Exposé Online banner

Simon Steensland — The Simon Lonesome Combat Ensemble
(Musea MP3013.AR, 1994, CD)

by Peter Thelen, 1994-05-01:

The Simon Lonesome Combat Ensemble Cover art Cutting-edge, unpretentious and imaginative are three adjectives that describe this offering by Swedish multi-instrumentalist and composer Simon Steensland. Mixing elements of rock, neo-classical, jazz, some folk, and sensible sonic experimentation, Steensland has created a purely instrumental album of great depth and emotion, yet it maintains a sensibility of variety throughout - an album that would seem more at home on the Cuneiform label. Any general comparisons are not easy, as the music keeps taking different turns in many directions: on most tracks, Steensland plays percussion and keyboards, and mallets (or samples thereof), plus occasional cello, fuzzbass, accordion, berimbau, and other exotics. He is joined by a rotating guest list providing additional keyboards, guitar, bass, violin, cello and accordion. The album opens with "Mandrill," a high-tension track dominated by drums, synth and mallets, one that may recall the recent work of Daniel Denis. Then on to "Antischnurvewicklungsperre" - imagine Art Zoyd with a drummer, then throw a searing guitar solo on top of it all. Other standout tracks include "Nightingirl," where hard hitting fuzzbass and synth-bells paint a menacing zeuhl styled backdrop for a powerful and intense melodic buildup, leading to Morgan Ågren's 'electric chainsaw' solo, and "Doctor Locton," a mechanized orgy for offbeat percussion, electric bass, and synths. "Only in France" features a lonely Frippian guitar lead over dissonant accordion chords; "Alexandra," a solo piece for keyboards and marimba may remind of Kit Watkins' "Spring 1980." Some of the tracks here have a more programmed feel, akin to Thierry Zaboitzeff's Dr.Zab - two tracks in this category, "The Shadow of a Dog" and "The Hunchback's Dance," stand out with a dark, foreboding starkness that makes for some fairly challenging listening. Wisely, the more abstract material has been pushed out towards the last half of the disc. In all, this is excellent music that will appeal to the discriminating listener. If you are looking for the next Marillion, then Steensland's ensemble may not be for you.

by Henry Schneider, 1994-12-31:

This new release on Musea’s Parallele series is essentially a solo effort by Simon Steensland with a little help on guitar and keyboards from his friends Johan Boberg, Pelle Halvarsson, Joakim March, Herman Muntzing, Morgan Agren, and Mats Oberg. Steensland plays drums, percussion, keyboards, bass, accordion, synths, berimbau, and flute to forge an intelligent blend of King Crimson, Heldon, and Magma with a dash of Frohmader. This is rich music full of complex chord and rhythm changes, dissonance, and virtuoso playing from the opening percussive fusion of "Mandrill" to the closing chamber music of "Could you ... if I...?" Steensland’s compositional skills and musicianship are exemplary achieving a highly listenable yet intellectual suite of music. With a release of this caliber I find it difficult to name favorite passages, all are deserving of praise. The Simon Lonesome Combat Ensemble is a new high water mark in Post-Classical music, enriching a genre not explored enough today. If you have even a passing interest in the above mentioned musicians, I strongly recommend you buy this CD.

Filed under: New releases , 1994 releases

Related artist(s): Simon Steensland

More info

Latest news

2017-05-19
First ProgStock Festival Set for October – October 2017 will see the inaugural edition of a festival called ProgStock in Rahway, New Jersey at the Union County Performing Arts Center. With a definite slant towards neo-progressive music, the event is sure to please many fans with the inclusion of such artists as Echolyn, Glass Hammer, and Aisles. The festival will take place October 13-15. » Read more

2017-05-05
Clive Brooks RIP – Word reaches us today of another sad passing in the music world. Drummer Clive Brooks, best known as a member of such Canterbury bands as Egg, Uriel / Arzachel, and Groundhogs, has died at the age of 67. Details are sketchy at this point. The news was reported on Nick Mason's Facebook page — Brooks was Mason's drum tech. » Read more

2017-05-02
Col. Bruce Hampton RIP – The phrase "He died doing what he loved" is almost a cliche, but in the case of Col. Bruce Hampton, it couldn't be more true. Hampton, who was born Gustav Berglund III, collapsed on stage at his own 70th birthday celebration and later passed away. The event took place at the Fox Theater in Atlanta. » Read more

2017-04-16
ProgDay 2017 Announces First Bands – Flor de Loto, Sonar, and Infinien are the first three performers to be announced for the 2017 edition of the long-running ProgDay Festival. The 23rd ProgDay takes place Saturday and Sunday, September 2nd and 3rd, at Storybook Farm in Chapel Hill, North Carolina. » Read more

2017-04-16
Allan Holdsworth RIP – Surely in the list of artists who have contributed to the sound of modern music, there is a special spot for guitarist Allan Holdsworth. His name is known to virtually every student of the instrument in jazz and rock, and his style has been so widely emulated that it's hardly worth mentioning anymore — we can just assume that every guitarist has Holdsworth as an influence. » Read more


Previously in Exposé...

Caamora - Journey's End... An Acoustic Anthology – To recap: Caamora is the musical partnership of Clive Nolan (Arena, Pendragon, Strangers on a Train, etc.) and Polish singer Agnieszka Swita. Last year they recorded an original musical theatre score...  (2009) » Read more

Jackie-O Motherfucker - Flags of the Sacred Harp – Bucolic tenderness within the gauze of vocalese residing in the realm between wakefulness and sleep. This is the next sound of Morpheus. Jackie-O Motherfucker is a portable temple of unexpurgated...  (2007) » Read more

In Spe - Typewriter Concerto – This is the second album by this outstanding Estonian ensemble, probably better known as The Girl on the Beach (based on the photo on the front cover, all information on the original LP was in...  (1995) » Read more

Brand X - The X-Files: A 20 Year Retrospective – The first four Brand X albums set a standard for fusion that still exists more than 20 years later. Unfortunately many of the albums that followed didn’t measure up to the band’s...  (2000) » Read more

Marvin Ayres - Cellosphere – Marvin Ayres is a string player (cello and violin here) who specializes in using electrified instruments to build ambient clouds of sound (see Neptune in New Releases). This is an early example of his...  (2005) » Read more



Listen & discover



Print issues