Exposé Online banner

The Collectors — The Collectors
(Collectors' Choice CCM-499-2, 1968/2004, CD)

The Collectors — Grass and Wild Strawberries
(Collectors' Choice CCM-500-2, 1969/2004, CD)

by Jon Davis, Published 2005-09-01

The Collectors Cover artGrass and Wild Strawberries Cover art

The Collectors hailed from Vancouver, Canada, not exactly a hotbed of the worldwide psychedelic scene, which maybe helps explain why they didn’t make a bigger impact. Their two albums, though released on Warner Brothers, failed to score with the public at the time, and fell into obscurity. Their debut consisted of five normal-length songs on side one and a nineteen-minute suite on side two. The band’s sound is quite remarkable, combining psychedelic folk-rock with prominent flute and sax along with lots of classical shadings. The vocal arrangements are particularly elaborate, sometimes evidencing a hint of Gregorian chant. “Lydia Purple” was chosen by the label as the single, and was the only song to feature outside writers or players (on harpsichord and cello); it’s a decent effort with a passing resemblance to “Eleanor Rigby” and did well in Canada. The group’s own creations are quite sophisticated, and the closer “What Love (Suite)” is really amazing, being a completely composed whole, not padded with any instrumental jamming. I’m reminded of Procol Harum’s “In Held ‘Twas I” (which also dates from 1968) with some spoken parts, some big orchestral sections, and some “freakout” parts. Side one’s “One Act Play” foreshadowed the band’s next move, which was to provide music for a play by George Ryga called Grass and Wild Strawberries. Given the music’s genesis (the band actually played on stage for the inaugural run), it is perhaps less satisfying as an album, but the stylistic adventurousness remains, taking their elaborate vocals and complex structures and augmenting them with elements of blues, early country-rock, and some heavier rock parts. Unlike many soundtracks, there are some great individual tunes like “Things I Remember” and the very strange “Teletype Click” with speed-altered vocals and a killer riff. Other than some unreleased soundtrack work, that was it for what was possibly the most inventive Canadian band of the time. Most of the Collectors went on to form Chilliwack, a Canadian stalwart of the 70s that never had much impact outside their native country.


Filed under: Reissues, Issue 32, 2004 releases, 1968 recordings, 1969 recordings

Related artist(s): The Collectors

Latest news

2017-11-16
Celebrate 10 Years of Fruits de Mer – As a special celebration for a decade of cool vinyl releases, our friends at Fruits de Mer records have prepared a limited edition reissue of an album by the first band ever to appear on the label: Schizo Fun Addict. The band is known for unusual release strag » Read more

2017-11-02
Mega Dodo Presents New Charity Album – Our friends at Mega Dodo have put together a lovely compilation of their artists performing new arrangements of nursery rhymes, and all the profits from sales of the album will benefit Save the Children. It features a number of artists we've covered. » Read more

2017-10-18
Phil Miller RIP – Sad word reaches us today of the passing of another of the great musicians of the Canterbury Scene — guitarist Phil Miller. His distinctive sound added greatly to Matching Mole, Hatfield and the North, and National Health, and he also contributed to albums by Caravan, Dave Stewart & Barbara Gaskin, and many others. He was 68. » Read more

2017-10-13
Moonjune to Distribute Tony Levin's Back Catalog – It has been announced that Moonjune will now handle distribution for Tony Levin's catalog of releases. These great albums will now be a bit easier to get hold of, so check out the site and see what you're missing. The veteran of King Crimson and Stick Men worked with a host of great players on these albums, and we've reviewed most of them over the course of the years. » Read more

2017-09-26
Bandcamp Shines Light on Niches We Like – Bandcamp has developed into one of the best places to discover new music, and even a lot of old music is showing up there. In addition, their staff has been producing periodic articles spotlighting some interesting stylistic areas. On 20 September, they published one called "The New Face of Prog Rock" which bears checking out. » Read more


Previously in Exposé...

Tsunami - Anthem of the Great Wave – Tsunami are a Dutch five piece of guitar, keys, bass and drums and a very obnoxious lead vocalist who doubles on guitar. This guy is your typical quasi-emotional overbearing neo-clone nasal-whining...  (1994) » Read more



Listen & discover



Print issues