Exposé print issues (1993-2011)
Showing items 1 to 10 of 10117
Mizell and Rauh are East Coast based guitarists with an instinctive predeliction for warmth and melody in a world where folk meets classical with an ever so slight touch of blues, and in the case...
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Not one, not two, but three bassists from different 80s Swiss punk bands got together in 2018, finding the idea of a group consisting of three female bass players novel. Three years later they...
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Arabs in Aspic entered my awareness in about 2013, with Pictures in a Dream, and I’ve been listening to them ever since. With their albums being increasingly varied and progressive,...
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Whatever constitutes authenticity in the sound of an instrumental surf-rock band, Chicago’s The Breakers has it in abundance. Certainly based on the forebearers of the style — The...
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Inspired by the title of Roy Orbison’s campy 1967 western The Fastest Guitar Alive, Russian stoner rock...
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I’ve encountered J. Peter Schwalm in a variety of different contexts over the last 15 or so years, including collaborations with Brian Eno and his own electroacoustic atmospheres, and of...
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There are a number of ways one could describe Serena Gabriel’s latest recording, Seeing Inside, but once all the labels and descriptors fall to the wayside, the importance of the...
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Jim Basnight has been putting out music since the late 70s with a number of different bands, and the common thread to his songwriting has been a canny sense of catchy melodies and an instinctive...
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Kerrod is a South African string harpist currently residing in New York City. Classically trained from the age of nine, she has had a varied career as a freelancer, playing as the principal harpist...
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Edredon Sensible is a French quartet with a very unusual lineup: two saxes and two drums. The saxes are a tenor (Jean Lacarrière) and a baritone (Tristan Charles-Alfred), and the bari, of...
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