Exposé Online banner

Taylor's Universe — Across the Universe: An Introduction to Taylor's Universe
(Marvel of Beauty , 2015, CD)

by Henry Schneider, 2016-01-25:

Across the Universe: An Introduction to Taylor's Universe Cover art

Robin Taylor has quite the body of work. Each new album builds on his previous work and adds new elements. And that brings us to the new Taylor’s Universe album, Across the Universe. Rather than compose and record another album of new music, Robin decided to release a selection of what he considers highlights from the Taylor’s Universe catalog, sampling from Kind of Red (2012), Artificial Joy (2009), and Return to Whatever (2009). Across the Universe is not what we have come to think of as a greatest hits release. Instead he recorded altered versions of seven tracks; rearranging, re-recording, remixing, or re-mastering the music. Even though Robin plays most of the instruments (guitar, keyboards, bass, percussion, etc.) the other musicians are basically the same as who played on Kind of Red, but different from the other two albums. Therefore, I am guessing the major alterations were made to the tracks from 2009. The timings between the original tracks and Across the Universe are all different, usually by a handful of seconds, but on “Fame” and “Haunted Yellow House” the differences are minutes. I am only familiar with Kind of Red, so I cannot comment on the musical differences from the other albums. I really cannot tell the difference on “Salon Bleu,” so this song may just be re-mastered. “Firestone” is definitely a remix as the saxophone heard at the beginning is now absent. And “Tortugas” sounds like the bass has been emphasized. So for the Robin Taylor purist you may not be interested in Across the Universe. But for someone unfamiliar with his work, Across the Universe is a great place to start. The music is outstanding.


by Peter Thelen, 2016-01-25:

Interesting concept here. Across The Universe is billed as “An introduction to Taylor’s Universe,” and I would agree that for a band with fourteen full length releases to date, a best-of compilation would be a good thing for listeners just tuning in now. But that’s not what this is, at least not the way it’s usually done. Instead, Robin Taylor and the current version of TU decided to, for whatever reason, re-record seven pieces that originally appeared on the albums Artificial Joy (2009), Return to Whatever (2009), and Kind of Red (2012). The latter album, from which “Salon Bleu,” “Tortugas,” and “Firestone” were culled, was originally recorded with a lean crew of only three instrumentalists, an excellent album for certain, but nonethelss it benefits from the six-piece lineup featured here and some changes in the original arrangements. “Days Run Like Horses,” originally featured on Artificial Joy seems more fluid, experimental and ‘live’ here in its current version. “Fame,” taken from the same album, trades some of its initial heaviness for a more reserved approach ramping up, arriving at that point later in the piece, and trimming several minutes off the near-ten minute original. Several of the same players are featured in this special lineup: drummer Klaus Thrane, saxophonist Jakob Mygind and (of course) Taylor were on the original version, but two new guitarists John Sund and Frank Carvalho (from Etcetera) feature here, as well as synth player Thomas Thor Viderø Ulstrup, who has been with the band on recent releases Evidence and From Scratch. The final two cuts are “Haunted Yellow House,” in a more animated and longer arrangement, and “Mooncake” – both from Return to Whatever. For one who’s never experienced Taylor’s Universe before, this is definitely a great introduction, but for those who have the three original releases, don’t miss out on these excellent alternate arrangements.


Filed under: New releases , 2015 releases

Related artist(s): Robin Taylor, Taylor's Universe / Taylor's Free Universe

More info

Latest news

2019-01-11
Jazz Composer Mark Lomax, II Releases Epic 12CD Set – In addition to being a fine jazz drummer, Dr. Mark Lomax, II is a composer in residence at Ohio State University, where he has been very busy on the compositional front. The year 2019 is the 400th anniversary of the arrival of the first ship bringing African slaves to North America, and in commemoration of this, Lomax has produced 400: An Afrikan Epic, a 12 volume set of CDs featuring a variety of different musical ensembles. » Read more

2019-01-02
Chicago-Based Surabhi Ensemble Tours the World in January – Surabhi Ensemble was formed more than a decade ago in Chicago with the aim of bringing together musicians from varying traditions to make music. Saraswathi Ranganathan, who plays veena, assembled a cast that includes Arabic oud, Spanish guitar, and percussion from Africa and India. This month, the group will be sharing their sounds with concert-goers in Southeast Asia, Europe, and Africa. » Read more

2018-12-23
Seaprog Festival Seeks Donations – Seaprog is a small festival in Seattle that highlights creative music from many genres with artists from around the world. It's also a US non-profit organization. They're seeking donations to help keep the ball rolling. Starting in 2013, the organization has been growing, and has featured such artists as Free Salamander Exhibit, Jack o' the Clock, Nik Turner, Cabezas de Cera, Miriodor, Thinking Plague, and many more. » Read more

2018-11-16
The Seventeenth Dream of Dr Sardonicus Festival Tickets Now Available – Fruits de Mer Records and their merry crew of psychedelic explorers are getting set to present the next The Seventeenth Dream of Dr. Sardonicus Festival. The dates are set for August 2-4, 2019 at The Cellar Bar in Cardigan, Wales. They've also announced that the legendary Groundhogs will top the bill. » Read more

2018-11-02
Charles O'Meara (C.W. Vrtacek) RIP – A true musical original has left us. Charles O'Meara, who recorded under the name C.W. Vrtacek, was a wild-card musical talent, ranging from complex progressive rock to introspective modern compositions, with stops at many places inbetween. » Read more


Previously in Exposé...

Rush - Beyond the Lighted Stage – Beyond the Lighted Stage is directors Sam Dunn and Scot McFadyen's look under the hood at the venerable Canadian trio, with the bulk of the content based on personal interviews with guitarist Alex...  (2011) » Read more

The Black Noodle Project - Play Again – Thick and chunky spacerock mannerisms assault unsuspecting onlookers before settling into the interactive stylistic conflagrations that expansive progressive rock is known for. This is classic...  (2007) » Read more

Ptôse - Ignobles Limaces + Night of the Reptiles – If you can take your mind back to the early 80s, you might recall that heavily orchestrated rock music (aka “progressive”) was no longer the province of musicians with ambitions to create Art....  (2006) » Read more

Toccata - Circe – The first thing that occurred to me when listening to Toccata was their similarity to Matraz. Both are relatively new progressive bands that aren’t really neo-prog; both have strong female...  (2007) » Read more

Ganelin / Tarasov / Chekasin - Concerto Grosso – My first impression of this Russian trio's single, long improvisation (nearly thirty-five minutes) was that this was some vile attempt to do an Irish jig, using recorders and ocarina to begin the...  (1997) » Read more



Listen & discover



Print issues