Exposé Online banner

Rhesus O — Rhesus O
(Musea FGBG 4137.AR, 1971/1996, CD)

by Henry Schneider, 2016-12-15:

Rhesus O Cover art

Digging through their music archives Musea has unearthed another relic of the pre-Magma / zeuhl school of music. Recorded in 1971 at the Chateau d’Herouville, this short-lived band produced what many aficionados consider to be the first zeuhl album. Drawing on their jazz roots and close association with Gerard Prevost, Jean-Pol Asseline and Thierry Blanchard pulled together seven other likeminded musicians to create a rich and sophisticated music akin to Magma’s first album and Soft Machine’s Third and Fourth. With today’s CD technology and the tendency now to utilize it to the max, the roughly 36 minutes for the nine songs are just too short. It is too bad that Musea could not augment the original album with some bonus tracks. Rhesus O is an essential album for fans of this genre and could be a great place to start for the uninitiated.


by Peter Thelen, 1997-02-01:

A lost relic from the early zeuhl period, Rhesus O was a band formed by keyboardist Jean-Pol Asseline and drummer Thierry Blanchard in 1971, along with five other musicians — among them Magma alumni Francis Moze (bass) and Alain Hatot (saxes, flute), and actually represents the first real Magma offshoot band, although at that point neither Blanchard or Asseline had been members themselves (Jean-Pol later joined during the Köhntarkösz / Live period after the dissolution of Rhesus O). Their style could be described as a mixture of Third and 4 period Soft Machine and the early Magma circa the first album or 1001C. The lineup included dual keys (organ and electric piano), dual basses (electric bass and double bass), and occasional xylophone, plus saxes (soprano, tenor, and baritone), flute, acoustic guitar, and drums. The playing is extremely tight and spirited, with a strong contribution from all the players. The album contains nine short to mid-length gems of sparkling jazz-rock, each with its own character and lifepulse. The sound quality is excellent, especially considering that these tapes are twenty-five years old. Were it not for the vintage instrumentation, one could easily believe this was recorded yesterday. Sadly, there are no tapes beyond what constituted the original album, so that's all you get, thirty-five solid minutes in all. This is definitely a must-have for all zeuhl fans and friends of jazz-rock alike.


Filed under: Reissues , Issue 11 , 1996 releases, 1971 releases

Related artist(s): Rhesus O

More info

Latest news

2020-11-20
25 Views of Worthing Finally Gets Released – A while ago, we wrote about the discovery of a "long lost" Canterbury-style gem by a band called 25 Views of Worthing. And now we're pleased to find out that Wind Waker Records has released their music on an LP. » Read more

2020-10-14
Audion Is Back in Business – Our esteemed colleague Alan Freeman has restarted Audion Magazine after a seven year hiatus. The new incarnation is available online on their Bandcamp site. Audion's history goes back to 1984, and included 58 issues up to 2013. Issue #59 is available now, and #60 is in the works. » Read more

2020-10-06
Romantic Warriors IV – Krautrock (Part 2) Is in the Works – Zeitgeist Media, the people who have brought us the great series of documentary films chronicling the history of progressive rock, are working on the second installment of their examination of German music. Krautrock 2 will focus on artists from Münich such as Guru Guru, Amon Düül II, Xhol Caravan, Kraan, Witthüser & Westrupp, and Popol Vuh. » Read more

2020-09-09
Simeon Coxe RIP – Simeon Coxe, best known for his experimental electronics in the band Silver Apples, has died at the age of 82. The band's 1968 debut album set the stage for both German electronic music and experimental punk music a decade later. Coxe died on September 8 from pulmonary fibrosis. » Read more

2020-09-05
Gary Peacock RIP – Legendary bassist Gary Peacock, veteran of many recordings and performances with Paul Bley, George Russell, Roland Kirk, Bill Evans, Tony Williams, and many more. » Read more


Previously in Exposé...

Garmarna - Vittrad – Garmarna is doing its part to bring Swedish traditional music into the modern age, coupling the medieval sound of droning fiddles and folk melodies with energetic drums, electric guitars, and modern...  (1999) » Read more

PFM - Serendipity – As most progressive fans know, Premiata Forneria Marconi was once one of the most renowned of the Italian progressive bands, only to eventually descend into a pop career that would be of little...  (2001) » Read more

Canzoniere del Lazio - Miradas – Part of what makes certain 'progressive' music interesting, especially that which hails from areas outside the US and UK, is the amount of the local culture that is applied to the music...  (1995) » Read more

Grey Lady Down - Forces – This is the second album for this British five-piece with a dedicated lead vocalist, whose style is firmly in the neo-progressive camp of bands like IQ and others who drive their sound with brite and...  (1996) » Read more

The Moor - Flux – The Moor's first album, Every Pixie Sells a Story (reviewed in #9), set the stage with a dark and ominous gothic style that weighed in somewhere between Hawkwind and Anekdoten, with vocalist Hans...  (1997) » Read more



Listen & discover



Print issues