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Exposé print issues (1993-2011)

• 1 (October 1993)
• 2 (February 1994)
• 3 (May 1994)
• 4 (August 1994)
• 5 (October 1994)
• 6 (March 1995)
• 7 (July 1995)
• 8 (November 1995)
• 9 (March 1996)
• 10 (August 1996)
• 11 (February 1997)
• 12 (May 1997)
• 13 (October 1997)
• 14 (February 1998)
• 15 (July 1998)
• 16 (January 1999)
• 17 (April 1999)
• 18 (November 1999)
• 19 (May 2000)
• 20 (October 2000)
• 21 (March 2001)
• 22 (July 2001)
• 23 (December 2001)
• 24 (April 2002)
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• 26 (February 2003)
• 27 (August 2003)
• 28 (December 2003)
• 29 (April 2004)
• 30 (September 2004)
• 31 (March 2005)
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• 37 (July 2009)
• 38 (July 2010)
• 39 (Summer 2011)

Som Nosso de Cada Dia — Live '94
(Progressive Rock Worldwide PRW 024, 1994, CD)

by Mike Ohman, Published 1997-02-01

When the band reformed to record "O Guarani" for use as a bonus track for the Snegs reissue, who would have thought a live tour of Brazil would have been the result? Those results were captured on tape and released as this disc. The strong versions of "O Guarani" and "Som Nosso de Cada Dia" which open the album are encouraging, but things go downhill rather quickly. The version of "Bixo do Mato" captures none of the raw fire of the original, while "Sinal da Paranoia" is wilted lettuce. The spirited "Nada Pra Lembrar" being the exception, the remainder of the album consists of light jazzy / funky pop, not progressive at all. Perhaps Brazilians with fond memories of the band's entire oeuvre could get into this. Fans of prog should stop at Snegs.

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Filed under: New releases, Issue 11, 1994 releases

Related artist(s): Som Nosso de Cada Dia

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