Exposé Online banner

Aelian — The Watcher
(Musea FGBG-4061.AR, 1992, CD)

by Henry Schneider, 1993-12-31:

The Watcher Cover art

Musea tends to release two kinds of music: reissues of excellent obscure progressive bands and debut efforts by contemporary bands. The latter can be broken down further into bands that learn from the past masters of the genre and extend progressive music to new horizons and the “wanna be” progressive bands that only hint at possibilities.

Aelian is one of these latter neo-progressive bands. Hailing from Italy, they root their music in bands like Yes and Styx. Unhappily they are bland imitators without understanding instrumentation and lyric writing. Too much happens in their music. As Robert Browning so aptly put it, “Less is more,” and Aelian would have benefited by not filling the available sonic space with instruments. You can pick out individual instruments, but Maurizio Antognoli’s keyboards are mixed way below the drums and bass. Vocals are not Aelian’s strong point yet there is only one instrumental. Aelian’s music improves by quantum leaps when they are not making space for their lead vocalist Mark Aixer. He occasionally trips over English and often the lyrics do not make sense. Take for instance this line from "You Don’t Touch Me": “How can I do to explain to you / that you break my heart like an innocent crime”; this line from "One Dream All Together": “We tried to slide in the dark side / but the lamps of envious lights up / the corner of a blind man”; and this line from "The Sun Will Shine Again": “Is there someone of us / who can merit unended whiles?” Then there is the quasi-“yellow peril” song "Y. F." inspired by “A Chinese Ghost Story,” which suffers from the almost racist refrain “And yellow faces in my eyes.” Aelian has the potential for being a good band once they gain more experience in song writing and playing live.


by Peter Thelen, 1994-02-01:

This is one of Musea's new releases, a label which for many years I considered infallible, but in the last few years they have occasionally proven me wrong with releases like Fancy Fluid's first, Overdrive, Deyss' first and others. Case in point: Aelian is a new Italian four piece of g/k/b/d, with the bassist doubling on lead vocals. The music is definitely neo-progressive for the most part, but in this case it's not necessarily a negative, they do fairly well, comparable to bands like Now and Sinister Street. The problem, once again, is the vocalist, with his laughable imitation Fish-like emotions, which are only eclipsed by his lack of understanding of the subtleties of the English language in which he's trying to sing. Add to that two very cheesy pop tracks that break the album's continuity, and you have a near total disaster. Fortunately, they did put an excellent instrumental on as the second track, and there are plenty of instrumental stretches in some of the other tracks as well. Still doesn't save it, though, when judgement comes down. These guys (unlike the previous) do have potential; I think a good recipe for a second album would be to skip the poppy drivel and stick to Italian vocals.


Filed under: New releases , Issue 2 , 1992 releases

Related artist(s): Aelian

More info

Latest news

2018-02-18
Didier Lockwood RIP – Word reaches us today of the death of one of France's great jazz musicians, violinist Didier Lockwood. His playing bridged many worlds, from traditional jazz to fusion to progressive rock, and his talent can be heard on recordings by Magma, Clearlight, Pierre Moerlen's Gong, and many more. Lockwood was 62. » Read more

2018-02-15
10 Years of Fruits de Mer - The Incomplete Angler – Those of you who are faithful followers of Exposé will know that we have been promoting Fruits de Mer and its side labels and releases from nearly its first year. Now music journalist and author Dave Thompson has written a book chronicling the past ten years as a celebration of this milestone. » Read more

2018-02-14
Tom Rapp RIP – Singer / songwriter Tom Rapp, best known with the band Pearls Before Swine, passed away on February 12, at the age of 70, after a battle with cancer. » Read more

2018-01-30
Bill Bruford Ventures into Uncharted Territory – Drum master Bill Bruford, veteran of some of the most creative bands in history (King Crimson, Yes, Genese, etc.), is sharing some of what he's learned about being a drummer and a musician in his new book, Uncharted: Creativity and the Expert Drummer, out on University of Michigan Press. » Read more

2018-01-18
Christian Burchard RIP – Multi-instrumentalist Christian Burchard, who founded the seminal band Embryo in 1969, has died at the age of 71. His January 17 passing was announced on the band's Facebook page. » Read more


Previously in Exposé...

Dixie Dregs - Full Circle – After a less-than-spectacular live release a few years back, the Dregs are back with an all new studio release, their first in well over ten years. So what's new with these well known purveyors of...  (1994) » Read more

King Crimson - Level Five – Initially a limited edition live CD, Level Five joins the set of other interim releases prior to The Power to Believe. The process for airing new King Crimson material again is to rehearse a piece for...  (2003) » Read more

No-Man - Schoolyard Ghosts – Few may know that Porcupine Tree’s Steven Wilson first achieved success (at least in the UK) with No-Man, his partnership with singer / songwriter / musician Tim Bowness that dates back to 1987....  (2009) » Read more

Ax Genrich - Wave Cut – Everybody should be on to this by now, one of the most impressive comebacks in psychedelic acid rock ever. Guru Guru's most cathartic and inventive guitarist released Psychedelic Guitar in 1994 to...  (1997) » Read more

Barry Cleveland - Volcano – For this outing, San Francisco Bay Area guitarist Barry Cleveland has enlisted a troop of comrades in his effort to bridge the gulf between western musical idioms and those beyond these shores. Though...  (2005) » Read more



Listen & discover



Print issues