Arena — Pride
(Verglas VGCD004, 1996, CD)
by Mike Grimes, Published 1997-02-01
I never thought I'd see the day when Mick Pointer became a more prolific musician than his former Marillion mates. After dropping off the face of the earth for over a decade, Mick and Co. have now released two albums in two years. Wow! After a few personnel changes which brought in new members John Jowitt (IQ, Jadis, Ark, ...etc.) on bass and Paul Wrighton on vocals, Arena returns with Pride. Jowitt's ever solid bass playing fills the bottom end nicely and, unlike the previous vocalist who was more firmly rooted in the prog tradition, Wrighton's vocal style is more in the new-wave camp and reminiscent of Ultravox's Midge Ure. This vocal style actually blends quite well with the music. Parts of "Sirens" and especially "Crying for Help VII" sound almost exactly like Midge though!
While Arena has made a solid step forward in the ingredient department, the songs have less of a momentous sound than the anthemic numbers on the first album. This is unfortunate because the band is at their peak when playing those type of grandiose epics. The guitar in particular is different — way more David Gilmour mellow than before. In fact, the guitar solo on "Sirens" could be something straight out of "Shine on You Crazy Diamond." Four more mostly instrumental installments in the "Crying for Help" series appear between the other tracks, including a three minute solo a cappella piece which is about twice as long as necessary. Clive still has his lead synth and Mellotron sounding great, but the organ remains puny sounding in comparison. A few of the tunes like the opener, "Welcome to the Cage," and "Medusa" are basically straight ahead arena rock ( bad pun...) numbers. None of the tunes on Pride posses the memorable melodies of, say, "Out of the Wilderness" or "Jericho" from the debut. The trilogy that ends the album — "Fools Gold," "Crying For Help VIII," and "Sirens" — contains the strongest new material, but even these songs are a notch less interesting than anything from Songs from the Lion's Cage. The bottom line is that Pride is a good neo-prog album, but a level below their previous effort.
Gong Announces UK Tour for 2020 – Having spent the last few years touring the world, including dates in Japan with psych legend Steve Hillage, multiple headline European tours and festivals, America’s Cruise to the Edge festival, a South America headline tour, and a headline performance at Tomorrow Festival in China, the band have won the hearts of both traditional and modern Gong fanbases. During this live journey, Gong has delved further into the truly psychedelic, exploratory, and mind-expanding side of the music. » Read more
Wolfgang Dauner RIP – Pianist Wolfgang Dauner, one of the pioneers of both European free jazz and jazz rock, has died at the age of 84. With his own groups and with the United Jazz+Rock Ensemble, his playing and compositions were a prominent presence in European jazz from the mid-60s until just recently. » Read more
Michael Allison RIP – Michael Allison, who since 1997 has been recording as Darshan Ambient, passed away on January 9th after a long and brave battle with cancer. He has been at at the forefront of the new ambient/electronic music scene, with over eighteen releases to his credit. » Read more
Neil Peart RIP – One of rock music's defining drummers has died at the age of 67. Neil Peart's work with Rush provided one of the templates for percussion in rock, and he certainly ranks in the top ten most influential drummers of the 20th Century. Peart retired from playing in 2015 due to health issues, and succumbed to brain cancer on January 7, 2020. » Read more
Paul Rucker & Hans Teuber - History of an Apology & Oil – Like Nels and Alex Cline, Satoko Fujii, and even Henry Threadgill (all with their various ensembles), Paul Rucker produces music that is usually referred to as jazz, but has such far-ranging elements... (2004) » Read more