Exposé Online banner

Simon Steensland — The Simon Lonesome Combat Ensemble
(Musea MP3013.AR, 1994, CD)

by Peter Thelen, 1994-05-01:

The Simon Lonesome Combat Ensemble Cover art

Cutting-edge, unpretentious and imaginative are three adjectives that describe this offering by Swedish multi-instrumentalist and composer Simon Steensland. Mixing elements of rock, neo-classical, jazz, some folk, and sensible sonic experimentation, Steensland has created a purely instrumental album of great depth and emotion, yet it maintains a sensibility of variety throughout - an album that would seem more at home on the Cuneiform label. Any general comparisons are not easy, as the music keeps taking different turns in many directions: on most tracks, Steensland plays percussion and keyboards, and mallets (or samples thereof), plus occasional cello, fuzzbass, accordion, berimbau, and other exotics. He is joined by a rotating guest list providing additional keyboards, guitar, bass, violin, cello and accordion. The album opens with "Mandrill," a high-tension track dominated by drums, synth and mallets, one that may recall the recent work of Daniel Denis. Then on to "Antischnurvewicklungsperre" — imagine Art Zoyd with a drummer, then throw a searing guitar solo on top of it all. Other standout tracks include "Nightingirl," where hard hitting fuzzbass and synth-bells paint a menacing zeuhl styled backdrop for a powerful and intense melodic buildup, leading to Morgan Ågren's 'electric chainsaw' solo, and "Doctor Locton," a mechanized orgy for offbeat percussion, electric bass, and synths. "Only in France" features a lonely Frippian guitar lead over dissonant accordion chords; "Alexandra," a solo piece for keyboards and marimba may remind of Kit Watkins' "Spring 1980." Some of the tracks here have a more programmed feel, akin to Thierry Zaboitzeff's Dr. Zab — two tracks in this category, "The Shadow of a Dog" and "The Hunchback's Dance," stand out with a dark, foreboding starkness that makes for some fairly challenging listening. Wisely, the more abstract material has been pushed out towards the last half of the disc. In all, this is excellent music that will appeal to the discriminating listener. If you are looking for the next Marillion, then Steensland's ensemble may not be for you.


by Henry Schneider, 1994-12-31:

This new release on Musea’s Parallele series is essentially a solo effort by Simon Steensland with a little help on guitar and keyboards from his friends Johan Boberg, Pelle Halvarsson, Joakim March, Herman Muntzing, Morgan Ågren, and Mats Öberg. Steensland plays drums, percussion, keyboards, bass, accordion, synths, berimbau, and flute to forge an intelligent blend of King Crimson, Heldon, and Magma with a dash of Frohmader. This is rich music full of complex chord and rhythm changes, dissonance, and virtuoso playing from the opening percussive fusion of "Mandrill" to the closing chamber music of "Could You... If I...?" Steensland’s compositional skills and musicianship are exemplary achieving a highly listenable yet intellectual suite of music. With a release of this caliber I find it difficult to name favorite passages, all are deserving of praise. The Simon Lonesome Combat Ensemble is a new high water mark in Post-Classical music, enriching a genre not explored enough today. If you have even a passing interest in the above mentioned musicians, I strongly recommend you buy this CD.


Filed under: New releases , 1994 releases

Related artist(s): Simon Steensland

More info

Latest news

2020-03-24
Bill Rieflin RIP – The sad news reaches us today of Bill Rieflin's death. Rieflin was best known as a drummer in bands ranging from post-punk to industrial to indie-rock to progressive rock, including work with The Blackouts, Ministry, Nine Inch Nails, Swans, Land, and King Crimson. Rieflin had been battling cancer for several years, and succumbed to it on March 24. He was 59. » Read more

2020-03-17
Cruise to the Edge and Seaprog 2020 Festivals Postponed – The worldwide outbreak of the novel coronavirus has started to produce casualties in the music world, and festivals are not immune. We've had word that both the Cruise to the Edge (originally slated for March 27 - April 1) and Seaprog (originally June 5-7) have been postponed to later dates, with those dates to be announced. » Read more

2020-03-06
McCoy Typer RIP – Word reaches us today of the passing of one of the most influential pianists in the history of jazz, McCoy Tyner. His tenure with John Coltrane in the early 60s includes some of the most treasured recordings of the era, including My Favorite Things and A Love Supreme. After leaving Coltrane's group, he had a long and successful solo career. He was 81. » Read more

2020-02-18
Jon Christensen RIP – Word reaches us today of the passing of Norwegian drummer Jon Christensen, a musician whose sensitive playing did much to help define the atmospheric sound of ECM jazz recordings. His work with Jan Garbarek, Bobo Stenson, Terje Rypdal, and many more was sensitive and varied, adapting to a wide variety of styles while maintaining a distinct identity of its own. Christensen was 76. » Read more

2020-01-21
Gong Announces UK Tour for 2020 – Having spent the last few years touring the world, including dates in Japan with psych legend Steve Hillage, multiple headline European tours and festivals, America’s Cruise to the Edge festival, a South America headline tour, and a headline performance at Tomorrow Festival in China, the band have won the hearts of both traditional and modern Gong fanbases. During this live journey, Gong has delved further into the truly psychedelic, exploratory, and mind-expanding side of the music. » Read more


Previously in Exposé...

Hawkwind - Chronicle of the Black Sword – This incarnation of the band is the same as the one that released Church of Hawkwind, except Alan Davey became a full-fledged member, and Martin Griffin was replaced by Danny Thompson on drums and...  (1994) » Read more

Kevin Ayers - Joy of a Toy, Whatevershebringswesing, Shooting at the Moon & Banamour – Ex-Soft Machine bassist Kevin Ayers left that group after their full-on live U.S. assault with the Jim Hendrix Experience in 1969. After that time, Ayers spent the following years putting together a...  (2003) » Read more

Mad Crayon - Ultimo Miraggio – Mad Crayon are a new Italian quintet of the symphonic variety. Two of the members play keys, so as you can expect, the sound is lush and beautiful. The band is young — which is surprising, since...  (1994) » Read more

Il Berlione - Il Berlione – It must have been 1991 or so when I received a tape from a friend of this group. Dutifully impressed to say the least, I couldn't believe that they had no CD releases yet. But finally, after a few...  (1996) » Read more

The Hook - Will Grab You – Transitional periods can be very interesting in music. The Hook falls in the transition between 60s garage-psych and 70s hard rock. Reliable information has it that this album dates from 1968 in spite...  (2003) » Read more



Listen & discover



Print issues