Exposé print issues (1993-2011)
Showing items 51 to 60 of 62
Presenting a music festival in today's musical landscape is a daunting proposition. Rather than try to emulate the major music festivals like NEARfest or ProgDay, when my fellow organizers and I decided to put one together in Seattle, we made a conscious choice to keep it small and intimate. We selected a historic theater as a venue and a selection of mostly local artists. When the opportunity arose, we booked Thinking Plague and miRthkon to add some broader geographic appeal. » Read more
The main thing about the WOMAD (World Of Music, Art, and Dance) festival is: it's big. Really big. There are four major stages and several areas for workshops and other activities spread over two and a half days. Twenty or so food vendors. Dozens of merchandise tents. Way too much going on to catch it all. 2001 was the fourth year for WOMAD at Marymoor Park, and the first one not run by local event producers One Reel. Whatever really went on behind the scenes, the end result was One Reel and WOMAD parted ways, and an outfit called The Workshop took on the daunting task of organizing the whole thing on a shortened schedule – once it was determined that there actually would be a festival. To be honest, there were some glitches, but nothing major, and it's hard to imagine anyone could have done much better. The big draw this year was to be the presence of one of WOMAD's founders, Peter Gabriel, and after some shuffling (at one time, Robert Plant was scheduled, then replaced by Gregg Allman), a lineup of more than forty artists representing more than twenty nations came together. » Read more These are the most recent changes made to artists, releases, and articles.