Exposé Online banner

Slapp Happy — Acnalbasac Noom
(Tapete TR356, 1973/2016, CD/LP)

by Jon Davis, 2007-03-01:

Acnalbasac Noom Cover art Dagmar Krause’s singing tends to be one of those divisive factors in music. A lot of people really detest her voice, mostly due to what they’ve heard on later recordings like Art Bears. For those people, the good news is that she’s less extreme on this album. She does most of the singing on the tunes of Anthony Moore and Peter Blegvad, and I feel her intonation is a bit off at times, and her delivery sometimes awkward (not surprising given the often tricky lyrics and unusual melodies). But there’s something oddly appealing about the overall result. Admittedly that’s a very subjective statement, but this is after all a review, not a news item. The style here runs a fair gamut, from twisted cabaret to art rock to pseudo-bossa-nova and near-tango to what you could describe as 60s girl group parody. The instrumental parts are played somewhat sloppily, an intentional choice I expect. While this music is by no means epic, a lot of craft went into the compositions, which take established pop conventions and turn them on their sides. Four bonus tracks are added: the throwaway disco exercise joke “Everybody’s Slimmin’”; a pair of tracks that later ended up on Blegvad solo albums; and a single Krause composition, the odd and intriguing “Messages.” As a Henry Cow and Peter Blegvad fan, this album had been on my wish list for many years, and it’s nice to finally have a copy. Worthy if not essential.

by Henry Schneider, 2017-01-21:

After recording Sort Of, a second album emerged but Polydor pulled the plug and Uwe Nettelbeck signed both Faust and Slapp Happy to the burgeoning Virgin label in the UK. They re-recorded the music with UK musicians along with all the studio bells and whistles for the 1974 release Slapp Happy aka Casablanca Moon. The original tapes were buried in the vault, eventually seeing the light of day in 1980 as Acnalbasac Noom. 36 years later Tapete Records is reissuing this album as both an LP and CD with four bonus tracks on the CD. As with Sort Of, I believe that the Tapete reissue is the same as the earlier Voiceprint reissue. A big difference between Sort Of, where the vocal duties were equally shared across the disc, and Acnalbasac Noom is that Dagmar Krause sings lead on all but the bonus tracks. Dagmar’s voice is rightly noted as an acquired taste, but on Acnalbasac Noom her vocal stylings are still “mainstream” and easy on the ears, reminding me of Annisette Koppel from The Savage Rose. The songs on the album are a continuation of Anthony Moore’s take on the music of the time. The lyrics on some of the songs are so dense with words that they must have been extremely challenging to sing and be satisfied with the take. Once again there is a mixture of cabaret, Euro-pop, country rock, rockabilly, and prog rock. There is even a 16 second track of silence “Blank” that must be a reference to John Cage. The one track that seems really out of place is the bonus track “Everybody’s Slimmin’.” This is a pseudo-disco / New Wave / Hip Hop / Rap song with crazy twisted lyrics with a great dance beat, somewhat in the style of M and “Pop Music.” Of these two albums, Sort Of is the better. While not an essential album from the early 70s, any fan of Slapp Happy, Henry Cow, Art Bears, etc. would find Acnalbasac Noom a welcome addition to their collection.


Filed under: Reissues , 2016 releases, 1973 releases

Related artist(s): Peter Blegvad, Anthony Moore, Slapp Happy

More info

Latest news

2020-09-09
Simeon Coxe RIP – Simeon Coxe, best known for his experimental electronics in the band Silver Apples, has died at the age of 82. The band's 1968 debut album set the stage for both German electronic music and experimental punk music a decade later. Coxe died on September 8 from pulmonary fibrosis. » Read more

2020-09-05
Gary Peacock RIP – Legendary bassist Gary Peacock, veteran of many recordings and performances with Paul Bley, George Russell, Roland Kirk, Bill Evans, Tony Williams, and many more. » Read more

2020-07-22
Tim Smith RIP – Tim Smith, leader of the eccentric band Cardiacs, has died at the age of 59 after many years of health problems. Cardiacs was known for intense and complicated music that combined punk energy with the rhythmic and harmonic sophistication of progressive rock. » Read more

2020-07-12
Judy Dyble RIP – Singer-songwriter Judy Dyble, who was a founding member of Fairport Convention and one of the distinctive voices of the 60s folk revival in Britain, has died at the age of 71. Her passing came at the end of a long illness, though which she continued to work. » Read more

2020-07-06
Ennio Morricone RIP – Famed composer Ennio Morricone has died at the age of 91. The creator of scores for more than 500 movies, some of his works have become the most recognizable sounds in the history of cinema. His soundtracks for Sergio Leone's Westerns made from 1964 to 1971, are iconic landmarks in film music, but he also composed for dramas, comedies, and other genres. He won the Academy Award for Best Original Score in 2016 for The Hateful Eight. » Read more


Previously in Exposé...

Jerome Langlois - Molignak – Those looking for melodically colorful transcendental rock with a strong orchestral twist may find something very special and unique in Molignak, the first solo album by Jérôme Langlois,...  (2006) » Read more

MusicAEnchiriadiS - Music for Nikola Tesla – Industrial electronics bearing a modern classical edge for a dark millennium with trip-hop at its heels. Synthetic landscapes give way as the tone is propulsively jettisoned to a danceable future....  (2006) » Read more

Fear of Dolls - All Monsters Eat Children – This Seattle area four-piece plays in a song oriented style, somewhere along the alternative-gothic-noise axis, the vocals typically heavily treated and guitars shimmering in an almost-psychedelic...  (1997) » Read more

Culto sin Nombre - Hallazgos Nerviosos – Like dark? Here's dark. Anyone remember a Mexican mid-80s group called Nazca? They had a couple of very Stravinsky influenced chamber-rock albums and then disappeared nearly without trace....  (1997) » Read more

Bill Nelson - Atom Shop – According to the DGM catalogue, Bill Nelson’s latest release is a product of some "retro-future Frankenstein’s lab." That’s true from the surface that the conceptual aspect...  (1999) » Read more



Listen & discover



Print issues