Exposé Online banner

The Colorplates — Agony and Ecstasy
(Green Monkey GM 1017, 1982/2013, CD)

by Jon Davis, Published 2013-11-05

Agony and Ecstasy Cover artI moved to Seattle in 1985, missing The Colorplates by a few years, but if I'd been here earlier, I probably would have been a dedicated follower. The time period of 1979-82, when this band was active, was a time of musical searching for me: the bulk of progressive rock I grew up with had lost most of its appeal, jazz was sounding rather tired, and most punk rock was just too simple to take seriously on a musical level (though it had other factors going for it). Obviously, the members of The Colorplates (along with precursor bands The Pigments and The Adults) shared a similar attitude. Along with their better known contemporaries (like Pere Ubu, Magazine, The Pop Group, and others), they added avant-garde artistic elements to simple rock structures to create what came to be called post-punk and art-punk. In this case, a background in free improvisation lent elements of chaos to the sound. They also had a propensity for rearranging well-known songs in their own style, as found here with "Purple Haze" (which is every bit as radical a reworking as Devo did with "Satisfaction"), "Break on Through," and "It Was a Very Good Year." The latter is particularly notable for a nutty theremin solo from Harvey Tawney. But aside from the cover tunes, it's notable that the original songs are really good, catchy, quirky, and full of energy. "Call on Me" (present in two different versions) sounds a bit like early Devo with a skronky sax providing demented counterpoint to the melody; "Ornette" features a lurching beat with two guitar parts duking it out for what key should dominate. The four improvisations that finish off the CD feature additional instrumentation, both by band members and guests, providing horns, percussion, keyboards, and "little instruments," and showing the range The Colorplates were capable of. The recordings are stripped down and no-frills, but surprisingly listenable given the widely varying sources. Former band member Tom Dyer, now head of Green Monkey Records, is to be commended for handling the mastering so well. A few tracks, especially the live recordings, are wildly oversaturated and noisy, but somehow that works in their favor, reminding us what it was like in the early 80s when everyone in the audience wasn't carrying around a digital audio recorder. Agony and Ecstasy is a fascinating series of snapshots of a time and place worth remembering.

Filed under: New releases, 2013 releases, 1982 recordings

Related artist(s): Tom Dyer, The Colorplates

More info
http://greenmonkeyrecords.bandcamp.com/album/agony-and-ecstasy

Latest news

2018-04-05
OBEY Convention XI Set for May 24-28 in Halifax – As the 2018 festival season rapidly approaches, we’d like you to be aware of a real treasure of diverse and creative music that’s going to take place in Halifax, Nova Scotia, next month. The OBEY Convention is on its 11th outing, and features a wide range of artists from around the world. From avant-industrial noise to experimental takes on Classical Chinese music, from chamber jazz to doom metal, from ambient soundscapes to Canadian First Nations drumming, you’d be hard pressed to find a festival with more variety in sound anywhere in the world. » Read more

2018-04-04
Close to the Rain Festival in Bergen Announces Lineup – Now in its second year, the Close to the Rain Festival of progressive music is scheduled to take place in Bergen, Norway, on June 7 - 9. They've got an amazing slate of bands lined up, including such powerhouses as Anekdoten, Major Parkinson, Arabs in Aspic, Tusmørke, and many more. » Read more

2018-03-01
Seaprog 2018 Artist Announcements Raise Festival's Profile – Seattle's Seaprog festival has been going since 2013, and the 2018 edition features a slate of artists that's sure to bring more attention to the event. Cheer-Accident, Bubblemath, and Free Salamander Exhibit are in the first round announcement of performers. In keeping with their tradition of focusing on regional artists, they will also present a number of artists from Washington and Oregon. [Edit: Just added: Inner Ear Brigade] » Read more

2018-02-26
Adelbert von Deyen RIP – Word reaches us that German electronic musician Adelbert von Deyen has died. His recorded legacy reaches back to 1978, when Sky Records released Sternzeit. Von Deyen, who was born October 25, 1953 in Süderbrarup, was also known as a painter and graphic artist. » Read more

2018-02-18
Didier Lockwood RIP – Word reaches us today of the death of one of France's great jazz musicians, violinist Didier Lockwood. His playing bridged many worlds, from traditional jazz to fusion to progressive rock, and his talent can be heard on recordings by Magma, Clearlight, Pierre Moerlen's Gong, and many more. Lockwood was 62. » Read more


Previously in Exposé...

Garmarna & Hedningarna reissues – Over the last few years, I’ve had several occasions to gush about how wonderful Garmarna is, namely the release of each of their three American CDs (the first two on Omnium, the third on NorthSide)....  (2001) » Read more



Listen & discover



Print issues