sounding vocal cuts, and another set of inspired instrumentals by a promising group of outstanding players and writers.


Filed under: New releases, 2014 releases

Related artist(s): Druckfarben, Backhand

Latest news

2019-11-07
Glenn Smith RIP – Glenn Smith, founder, mandolinist, and primary composer of the DeLand, Florida based prog / fusion band Magnatar, passed away on October 18th 2019 at the age of 68, after a brief illness.  » Read more

2019-11-04
Dino Brassea RIP – Word reaches us of the passing of Dino Brassea, who sang and played flute in Cast for many years. By our count, Brassea appeared on 11 Cast albums between 1994 and 2002. He also released music as a solo artist. » Read more

2019-10-06
Ginger Baker RIP – Legendary English drummer Ginger Baker has died at the age of 80. After coming to fame with Cream in the 60s alongside Eric Clapton and Jack Bruce, he became one of the most recognized and influential drummers of the rock era. On September 25, his family announced that he was critically ill, and on October 6 his death was confirmed. » Read more

2019-08-20
Alex's Hand Seeks Spa Treatment – American / European band Alex's Hand has a new album in the works called Hungarian Spa, which looks to be their biggest and best yet, featuring a large roster of guest musicians. They're seeking funding to take the project on the road, and are looking for help from the crowd of wisdom. » Read more

2019-06-05
Legendary Co-Founder of The 13th Floor Elevators Passes Away at Age 71 – Sadly, Roky Erickson passed away on May 31, 2019. Known as the father of psychedelic music and co-founder of the ground breaking 13th Floor Elevators, Roky had a profound influence on music from the 60s to today. Plagued by his own personal demons, Roky had a difficult life and is now free of these burdens. » Read more


Previously in Exposé...

Kantata - Samsara – For background information, go dig up a copy of Expose #14, and find the review where I spent half a page trying to describe a CD by Iwan Fals. Here, the XTC/Sting/Cat Stevens-influenced...  (1999) » Read more



Listen & discover



Print issues