Exposé print issues (1993-2011)
Showing items 51 to 60 of 60
The main thing about the WOMAD (World Of Music, Art, and Dance) festival is: it's big. Really big. There are four major stages and several areas for workshops and other activities spread over two and a half days. Twenty or so food vendors. Dozens of merchandise tents. Way too much going on to catch it all. 2001 was the fourth year for WOMAD at Marymoor Park, and the first one not run by local event producers One Reel. Whatever really went on behind the scenes, the end result was One Reel and WOMAD parted ways, and an outfit called The Workshop took on the daunting task of organizing the whole thing on a shortened schedule – once it was determined that there actually would be a festival. To be honest, there were some glitches, but nothing major, and it's hard to imagine anyone could have done much better. The big draw this year was to be the presence of one of WOMAD's founders, Peter Gabriel, and after some shuffling (at one time, Robert Plant was scheduled, then replaced by Gregg Allman), a lineup of more than forty artists representing more than twenty nations came together. » Read more
2000 is the year that Progfest moved back to LA, and back under the stewardship of its founders Greg Walker and David Overstreet. The seeds for its return were no doubt planted in '99 when Banco's appearance at the "International Progressive Music Festival (formerly Progfest)" was cancelled after it was already announced. Many had planned on attending and purchased tickets based solely on the Italian legends' playing that weekend. I hope that if another IPMF happens in SF that some better judgement will prevail in that regard, although promoter Shawn Ahearn must be given credit for getting Magma over here for the first time in over 25 years, and giving Bondage Fruit their American debut. » Read more
The first WOMAD (World Of Music Art and Dance) festival was in 1982, inspired in large part by Peter Gabriel’s love of music from around the world. Since then, there have been festivals in various locations in Europe, Africa, and Asia on a regular basis, but aside from a short tour of one-day mini-festivals in 1993, WOMAD has never gained a foothold in North America. The festival has finally found an American home in Redmond, Washington at Marymoor Park, not far from Seattle. 1998’s WOMAD USA is the first of many projected annual festivals, and if they can all be as interesting and varied as this one, I wish them a long and healthy life. One of the things that sets WOMAD apart from other festivals is the chance to interact with the artists in workshops, discussions and interviews.
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