Exposé Online banner

Tempest — Turn of the Wheel
(Magna Carta MA-9007-2, 1996, CD)

by Mike McLatchey, 1996-08-01:

Turn of the Wheel Cover art

Tempest (not to be confused with the ex-Colosseum group) wasn't a group I would have expected to review in Exposé as I considered them a straighter folk-rock band from the tracks I'd heard on nationally syndicated radio program Thistle & Shamrock. Even on their last album, Surfing to Mecca, the sound was too imbued with elements of country and pop to be close to my tastes. They also tour quite often in the Bay Area (where they hail from) so I was very surprised to see their new album on the Magna Carta label, a label I normally associate with digital synths and electronic drum sets. Tempest have matured quite a bit over the years – their vast touring experience has honed them into a fine ensemble. Dropping most of the country and bluegrass influences, Tempest's latest blend is an electrified Celtic folk rock that has a lot of similarities to bands like the Horslips, Fairport Convention (circa Tipplers Tales) and the French group Ys. There's no doubt that Magna Carta had some influence in bringing the band's Jethro Tull similarities more to the front, especially due to Lief Sorbye’s voice. Appearances by Keith Emerson and Robert Berry tie this even closer to the Magna Carta brand of prog rock and it's quite interesting to note how different this album is from Surfing to Mecca. This new synthesis has made Tempest's music much more immediate. Reels and jigs galore – Tempest's new album makes a good companion for a late night at the pub. This is certainly both Magna Carta and Tempest's finest effort to date.


by Mike Ohman, 1996-08-01:

No, this is not Allan Holdsworth's hard rock band reunited. This is a new band mating Celtic folk and rock, and doing quite a job of it I might add. Comparisons to Jethro Tull (especially vocally) and Horslips circa The Tain (overall instrumental style) might be made, but it's clear Tempest are no mere mimes. They build their sound from the ground up, starting off with a traditional theme, and building a rock texture around it. The rock feel is expressed mainly through the rhythm section and guitar, keyboards (organ chords appear often in the background, the odd synth-string chords pop up at dramatic moments) definitely take a secondary role here. The folk sound is well represented, utilizing fiddles, pennywhistle, mandolins, mandola, bodhran and the occasional flute. No, Horslips fans, no concertina, but the incidental use of harmonica seems to occupy its vacated space. This may well be Magna Carta's best release to date, it certainly is very different from their usual prog metal/symphonic neo stock-in-trade. The only band I know making this type of music these days. If you've missed it as much as I have, give this album a try.


by Jeff Melton, 1996-08-01:

Tempest is led by Lief Sorbye (formerly of folk group Golden Bough). This is their first album for the Magna Carta label and their fourth disc overall. Jigs and reels and storytelling: that's what this band is about. You must pay close attention to the lyrics to understand the story or the bulk of the song's impact is lost. Turn of the Wheel is filled with swirling flute and violin as well as additional backing from mandolin, and some rollicking electric guitar (to add a more rockish flavor to the songs). The band's style is very similar to latterday Fairport Convention, or the more folk-rockish albums by Jethro Tull (Heavy Horses period). Lief's vocal narratives are reminiscent of Simon Nicol's as well as Michael Mullen's violin comparable to that of Dave Swarbrick's. The Celtic electric (Cel-ectric?) guitar playing is solid, with good rhythm playing that has a stronger 'edge' to it than most of the folk bands who have tried to incorporate rock elements into folk music. Tempest is a good fusion of these styles without overwhelming arrangements. Production work is by Robert Berry who provides good keyboard (organ) foundation layering to several of the tracks. The Leadoff song, "The Barrow Man," features some rather subdued playing by guest Keith Emerson ( who worked with Berry in '3'), but is a great beginning to a strong effort by some talented folks.


Filed under: New releases , Issue 10 , 1996 releases

Related artist(s): Tempest, Keith Emerson

More info

Latest news

2019-01-11
Jazz Composer Mark Lomax, II Releases Epic 12CD Set – In addition to being a fine jazz drummer, Dr. Mark Lomax, II is a composer in residence at Ohio State University, where he has been very busy on the compositional front. The year 2019 is the 400th anniversary of the arrival of the first ship bringing African slaves to North America, and in commemoration of this, Lomax has produced 400: An Afrikan Epic, a 12 volume set of CDs featuring a variety of different musical ensembles. » Read more

2019-01-02
Chicago-Based Surabhi Ensemble Tours the World in January – Surabhi Ensemble was formed more than a decade ago in Chicago with the aim of bringing together musicians from varying traditions to make music. Saraswathi Ranganathan, who plays veena, assembled a cast that includes Arabic oud, Spanish guitar, and percussion from Africa and India. This month, the group will be sharing their sounds with concert-goers in Southeast Asia, Europe, and Africa. » Read more

2018-12-23
Seaprog Festival Seeks Donations – Seaprog is a small festival in Seattle that highlights creative music from many genres with artists from around the world. It's also a US non-profit organization. They're seeking donations to help keep the ball rolling. Starting in 2013, the organization has been growing, and has featured such artists as Free Salamander Exhibit, Jack o' the Clock, Nik Turner, Cabezas de Cera, Miriodor, Thinking Plague, and many more. » Read more

2018-11-16
The Seventeenth Dream of Dr Sardonicus Festival Tickets Now Available – Fruits de Mer Records and their merry crew of psychedelic explorers are getting set to present the next The Seventeenth Dream of Dr. Sardonicus Festival. The dates are set for August 2-4, 2019 at The Cellar Bar in Cardigan, Wales. They've also announced that the legendary Groundhogs will top the bill. » Read more

2018-11-02
Charles O'Meara (C.W. Vrtacek) RIP – A true musical original has left us. Charles O'Meara, who recorded under the name C.W. Vrtacek, was a wild-card musical talent, ranging from complex progressive rock to introspective modern compositions, with stops at many places inbetween. » Read more


Previously in Exposé...

Finch - Glory of the Inner Force – Dutch band Finch's debut album has been long overdue for CD reissue. Acclaimed as a classic by some, and as overrated by others, either way you look at it its still a must listen. Finch were an...  (1994) » Read more

Mr. Sirius - Dirge – When considering the finest releases of the Japanese symphonic rock scene, the first two albums by Mr. Sirius come to mind immediately, not only for their apparent absence of any immediately obvious...  (1994) » Read more

Calomito - Inaudito – Older people will surely remember Rock in Oppossition, an informal gathering of avant-rock groups initiated by Henry Cow in the early Seventies. They were from several European countries, including...  (2006) » Read more

Humi (Hugh Hopper / Yumi Hara Cawkwell) - Dune – Humi is the duo of Hugh Hopper (electric bass, electronics, loops) and Yumi Hara Cawkwell (voice, piano, keyboards, percussion) working in an ambient improvisational avant-garde jazz space. The...  (2008) » Read more

Caamora - She – Clive Nolan (Arena, Shadowlands, Pendragon, etc.) rarely does anything on a small scale, and elements of theatricality and drama have appeared in much of his past work so it seems only natural that...  (2008) » Read more



Listen & discover



Print issues