Exposé Online banner

Red Jasper — The Winter's Tale
(SI Music SIMPly 55, 1994, CD)

by Mike McLatchey, 1994-10-01:

The Winter's Tale Cover art More three-four chord neo-progressive? Have that craving for shrill digital patches and maybe, just maybe another vocalist who got locked in a room full of old Marillion records? Well, not exactly — Jasper's fourth CD in a few years is another in their neo sympho sound in a folk format, a hybrid of a slightly different nature than you'd expect. I guess you at least have to give them that, nobody's really tried the Marillion/Fairport Convention combo quite like this. Straightforward, accessible, and certainly an SI release, The Winter's Tale will likely appeal to many fans of the genre as there much familiarity here — the Wall era Pink Floyd effect (the overbearing feeling of depression), the cop to "Starship Trooper/Würm" in "The Scent of Something," the post Gabriel/Hammill angst with the Ian Anderson twist, you name it, it's definitely here. But then there’s the jig-a-jig mandolin-led trad feel that Marillion songs never came close to (the Jester was much too depressed) which make you want to kick up your feet and yell "HEY!" in the vein of Fairport, Horslips, Spriguns and accidentally Malicorne, Stivell, or Gwendal. I think its the heavy metal guitar BOOM-BAP rhythms that make me wince in 4/4 that make me barely take notice or the guitar-solo-over-three-chord jams. Thankfully they only give one go at a single ("Virtual Reality" last time — "Dark Room" this time) which is relieving, but I really doubt this will do it for too many; "Simply" is very appropriate.

by Rob Walker, 1994-10-01:

Evidently you don't have to have a shred of originality, talent, or musicianship to be an active part of the SI (sonically insipid) band roster. Red Jasper continue on in the fine SI (simply insulting) tradition of thoughtless, uninspired neo-prog with this new release. The five-piece lineup of vocals/guitars/drums/ bass/keys plod along predictably through ten long cuts, most of which are so dreadfully slow and rudimentary they seem to last forever. Lead vocalist Davey Dodds does his best Geoff Tate (Queensryche) impression, but has no genuine dynamic control or emotion in his voice. The drummer can find two and four no problem, but can't do much else. The bassist does his best to keep up with him, and the keyboardist clearly marks the beginning of each measure by changing chords like clockwork. Get the picture? The guitarist is the only plausible musician in the bunch, but his copycat Rothery style is so trite and tiresome. The only mildly interesting thing about Red Jasper is the tinge of folk they occasionally drop in with mandolin and pennywhistle, but even that doesn't satisfy. And once again, the mind reels back to Spinal Tap's Stonehenge, a vastly superior musical endeavor. SI is the leading prog label (in terms of sales) and sadly this kind of rubbish is misrepresenting progressive music to the rest of the uninitiated listening world. Die hard fans of SI's stuff will most likely enjoy this album nevertheless. But if you aspire to genuine quality in your music, then run away. You won't miss anything except a good laugh.

by Peter Thelen, 1994-10-01:

Hard on the heels of their fourth album A Midsummer Night's Dream, this latest offering from England's Red Jasper appears to be, conceptually at least, a companion piece to that album. The basic style of its predecessor remains intact, a combination of Gothic styled neo-progressive in the vein of Asgard and Marillion's darker moments — with flashes of Tull and Ghosts era Strawbs, and a more acoustic-folk based sound with prominent mandolin, not unlike the early efforts of Horslips, with a touch of early Strawbs — that comparison keeps coming up due to lead vocalist/mandolinist Davey Dodds, who sounds much like a cross between Fish, Peter Hammill, and David Cousins — in short, a voice that folks will either love or hate by the time the last track closes. There are few harmonies — Dodds tends to single-voice everything, and unlike the last album, the better part of the music here is of the plodding neo-progressive type ("Bread & Circus's," [sic] "The Night Visitor," and "The Shamen's Song" typify this tendency), while the bright and energetic acoustic folk tunes are fewer or relegated to intros or parts of the instrumental breaks. Many of the rougher edges that gave the previous album character have been smoothed or smothered. But when they decide to get serious about what they do best, the results are splendid. "Shepherds Revels" [sic] and "Ship on the Sea" both exhibit the band's best pure folk tendencies, while "Dark Room" — a hard rocking vocal track — seems to bring the best of both sides of their sound together, if one can tolerate the simplistic boom-bash drumming in the louder passages. "The Scent of Something" begins with a nice mandolin intro, adding layers of piano, keys and guitar as the song builds to a more powerful rock approach with a slight metal inflection, returning later to a more symphonic interpretation of the early verses. In short, when a band has a split personality, it's important to maintain a consistent balance. With this album, the aspect of their sound I personally like best has taken a back seat in favor of a their more heavy neo-progressive side. Still, I'm sure many will enjoy this — and some may like it better.

Filed under: New releases , Issue 5 , 1994 releases

Related artist(s): Red Jasper

More info

Latest news

2017-10-18
Phil Miller RIP – Sad word reaches us today of the passing of another of the great musicians of the Canterbury Scene — guitarist Phil Miller. His distinctive sound added greatly to Matching Mole, Hatfield and the North, and National Health, and he also contributed to albums by Caravan, Dave Stewart $amp; Barbara Gaskin, and many others. He was 68. » Read more

2017-10-13
Moonjune to Distribute Tony Levin's Back Catalog – It has been announced that Moonjune will now handle distribution for Tony Levin's catalog of releases. These great albums will now be a bit easier to get hold of, so check out the site and see what you're missing. The veteran of King Crimson and Stick Men worked with a host of great players on these albums, and we've reviewed most of them over the course of the years. » Read more

2017-09-26
Bandcamp Shines Light on Niches We Like – Bandcamp has developed into one of the best places to discover new music, and even a lot of old music is showing up there. In addition, their staff has been producing periodic articles spotlighting some interesting stylistic areas. On 20 September, they published one called "The New Face of Prog Rock" which bears checking out. » Read more

2017-09-06
Holger Czukay RIP – Holger Czukay, a musical experimentalist without boundaries who has been involved with expanding the sound palette of rock music since the late 60s, has died at the age of 79. After studying with Karlheinz Stockhausen in the early 60s, he became fascinated with the possibilities of rock music, and was a co-founder of the pioneering group Can. He leaves behind an impressive body of work both as musician and producer. » Read more

2017-08-22
John Abercrombie RIP – Another of the greats of jazz guitar has left us. John Abercrombie plied his way through a beautiful series of albums on the ECM label as well as bringing his talent to bear on albums by many of jazz's greatest artists. From his early work in the group Dreams to Gateway and outstanding work with Billy Cobham, Jack DeJohnette, Kenny Wheeler, and many more to his own trios and quartets, he brought a unique instrumental voice to the world. » Read more


Previously in Exposé...

Spirit - Salvation... The Spirit of '74 – One of the heretofore undocumented periods in Spirit's career began shortly after Epic's rejection of Potatoland in '73. Randy California left the group (for the second time) and moved to...  (2008) » Read more

Cast - Endless Signs – The perpetually industrious Cast have done it again, with yet another release, Endless Signs. One of the big surprises of Progfest '95, Cast delighted with their strikingly commendable brand of...  (1996) » Read more

Michael Ray and the Cosmic Krewe - Funk If I Know – The Cosmic Krewe’s music is an almost perfect hybrid of trumpeter/keyboardist/vocalist Michael Ray’s two most significant former gigs. Here, as on the band’s 1994 debut, Ray’s...  (2000) » Read more

Satori - Tick – This is one of those albums that seems rather irrelevant in the scheme of things. Not that it's bad, but there are tons of ambient albums even with prominent guitar that are much better. This...  (1996) » Read more

Christopher Froh / Christopher Burns - Triptych – So if a tryptich is an art work that has three parts, for example three panels in a hinged painting that opens up, how come this musical tryptich has five tracks? The answer is that two of them are...  (2011) » Read more



Listen & discover



Print issues