Dr. Coenobite — Castles in the Air
((Not on label) Monastery CP4CV1994, 1994, CD)
The Coenobite — My Habit
((Not on label) Monastery CP8CV21992, 1992, CD)
by Dan Casey, Published 1995-07-01
The Coenobite, besides being a clever variant on the hideous demon from Clive Barker's novella "The Hellbound Heart," is the one-man project of Dutchman Coen Vrouwenvelder. Primarily a guitarist, rooted in classical and Spanish guitar music, My Habit is also full of synths and digital drums performed by Coen as well. After a fairly dubious demo tape, this album is the result of putting together a home MIDI studio. The half-hour opener, "The Aquarius Man," is full of sub-movements and even sub-movements upon that, but really is more of an exercise in linear songwriting. The music strives to be symphonic, and adds a dash of familiar neo-prog as well. While admirable for its intention and ambition, the piece falls flat on its face whenever the dynamics call for something up-tempo and lively. The reason for this is painfully clear -- digital, bad-sounding programmed drums. Three other tracks fill up the rest of the album, all in the same vein.
In the two years between My Habit and Castles in the Sky, the Coenobite became a doctor. If this is to indicate some improvement, then it is surely well taken as Castles is a much more mature and deeper work, for the most part. Still, the digital drums will make you cringe, and so will the newly added (but scarcely used) female vocals. They are without any real melody, without proper intonation, and the lyrics are simply pretentious. Yet, more of the time here is devoted to quiet, introspective passages, and these shine surprisingly well, with delicate classical guitars and minimalist synth orchestrations. Both the lead guitars and lead synths are more virtuoso as well, and mention should be made of Joost Cornelissen who guested on the heaviest lead guitar solos. As a side note, Castles received backing and distribution from SI Music, but maintained an independent production. The lesson here is clear: practice makes perfect. The Doctor is not there yet, but seems to have potential. And, as is so often the case with these one-man homespun outfits, this music is just begging for a full band arrangement. Unfortunately, both albums come across as simple demo versions of music far more grand in its vision.
Related artist(s): Dr. Coenobite
First ProgStock Festival Set for October – October 2017 will see the inaugural edition of a festival called ProgStock in Rahway, New Jersey at the Union County Performing Arts Center. With a definite slant towards neo-progressive music, the event is sure to please many fans with the inclusion of such artists as Echolyn, Glass Hammer, and Aisles. The festival will take place October 13-15. » Read more
Clive Brooks RIP – Word reaches us today of another sad passing in the music world. Drummer Clive Brooks, best known as a member of such Canterbury bands as Egg, Uriel / Arzachel, and Groundhogs, has died at the age of 67. Details are sketchy at this point. The news was reported on Nick Mason's Facebook page — Brooks was Mason's drum tech. » Read more
Col. Bruce Hampton RIP – The phrase "He died doing what he loved" is almost a cliche, but in the case of Col. Bruce Hampton, it couldn't be more true. Hampton, who was born Gustav Berglund III, collapsed on stage at his own 70th birthday celebration and later passed away. The event took place at the Fox Theater in Atlanta. » Read more
ProgDay 2017 Announces First Bands – Flor de Loto, Sonar, and Infinien are the first three performers to be announced for the 2017 edition of the long-running ProgDay Festival. The 23rd ProgDay takes place Saturday and Sunday, September 2nd and 3rd, at Storybook Farm in Chapel Hill, North Carolina. » Read more
Allan Holdsworth RIP – Surely in the list of artists who have contributed to the sound of modern music, there is a special spot for guitarist Allan Holdsworth. His name is known to virtually every student of the instrument in jazz and rock, and his style has been so widely emulated that it's hardly worth mentioning anymore — we can just assume that every guitarist has Holdsworth as an influence. » Read more