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Wally Shoup

Wally Shoup
Country
United States
Profile
Wally Shoup (born 1944 in North Carolina) is an American jazz alto saxophonist and painter. Based in Seattle, Washington since 1985, Shoup is a mainstay of that city's improvised music scene. Before arriving in Seattle, he began his musical career in Colorado, where is first recording came out in 1981. From the beginning, he incorporated non-musical sounds and noise into his style. Shoup has recorded with Thurston Moore of Sonic Youth, Nels Cline, and many others. He was a member of Dennis Rea's Stackpole.
Website
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Related articles (2)
Releases on file (5)
Wally Shoup / Bill Horist / Paul Kikuchi — Chemical Language Wally Shoup / Bill Horist / Paul Kikuchi — Chemical Language
(New Atlantis Records NA-CD-027, 2015, CD)
Dennis Rea, Wally Shoup & Tom Zgonc — Subduction Zone Dennis Rea, Wally Shoup & Tom Zgonc — Subduction Zone
((Not on label) no#, 2012, CD)
Nels Cline / Wally Shoup / Greg Campbell — Suite: Bittersweet Nels Cline / Wally Shoup / Greg Campbell — Suite: Bittersweet
(Strange Attractors SAAH053, 2007, LP)
Nels Cline / Wally Shoup / Chris Corsano — Immolation / Immersion Nels Cline / Wally Shoup / Chris Corsano — Immolation / Immersion
(Strange Attractors SAAH039, 2005, CD)
Stackpole — Stackpole Stackpole — Stackpole
(First World Music FWD 01.08, 2001, CD)

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2017-09-06
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Previously in Exposé...

Light - The Story of Moses – This album sprouts directly from the treasure trove of Dutch prog rock, although it took a Spanish label to finally release it on CD. The music is inspired by the great classic composer Bach, but in...  (2007) » Read more

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Brandywine Bridge - An English Meadow – English trio Brandywine Bridge released its LP, An English Meadow, in 1978. The album, just reissued by Kissing Spell, contained twelve original songs penned in the style of traditional English folk...  (2003) » Read more

Ilous & Decuyper - Ilous & Decuyper – Ilous & Decuyper occupy an interesting niche in French rock, one that doesn't relate much to what is even vaguely referred to as progressive or symphonic rock. Yet this album is certainly one...  (1997) » Read more



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