Tempest — Turn of the Wheel
(Magna Carta MA-9007-2, 1996, CD)
by Mike McLatchey, 1996-08-01:
Tempest (not to be confused with the ex-Colosseum group) wasn't a group I would have expected to review in Exposé as I considered them a straighter folk-rock band from the tracks I'd heard on nationally syndicated radio program Thistle & Shamrock. Even on their last album, Surfing to Mecca, the sound was too imbued with elements of country and pop to be close to my tastes. They also tour quite often in the Bay Area (where they hail from) so I was very surprised to see their new album on the Magna Carta label, a label I normally associate with digital synths and electronic drum sets. Tempest have matured quite a bit over the years – their vast touring experience has honed them into a fine ensemble. Dropping most of the country and bluegrass influences, Tempest's latest blend is an electrified Celtic folk rock that has a lot of similarities to bands like the Horslips, Fairport Convention (circa Tipplers Tales) and the French group Ys. There's no doubt that Magna Carta had some influence in bringing the band's Jethro Tull similarities more to the front, especially due to Lief Sorbye’s voice. Appearances by Keith Emerson and Robert Berry tie this even closer to the Magna Carta brand of prog rock and it's quite interesting to note how different this album is from Surfing to Mecca. This new synthesis has made Tempest's music much more immediate. Reels and jigs galore – Tempest's new album makes a good companion for a late night at the pub. This is certainly both Magna Carta and Tempest's finest effort to date.
by Mike Ohman, 1996-08-01:
No, this is not Allan Holdsworth's hard rock band reunited. This is a new band mating Celtic folk and rock, and doing quite a job of it I might add. Comparisons to Jethro Tull (especially vocally) and Horslips circa The Tain (overall instrumental style) might be made, but it's clear Tempest are no mere mimes. They build their sound from the ground up, starting off with a traditional theme, and building a rock texture around it. The rock feel is expressed mainly through the rhythm section and guitar, keyboards (organ chords appear often in the background, the odd synth-string chords pop up at dramatic moments) definitely take a secondary role here. The folk sound is well represented, utilizing fiddles, pennywhistle, mandolins, mandola, bodhran and the occasional flute. No, Horslips fans, no concertina, but the incidental use of harmonica seems to occupy its vacated space. This may well be Magna Carta's best release to date, it certainly is very different from their usual prog metal/symphonic neo stock-in-trade. The only band I know making this type of music these days. If you've missed it as much as I have, give this album a try.
by Jeff Melton, 1996-08-01:
Tempest is led by Lief Sorbye (formerly of folk group Golden Bough). This is their first album for the Magna Carta label and their fourth disc overall. Jigs and reels and storytelling: that's what this band is about. You must pay close attention to the lyrics to understand the story or the bulk of the song's impact is lost. Turn of the Wheel is filled with swirling flute and violin as well as additional backing from mandolin, and some rollicking electric guitar (to add a more rockish flavor to the songs). The band's style is very similar to latterday Fairport Convention, or the more folk-rockish albums by Jethro Tull (Heavy Horses period). Lief's vocal narratives are reminiscent of Simon Nicol's as well as Michael Mullen's violin comparable to that of Dave Swarbrick's. The Celtic electric (Cel-ectric?) guitar playing is solid, with good rhythm playing that has a stronger 'edge' to it than most of the folk bands who have tried to incorporate rock elements into folk music. Tempest is a good fusion of these styles without overwhelming arrangements. Production work is by Robert Berry who provides good keyboard (organ) foundation layering to several of the tracks. The Leadoff song, "The Barrow Man," features some rather subdued playing by guest Keith Emerson ( who worked with Berry in '3'), but is a great beginning to a strong effort by some talented folks.
Legendary Co-Founder of The 13th Floor Elevators Passes Away at Age 71 – Sadly, Roky Erickson passed away on May 31, 2019. Known as the father of psychedelic music and co-founder of the ground breaking 13th Floor Elevators, Roky had a profound influence on music from the 60s to today. Plagued by his own personal demons, Roky had a difficult life and is now free of these burdens. » Read more
Help MoonJune Bring Great Music to Life – Like many music lovers around the world, we’ve been thrilled and amazed to hear the recordings that have been released by MoonJune from sessions at La Casa Murada in Spain. Such label stalwarts as Mark Wingfield, Markus Reuter, Asaf Sirkis, Tony Levin, Dusan Jevtovic, Vasil Hadzimanov, and many more have gathered in various combinations at the studio to produce some of the most creative music in recent years. Now, label head Leonardo Pavkovic is offering a compilation, La Casa Murada - MoonJune Sessions, Volume One, as a fundraiser for upcoming sessions. » Read more
The Pineapple Thief to Tour North America – November and December of 2019 will see The Pineapple Thief bringing their music to Canada, Mexico, and the US, and famed drummer Gavin Harrison will be on board. The band has been touring extensively in Europe, but North America will be new territory for them. » Read more
Scott Walker RIP – Noel Scott Engel, better known as Scott Walker, was one of the most intriguing and enigmatic musical figures in the second half of the 20th Century. His strange career started with The Walker Brothers, an American pop group that featured no one named Walker and no brothers. After moving to England in 1965, they had a series of hit singles. Scott's solo work started with Scott in 1967. Starting in the 80s, his work took an increasingly avant-garde turn. » Read more
Freedom to Spend Unearths June Chikuma's Archives – Jun (June) Chikuma is well known for her video game and anime soundtracks, but she also released an album of experimental electronic music back in 1986 called Divertimento where she indulged the kind of spontaneity that wouldn't work in a soundtrack. RVNG Int'l label Freedom to Spend is bringing this overlooked item to broader attention with a deluxe reissue. » Read more
Michael Hoppé, Martin Tillmann, Tim Wheater - Afterglow – Afterglow is the combined musical energies of cellist Martin Tillman, flautist Tim Wheater, and keys player Michael Hoppé. For the most part, the music is a spacious and somber affair,... (2000) » Read more