Rhesus O — Rhesus O
(Musea FGBG 4137.AR, 1971/1996, CD)
by Peter Thelen, 1997-02-01:
A lost relic from the early zeuhl period, Rhesus O was a band formed by keyboardist Jean-Pol Asseline and drummer Thierry Blanchard in 1971, along with five other musicians — among them Magma alumni Francis Moze (bass) and Alain Hatot (saxes, flute), and actually represents the first real Magma offshoot band, although at that point neither Blanchard or Asseline had been members themselves (Jean-Pol later joined during the Köhntarkösz / Live period after the dissolution of Rhesus O). Their style could be described as a mixture of Third and 4 period Soft Machine and the early Magma circa the first album or 1001C. The lineup included dual keys (organ and electric piano), dual basses (electric bass and double bass), and occasional xylophone, plus saxes (soprano, tenor, and baritone), flute, acoustic guitar, and drums. The playing is extremely tight and spirited, with a strong contribution from all the players. The album contains nine short to mid-length gems of sparkling jazz-rock, each with its own character and lifepulse. The sound quality is excellent, especially considering that these tapes are twenty-five years old. Were it not for the vintage instrumentation, one could easily believe this was recorded yesterday. Sadly, there are no tapes beyond what constituted the original album, so that's all you get, thirty-five solid minutes in all. This is definitely a must-have for all zeuhl fans and friends of jazz-rock alike.
by Henry Schneider, 2016-12-15:
Digging through their music archives Musea has unearthed another relic of the pre-Magma / zeuhl school of music. Recorded in 1971 at the Chateau d’Herouville, this short-lived band produced what many aficionados consider to be the first zeuhl album. Drawing on their jazz roots and close association with Gerard Prevost, Jean-Pol Asseline and Thierry Blanchard pulled together seven other likeminded musicians to create a rich and sophisticated music akin to Magma’s first album and Soft Machine’s Third and Fourth. With today’s CD technology and the tendency now to utilize it to the max, the roughly 36 minutes for the nine songs are just too short. It is too bad that Musea could not augment the original album with some bonus tracks. Rhesus O is an essential album for fans of this genre and could be a great place to start for the uninitiated.
Related artist(s): Rhesus O
First ProgStock Festival Set for October – October 2017 will see the inaugural edition of a festival called ProgStock in Rahway, New Jersey at the Union County Performing Arts Center. With a definite slant towards neo-progressive music, the event is sure to please many fans with the inclusion of such artists as Echolyn, Glass Hammer, and Aisles. The festival will take place October 13-15. » Read more
Clive Brooks RIP – Word reaches us today of another sad passing in the music world. Drummer Clive Brooks, best known as a member of such Canterbury bands as Egg, Uriel / Arzachel, and Groundhogs, has died at the age of 67. Details are sketchy at this point. The news was reported on Nick Mason's Facebook page — Brooks was Mason's drum tech. » Read more
Col. Bruce Hampton RIP – The phrase "He died doing what he loved" is almost a cliche, but in the case of Col. Bruce Hampton, it couldn't be more true. Hampton, who was born Gustav Berglund III, collapsed on stage at his own 70th birthday celebration and later passed away. The event took place at the Fox Theater in Atlanta. » Read more
ProgDay 2017 Announces First Bands – Flor de Loto, Sonar, and Infinien are the first three performers to be announced for the 2017 edition of the long-running ProgDay Festival. The 23rd ProgDay takes place Saturday and Sunday, September 2nd and 3rd, at Storybook Farm in Chapel Hill, North Carolina. » Read more
Allan Holdsworth RIP – Surely in the list of artists who have contributed to the sound of modern music, there is a special spot for guitarist Allan Holdsworth. His name is known to virtually every student of the instrument in jazz and rock, and his style has been so widely emulated that it's hardly worth mentioning anymore — we can just assume that every guitarist has Holdsworth as an influence. » Read more