Exposé Online banner

The Insect Trust — The Insect Trust
(Ascension ANCD031, 1968/2000, CD)

by Mac Beaulieu, 2001-03-01:

The Insect Trust Cover art

As a longtime fan of Fairport Convention and British folk rock, I had dismissed American folk as being either too cloying or too familiar. Not so with The Insect Trust, who do for American folk and blues what Fairport did to the British equivalent. For reference sake, I'd compare this with Unhalfbricking, and I'd have to say that this is probably at least as good, given its year and timeless nature. The Insect Trust takes original and traditional tunes and adapts them to their own hippie vision with plenty of saxes, recorders, clarinet, piccolo, banjo, strings, and jangly slide guitars, resulting in folk music that is vital and inviting. Vocalist Nancy Jefferies has an outstanding voice, landing somewhere between Sandy Denny and Jacqui McShee (Pentangle). I couldn't help but fall in love with this even during the first track, a lazy, sultry, country blues number, split in the middle by a nicely noisy jam. "Miss Fun City" sounds like it's right out of CCR's bayou with its strongly reverbed rhythm guitar, banjo, and creeping movement. As one might expect from the date, there is a war protest song, but this one from WWI. "Special Rider Blues," at 7:43, starts out simply enough, eventually growing into a simple extended jam that sends me into a long-lost bluesy rapture; indeed, it has been many years since the blues have sent me anywhere but running for cover. "Been Here and Gone So Soon" smacks of a folk classic in composition, melody, and arrangement. Though a couple of songs get fairly simple, it never gets too dull or banal. In fact, this whole effort reeks of musicians who were confident in their direction (even if in the end they didn't get there) and comes highly recommended to prog fans with folk/blues interests.


by Peter Thelen, 2001-03-01:

This late-60s quintet from NYC epitomized the broad sense of musical experimentation of the era, pulling incongruent forms together, and through a combination of optimism and naiveté, managing to make them work. An unlikely assemblage of musicians, the Trust featured guitarist Bill Barth (electric, acoustic, bottleneck slide, etc.), Bob Palmer (alto sax, clarinet, recorders – who years later would become rock critic Robert Palmer), Trevor Koehler (baritone sax, piccolo, sewer drum, thumb piano, upright bass), Luke Faust (banjo, banjo-guitar, vocals) and singer Nancy Jeffries, a powerful vocalist with a strong folk-rock sensibility. Rounding out this lineup were top-notch session players on bass, drums, rhythm guitar, and some uncredited strings. Their sound is all over the map, but generally combines elements of 60s psychedelic rock, jugband, and blues, with a strong injection of jazz and folk. Tracks like "Mountain Song" and "World War I Song" tend to showcase the jugband element, while pieces like "The Skin Game" with its maelstrom of slide guitars and wailing saxes typifies their psychedelic rock perspective. A cover of "Special Rider Blues" and a Barth/Jeffries composition "Going Home" are solid blues, the former an absolute smokin' performance by all, while the latter is primarily an acoustic trio of Barth, Jeffries, and Palmer. "Been Here and Gone So Soon" presents their folkier side, perhaps with a touch of Appalachia. A cover of Gabor Szabo's "Walking on Nails" is another highlight and a good showcase for Jeffries' voice, but perhaps the album's strongest piece is "Miss Fun City", with its introspective banjo intro, droning electric rhythm guitar with saxes soloing over the top – and another splendid showcase for Jeffries' voice; it combines all the best elements of their sound in equal proportion. It's great to finally have this obscure classic available on CD. Recommended!


Filed under: Reissues , Issue 21 , 2000 releases, 1968 releases

Related artist(s): The Insect Trust

More info

Latest news

2018-05-14
Glenn Branca RIP – Experimental guitarist and composer Glenn Branca has died at the age of 69. He was known for compositions featuring large ensembles of guitars, and for the use of feedback. He founded his band Theoretical Girls in the mid-70s as an art-punk answer to what he saw as the increasing commercialization of punk music. His compositions were highly influential, with such figures as David Bowie, Thurston Moore, and John Lurie among his fans. » Read more

2018-04-05
OBEY Convention XI Set for May 24-28 in Halifax – As the 2018 festival season rapidly approaches, we’d like you to be aware of a real treasure of diverse and creative music that’s going to take place in Halifax, Nova Scotia, next month. The OBEY Convention is on its 11th outing, and features a wide range of artists from around the world. From avant-industrial noise to experimental takes on Classical Chinese music, from chamber jazz to doom metal, from ambient soundscapes to Canadian First Nations drumming, you’d be hard pressed to find a festival with more variety in sound anywhere in the world. » Read more

2018-04-04
Close to the Rain Festival in Bergen Announces Lineup – Now in its second year, the Close to the Rain Festival of progressive music is scheduled to take place in Bergen, Norway, on June 7 - 9. They've got an amazing slate of bands lined up, including such powerhouses as Anekdoten, Major Parkinson, Arabs in Aspic, Tusmørke, and many more. » Read more

2018-03-01
Seaprog 2018 Artist Announcements Raise Festival's Profile – Seattle's Seaprog festival has been going since 2013, and the 2018 edition features a slate of artists that's sure to bring more attention to the event. Cheer-Accident, Bubblemath, and Free Salamander Exhibit are in the first round announcement of performers. In keeping with their tradition of focusing on regional artists, they will also present a number of artists from Washington and Oregon. [Edit: Just added: Inner Ear Brigade] » Read more

2018-02-26
Adelbert von Deyen RIP – Word reaches us that German electronic musician Adelbert von Deyen has died. His recorded legacy reaches back to 1978, when Sky Records released Sternzeit. Von Deyen, who was born October 25, 1953 in Süderbrarup, was also known as a painter and graphic artist. » Read more


Previously in Exposé...

Tod Dockstader / David Lee Myers - Bijou – Tod Dockstader is one of the grand old men of electro-acoustic music, and on Bijou he is teamed with David Lee Myers, who performs on “feedback machines.” From the cover to the booklet to...  (2006) » Read more

Lunar Chateau - Lunar Chateau – Lunar Chateau is a new band from the United States formed by the Sekulovich brothers, Novak (keyboards and vocals), Paul (bass guitar and lead vocals), and Milo (drums). Based on this information you...  (1995) » Read more

Brunnen - Swoon – <crickets> — that’s either the typical response to the question “Any Brunnen fans in the audience?” or an accurate description of the third track on this CD. Brunnen is...  (2011) » Read more

Finisterre - In Limine – Still spacey, ethereal and sublime, Finisterre are one of the most interesting of the new Italian groups, skirting the Marillion school that so many are fond of and embracing that refined subtlety I...  (1997) » Read more

Cage - Secret Passage – There’s nothing new about a progressive rock band sounding a bit like classic Genesis, and unless you have a categorical dislike of bands that sound a bit like classic Genesis, Cage has a lot to...  (2011) » Read more



Listen & discover



Print issues