Exposé Online banner

Roland Bühlmann — Aineo
((Not on label) 859713897595, 2014, CD)

by Jon Davis, Published 2015-05-22

Aineo Cover artIn a world where shredding guitarists are roughly as common as Seattle blocks with a Starbucks (for those who haven't been to Seattle, that means "really common"), it’s nice to hear one who’s not trying to impress us with notes-per-millisecond capabilities. Roland Bühlmann is a Swiss guitarist who favors a melodic and composed style as opposed to flashy showing off. It’s more Steve Hackett than Steve Vai — not that Aineo sound particularly like a Steve Hackett album. The tunes generally involve easy grooves set up with multiple guitar parts layered together, augmented by bass and sampled drums, with melodies and solos over the top. I’m reminded occasionally of Trey Gunn’s solo work (like The Third Star), though without the Crimsoid crunchy bits or odd-meter fetishism. Bühlmann has a meditative side that’s quite prominent — the album finishes off with its longest track at over 11 minutes, aptly named “Contemplation.” In addition to rock-oriented riff-based tunes, there are sections with a Classical flavor, most notably on “Ham’nagen.” Throughout, he uses a wide variety of instruments and tones, from acoustic to ringing clean electric to warm fuzzy tones with long sustain, with and without echoes; you’ll even occasionally hear something other than a guitar, like the mandola on “Meldilorn.” One thing he doesn’t do is get crazy — everything is in its place and in control. Nothing wrong with that, it makes for a good listen in contrast to all the dissonance in the world.

Filed under: New releases, 2014 releases

Related artist(s): Roland Bühlmann

More info
http://rolandbuehlmann.bandcamp.com/album/aineo

Latest news

2019-08-20
Alex's Hand Seeks Spa Treatment – American / European band Alex's Hand has a new album in the works called Hungarian Spa, which looks to be their biggest and best yet, featuring a large roster of guest musicians. They're seeking funding to take the project on the road, and are looking for help from the crowd of wisdom. » Read more

2019-06-05
Legendary Co-Founder of The 13th Floor Elevators Passes Away at Age 71 – Sadly, Roky Erickson passed away on May 31, 2019. Known as the father of psychedelic music and co-founder of the ground breaking 13th Floor Elevators, Roky had a profound influence on music from the 60s to today. Plagued by his own personal demons, Roky had a difficult life and is now free of these burdens. » Read more

2019-04-24
Help MoonJune Bring Great Music to Life – Like many music lovers around the world, we’ve been thrilled and amazed to hear the recordings that have been released by MoonJune from sessions at La Casa Murada in Spain. Such label stalwarts as Mark Wingfield, Markus Reuter, Asaf Sirkis, Tony Levin, Dusan Jevtovic, Vasil Hadzimanov, and many more have gathered in various combinations at the studio to produce some of the most creative music in recent years. Now, label head Leonardo Pavkovic is offering a compilation, La Casa Murada - MoonJune Sessions, Volume One, as a fundraiser for upcoming sessions. » Read more

2019-04-10
The Pineapple Thief to Tour North America – November and December of 2019 will see The Pineapple Thief bringing their music to Canada, Mexico, and the US, and famed drummer Gavin Harrison will be on board. The band has been touring extensively in Europe, but North America will be new territory for them. » Read more

2019-03-25
Scott Walker RIP – Noel Scott Engel, better known as Scott Walker, was one of the most intriguing and enigmatic musical figures in the second half of the 20th Century. His strange career started with The Walker Brothers, an American pop group that featured no one named Walker and no brothers. After moving to England in 1965, they had a series of hit singles. Scott's solo work started with Scott in 1967. Starting in the 80s, his work took an increasingly avant-garde turn. » Read more


Previously in Exposé...

Richard Pinhas - Rhizosphere / Live, Paris 1982 – At last, a reissue of Pinhas' first and certainly most purely electronic album recorded under his own name. It also marks a time when this was the distinction between Pinhas' solo material and...  (1994) » Read more



Listen & discover



Print issues