Exposé print issues (1993-2011)
Showing items 1271 to 1280 of 11356
Byron’s career as a composer began in earnest in 1972, though most of what we have reviewed in the pages of Exposé has more recent origins. Four of the five pieces on...
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Norwegian progressive pop-rock band Oak is back with the third album of their amalgam of classical piano, electronica, and progressive rock, most notably influenced by Steven Wilson and Porcupine...
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Hair of El Perro is a tribute to the enduring appeal of The Riff in rock music. As old-time rock ‘n’ roll developed into psychedelic rock and the other flavors that appeared in...
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So, is this a High Castle Teleorkestra album? The short answer is no. It’s essentially a massive Various Artist compilation spanning two CDs focusing on some of the releases on the...
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Nix & the Nothings is another new Norwegian band. But instead of exploring prog rock and psych, Nix & the Nothings are rockers who pay homage to the raw visceral power of garage rock and...
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If you heard Ping Pong Pang without knowing anything about it, you might well assume that the music was made by a standing group of three multi-instrumentalists. The pieces are unusual,...
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One of my first encounters with Killick’s music (he went by Erik Hinds at the time) was his amazing 2005 solo h’arpeggione (an acoustic stringed instrument with a range comparable to a...
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The Royal Room in Seattle is a live music venue that’s hosted plenty of amazing music over the years, and I’ve seen quite a number of outstanding shows there, from Kira Kira to Bushman’s Revenge to Jaggery and Seaprog opening nights, not to mention a number of regional jazz artists. The club’s negatives, like difficult parking, are often outweighed by the quality of the music. A night with two sets by The Tiptons Sax Quartet Plus Drums certainly counts as one of those times.
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From the first few notes of Time and Other Delusions you could swear that you are hearing a lost gem from the heady 70s of UK prog rock. But wait a minute, folks, Thirteen of Everything is...
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Some readers may recognize Judith Hoorens’ name as the keyboardist of the band We Stood Like Kings. For...
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