Exposé Online banner

Simon Steensland — The Simon Lonesome Combat Ensemble
(Musea MP3013.AR, 1994, CD)

by Peter Thelen, 1994-05-01:

The Simon Lonesome Combat Ensemble Cover art Cutting-edge, unpretentious and imaginative are three adjectives that describe this offering by Swedish multi-instrumentalist and composer Simon Steensland. Mixing elements of rock, neo-classical, jazz, some folk, and sensible sonic experimentation, Steensland has created a purely instrumental album of great depth and emotion, yet it maintains a sensibility of variety throughout - an album that would seem more at home on the Cuneiform label. Any general comparisons are not easy, as the music keeps taking different turns in many directions: on most tracks, Steensland plays percussion and keyboards, and mallets (or samples thereof), plus occasional cello, fuzzbass, accordion, berimbau, and other exotics. He is joined by a rotating guest list providing additional keyboards, guitar, bass, violin, cello and accordion. The album opens with "Mandrill," a high-tension track dominated by drums, synth and mallets, one that may recall the recent work of Daniel Denis. Then on to "Antischnurvewicklungsperre" - imagine Art Zoyd with a drummer, then throw a searing guitar solo on top of it all. Other standout tracks include "Nightingirl," where hard hitting fuzzbass and synth-bells paint a menacing zeuhl styled backdrop for a powerful and intense melodic buildup, leading to Morgan Ågren's 'electric chainsaw' solo, and "Doctor Locton," a mechanized orgy for offbeat percussion, electric bass, and synths. "Only in France" features a lonely Frippian guitar lead over dissonant accordion chords; "Alexandra," a solo piece for keyboards and marimba may remind of Kit Watkins' "Spring 1980." Some of the tracks here have a more programmed feel, akin to Thierry Zaboitzeff's Dr.Zab - two tracks in this category, "The Shadow of a Dog" and "The Hunchback's Dance," stand out with a dark, foreboding starkness that makes for some fairly challenging listening. Wisely, the more abstract material has been pushed out towards the last half of the disc. In all, this is excellent music that will appeal to the discriminating listener. If you are looking for the next Marillion, then Steensland's ensemble may not be for you.

by Henry Schneider, 1994-12-31:

This new release on Musea’s Parallele series is essentially a solo effort by Simon Steensland with a little help on guitar and keyboards from his friends Johan Boberg, Pelle Halvarsson, Joakim March, Herman Muntzing, Morgan Agren, and Mats Oberg. Steensland plays drums, percussion, keyboards, bass, accordion, synths, berimbau, and flute to forge an intelligent blend of King Crimson, Heldon, and Magma with a dash of Frohmader. This is rich music full of complex chord and rhythm changes, dissonance, and virtuoso playing from the opening percussive fusion of "Mandrill" to the closing chamber music of "Could you ... if I...?" Steensland’s compositional skills and musicianship are exemplary achieving a highly listenable yet intellectual suite of music. With a release of this caliber I find it difficult to name favorite passages, all are deserving of praise. The Simon Lonesome Combat Ensemble is a new high water mark in Post-Classical music, enriching a genre not explored enough today. If you have even a passing interest in the above mentioned musicians, I strongly recommend you buy this CD.

Filed under: New releases , 1994 releases

Related artist(s): Simon Steensland

More info

Latest news

2017-04-16
ProgDay 2017 Announces First Bands – Flor de Loto, Sonar, and Infinien are the first three performers to be announced for the 2017 edition of the long-running ProgDay Festival. The 23rd ProgDay takes place Saturday and Sunday, September 2nd and 3rd, at Storybook Farm in Chapel Hill, North Carolina. » Read more

2017-04-16
Allan Holdsworth RIP – Surely in the list of artists who have contributed to the sound of modern music, there is a special spot for guitarist Allan Holdsworth. His name is known to virtually every student of the instrument in jazz and rock, and his style has been so widely emulated that it's hardly worth mentioning anymore — we can just assume that every guitarist has Holdsworth as an influence. » Read more

2017-02-20
Larry Coryell RIP – One of the greats of jazz guitar has left us at the age of 73. Larry Coryell was one of the founding figures of jazz fusion, but produced a significant body of work the bridged many styles. His group Eleventh House provided a unique take on the combination of jazz and rock that was distinct from contemporaries such as Mahavishnu Orchestra, Return to Forever, and Weather Report. » Read more

2017-01-31
John Wetton RIP – After a long battle with colon cancer, singer and bassist John Wetton has died at the age of 67. As an integral member of such bands as King Crimson, UK, and Asia, his was one of the distinctive voices in progressive rock, lending a human touch to often difficult music. » Read more

2017-01-30
Seaprog Announces First Artists for 2017 – The organizers of the Seaprog Festival in Seattle have announced the first set of confirmed performers for the 2017 festival. The best known names are Jack o' the Clock and Zero Times Everything, but a host of other bands are featured, mostly from the Northwest. The festival will take place June 2-4, 2017. » Read more


Previously in Exposé...

Julie Slick - Julie Slick – Being from a famous music family has definitely helped bassist Julie Slick get a leg up on the competition. A graduate of the Paul Green School of Rock, Slick and her just slightly older brother Eric...  (2011) » Read more

Richard Pinhas - Rhizosphere / Live, Paris 1982 – At last, a reissue of Pinhas' first and certainly most purely electronic album recorded under his own name. It also marks a time when this was the distinction between Pinhas' solo material and...  (1994) » Read more

Zoot Horn Rollo - We Saw a Bozo under the Sea – As one of two guitar men behind Captain Beefheart in the Magic Band and offshoot group Mallard, Bill Harkleroad has seen many a change in his thirty-plus years. As chronicled in his book Lunar Notes...  (2003) » Read more

Fern Knight - Music for Witches and Alchemists – Nothing short of amazing transformations towards the ineluctable. You will wonder where this music has been all your life. Leaves floating upward, swirling weightless, it is the sensation of sunshine...  (2007) » Read more

Ray Russell - Goodbye Svengali – Veteran Brit-jazzer Ray Russell has a lengthy resumé, having played with numerous famous musicians in a sideman role. On Goodbye Svengali, a tribute to the late Gil Evans, we get to hear...  (2007) » Read more



Listen & discover



Print issues