Exposé Online banner

Three Thirteen — Depletion Region
((Not on label) no#, 2015, CD)

by Jon Davis, 2015-09-18:

Depletion Region Cover art

“Reflection of Day” is the first track on this CD, and when I first heard it, I was reminded of something Anthony Phillips might have come up with as a mellow interlude for a late-70s album. The arpeggiated chords on 12-string together with a simple piano melody would fit on Wise after the Event or Sides, though I doubt Phillips would have carried on with it for over six minutes. While there is some variety on later tracks, the opening is representative, with acoustic guitar (picked or strummed) backing relatively simple keyboard parts, with drums keeping basic time (usually in 4/4). Occasionally a twist like the backward vocals on “All the While” provide a nice touch. But it’s all very polite, pretty, and smooth, without any touches of dissonance, rather like canned soundtrack music for industrial films or documentaries. “Illusionation” sets up a catchy riff in 6/4, but manages to avoid making it really jump out by swamping it in keyboards – a couple of moments approach a nifty Happy the Man kind of complexity, but tone it down and mellow it out. “The Blasted Plain” provides the brightest spot, kicking the tempo up a bit with a driving 7/4 rhythm and an electric guitar melody that almost cuts loose; in the middle section, there’s some percussion and chanting and a little bit of weirdness, but it doesn’t last long, returning to tamer stuff for the remainder of the piece. In the end, Three Thirteen presents a style modelled on something like Camel’s mellower, prettier moments, without the contrasting bluesy or rockish parts (admittedly, Camel has done this on some albums).


by Henry Schneider, 2015-09-18:

Three Thirteen is the pseudonym of multi-instrumentalist Mark Harrell, not to be confused with California’s heavy metal band with the same name. Their respective musics are worlds apart. Mark sites many points of musical reference, but the only one that makes sense to me is Pat Metheny. Mark composes and plays very smooth New Age Contemporary jazz-fusion music. Unfortunately, I do not think that I can do the music on this CD justice. It is too smooth and gentle for me. I hate to say it, but the most interesting aspect of the CD is the cover art. From afar it looks like a beaded design. But on close examination it resolves into an aerial photo of a housing development in Sun Lakes, Arizona, a suburb of Phoenix. A few of the eleven instrumental tracks start out interesting with sonic elements like crowd sounds, a train station, woodland birds, etc. but then the music enters and these moments of interest evaporate. Overall this disc is chock full of excellent and relaxing background music that tends to sound the same to me. Mark used to play drums in a band in his early career, but he may have grown too insulated as a solo artist. His music is missing that edge that comes from interacting musically with other musicians. Even though the promo material for Depletion Region states that Mark drew on rock, pop, classical, and jazz to create this album, the end result really does not fit into the type of music we normally cover on Exposé.


Filed under: New releases , 2015 releases

Related artist(s): Three Thirteen

More info

Latest news

2017-07-27
Yestival Dates Beef up the Beat – Word reaches us that Dylan Howe (son of guitarist Steve Howe) will be joining Yes on their "Yestival" tour, drumming alongside longtime band member Alan White. » Read more

2017-05-19
First ProgStock Festival Set for October – October 2017 will see the inaugural edition of a festival called ProgStock in Rahway, New Jersey at the Union County Performing Arts Center. With a definite slant towards neo-progressive music, the event is sure to please many fans with the inclusion of such artists as Echolyn, Glass Hammer, and Aisles. The festival will take place October 13-15. » Read more

2017-05-05
Clive Brooks RIP – Word reaches us today of another sad passing in the music world. Drummer Clive Brooks, best known as a member of such Canterbury bands as Egg, Uriel / Arzachel, and Groundhogs, has died at the age of 67. Details are sketchy at this point. The news was reported on Nick Mason's Facebook page — Brooks was Mason's drum tech. » Read more

2017-05-02
Col. Bruce Hampton RIP – The phrase "He died doing what he loved" is almost a cliche, but in the case of Col. Bruce Hampton, it couldn't be more true. Hampton, who was born Gustav Berglund III, collapsed on stage at his own 70th birthday celebration and later passed away. The event took place at the Fox Theater in Atlanta. » Read more

2017-04-16
ProgDay 2017 Announces First Bands – Flor de Loto, Sonar, and Infinien are the first three performers to be announced for the 2017 edition of the long-running ProgDay Festival. The 23rd ProgDay takes place Saturday and Sunday, September 2nd and 3rd, at Storybook Farm in Chapel Hill, North Carolina. » Read more


Previously in Exposé...

Steve Tibbetts - Natural Causes – On first listen, one could easily be forgiven for thinking that Natural Causes might be a collection of out-takes from Tibbetts' 1982 album Northern Song, his very first LP for ECM. Indeed, the...  (2011) » Read more

Inquire - Melancholia – The second CD on this 2-disk set is devoted to a lively and entertaining rendition of Louis Verne’s 3rd Organ Symphony. Fans of Keith Emerson’s various classical interpretations, or IQ’s better...  (2005) » Read more

Crimson Jazz Trio - King Crimson Songbook Volume 2 – The late Ian Wallace championed the completion of his trio’s second recording but never had the chance to hear the final fruits of his labor. Together with pianist Jody Nardine and bassist Tim...  (2010) » Read more

Magma - Mekanïk Destruktïw Kommandöh – With the almost complete overhaul of Magma's lineup in 1972 came a similarly drastic shift in musical style and direction. Two of the group's main jazzmen, François Cahen and Jeff...  (1995) » Read more

Paradiso a Basso Prezzo - Paradiso a Basso Prezzo – This is a CD I really expected to like, considering this is an Italian progressive from 1973 live and unreleased. That’s not to say it's bad. It certainly has a lot of typical elements to...  (1996) » Read more



Listen & discover



Print issues