Red Jasper — The Winter's Tale
(SI Music SIMPly 55, 1994, CD)
by Mike McLatchey, 1994-10-01:More three-four chord neo-progressive? Have that craving for shrill digital patches and maybe, just maybe another vocalist who got locked in a room full of old Marillion records? Well, not exactly — Jasper's fourth CD in a few years is another in their neo sympho sound in a folk format, a hybrid of a slightly different nature than you'd expect. I guess you at least have to give them that, nobody's really tried the Marillion/Fairport Convention combo quite like this. Straightforward, accessible, and certainly an SI release, The Winter's Tale will likely appeal to many fans of the genre as there much familiarity here — the Wall era Pink Floyd effect (the overbearing feeling of depression), the cop to "Starship Trooper/Würm" in "The Scent of Something," the post Gabriel/Hammill angst with the Ian Anderson twist, you name it, it's definitely here. But then there’s the jig-a-jig mandolin-led trad feel that Marillion songs never came close to (the Jester was much too depressed) which make you want to kick up your feet and yell "HEY!" in the vein of Fairport, Horslips, Spriguns and accidentally Malicorne, Stivell, or Gwendal. I think its the heavy metal guitar BOOM-BAP rhythms that make me wince in 4/4 that make me barely take notice or the guitar-solo-over-three-chord jams. Thankfully they only give one go at a single ("Virtual Reality" last time — "Dark Room" this time) which is relieving, but I really doubt this will do it for too many; "Simply" is very appropriate.
by Rob Walker, 1994-10-01:Evidently you don't have to have a shred of originality, talent, or musicianship to be an active part of the SI (sonically insipid) band roster. Red Jasper continue on in the fine SI (simply insulting) tradition of thoughtless, uninspired neo-prog with this new release. The five-piece lineup of vocals/guitars/drums/ bass/keys plod along predictably through ten long cuts, most of which are so dreadfully slow and rudimentary they seem to last forever. Lead vocalist Davey Dodds does his best Geoff Tate (Queensryche) impression, but has no genuine dynamic control or emotion in his voice. The drummer can find two and four no problem, but can't do much else. The bassist does his best to keep up with him, and the keyboardist clearly marks the beginning of each measure by changing chords like clockwork. Get the picture? The guitarist is the only plausible musician in the bunch, but his copycat Rothery style is so trite and tiresome. The only mildly interesting thing about Red Jasper is the tinge of folk they occasionally drop in with mandolin and pennywhistle, but even that doesn't satisfy. And once again, the mind reels back to Spinal Tap's Stonehenge, a vastly superior musical endeavor. SI is the leading prog label (in terms of sales) and sadly this kind of rubbish is misrepresenting progressive music to the rest of the uninitiated listening world. Die hard fans of SI's stuff will most likely enjoy this album nevertheless. But if you aspire to genuine quality in your music, then run away. You won't miss anything except a good laugh.
by Peter Thelen, 1994-10-01:Hard on the heels of their fourth album A Midsummer Night's Dream, this latest offering from England's Red Jasper appears to be, conceptually at least, a companion piece to that album. The basic style of its predecessor remains intact, a combination of Gothic styled neo-progressive in the vein of Asgard and Marillion's darker moments — with flashes of Tull and Ghosts era Strawbs, and a more acoustic-folk based sound with prominent mandolin, not unlike the early efforts of Horslips, with a touch of early Strawbs — that comparison keeps coming up due to lead vocalist/mandolinist Davey Dodds, who sounds much like a cross between Fish, Peter Hammill, and David Cousins — in short, a voice that folks will either love or hate by the time the last track closes. There are few harmonies — Dodds tends to single-voice everything, and unlike the last album, the better part of the music here is of the plodding neo-progressive type ("Bread & Circus's," [sic] "The Night Visitor," and "The Shamen's Song" typify this tendency), while the bright and energetic acoustic folk tunes are fewer or relegated to intros or parts of the instrumental breaks. Many of the rougher edges that gave the previous album character have been smoothed or smothered. But when they decide to get serious about what they do best, the results are splendid. "Shepherds Revels" [sic] and "Ship on the Sea" both exhibit the band's best pure folk tendencies, while "Dark Room" — a hard rocking vocal track — seems to bring the best of both sides of their sound together, if one can tolerate the simplistic boom-bash drumming in the louder passages. "The Scent of Something" begins with a nice mandolin intro, adding layers of piano, keys and guitar as the song builds to a more powerful rock approach with a slight metal inflection, returning later to a more symphonic interpretation of the early verses. In short, when a band has a split personality, it's important to maintain a consistent balance. With this album, the aspect of their sound I personally like best has taken a back seat in favor of a their more heavy neo-progressive side. Still, I'm sure many will enjoy this — and some may like it better.
Related artist(s): Red Jasper
Help MoonJune Bring Great Music to Life – Like many music lovers around the world, we’ve been thrilled and amazed to hear the recordings that have been released by MoonJune from sessions at La Casa Murada in Spain. Such label stalwarts as Mark Wingfield, Markus Reuter, Asaf Sirkis, Tony Levin, Dusan Jevtovic, Vasil Hadzimanov, and many more have gathered in various combinations at the studio to produce some of the most creative music in recent years. Now, label head Leonardo Pavkovic is offering a compilation, La Casa Murada - MoonJune Sessions, Volume One, as a fundraiser for upcoming sessions. » Read more
The Pineapple Thief to Tour North America – November and December of 2019 will see The Pineapple Thief bringing their music to Canada, Mexico, and the US, and famed drummer Gavin Harrison will be on board. The band has been touring extensively in Europe, but North America will be new territory for them. » Read more
Scott Walker RIP – Noel Scott Engel, better known as Scott Walker, was one of the most intriguing and enigmatic musical figures in the second half of the 20th Century. His strange career started with The Walker Brothers, an American pop group that featured no one named Walker and no brothers. After moving to England in 1965, they had a series of hit singles. Scott's solo work started with Scott in 1967. Starting in the 80s, his work took an increasingly avant-garde turn. » Read more
Freedom to Spend Unearths June Chikuma's Archives – Jun (June) Chikuma is well known for her video game and anime soundtracks, but she also released an album of experimental electronic music back in 1986 called Divertimento where she indulged the kind of spontaneity that wouldn't work in a soundtrack. RVNG Int'l label Freedom to Spend is bringing this overlooked item to broader attention with a deluxe reissue. » Read more
Seaprog 2019 Lineup Almost Complete – The Seaprog festival in Seattle is scheduled for June 7-9 this year, and they've announced their lineup of performers. The revitalized Trettioåriga Kriget will cap Friday night, perennial favorites Marbin are on Saturday, and District 97 will finish off the fest on Sunday night. In support, they've booked a stellar variety of artists from the Northwest and around the world, including EchoTest, Markus Reuter and Trey Gunn, and the live debut of the amazing Troot project. » Read more