Exposé Online banner

Radio Massacre International — Time and Motion
(Cuneiform Rune 298/299, 2010, 2CD)

by Jon Davis, 2011-06-01:

Time and Motion Cover art

I’m no RMI expert, but of the things I’ve heard, there’s some nifty Tangerine Dream style electronic music, some tripped-out space rock, and some atmospheric improvisation. Those same elements fit into the mix on this double-CD release, with the balance between them depending on the track. And the musicians are so atuned to each other that the line between improvisation and composition is blurred beyond recognition. This time out, the band’s core trio is augmented by Martin Archer (who was also on their previous Cuneiform release) on saxes and other woodwinds, adding a marvellous organic touch to all the synthesizers, electronic devices, and electric guitars. While electronic sounds dominate, including some long beat-free stretches of minimal volume (read: ambient), there are several excellent sequencer orgies, as well as one lengthy section devoted to pretty straight bass/drums/guitar jamming. Listening to the whole thing through is quite a commitment, but almost all the tracks work on their own if you’ve got ten or twenty minutes. This is not music for people in a hurry (the phrases “paint dry” and “grass grow” come to mind); even the pieces which exhibit a beat take a leisurely pace to go anywhere, perhaps more like real space travel than the twitchy video-game version of space travel you find in movies. We’re gliding through the vast expanses of interstellar space, not dodging asteroids in-system. It’s not as exiting, perhaps, but you have time to enjoy the view out the viewport — your ship does have viewports, right? Because if it doesn’t, I’m not going for a ride in it.


by Henry Schneider, 2011-06-01:

This trio of Brits has been performing their epic electronic improvisations since the mid 90s. They have performed at numerous electronic music festivals across Europe and the US. In 2004 they collaborated with Damo Suzuki (Can) for a concert in Manchester. They are no strangers to Cuneiform; this is their third release on the label. What we have is 2½ hours of superb electronic, space, and cosmic music spanning two discs. RMI consciously created Time & Motion to encourage selective listening. The tracks break down into the two basic themes of the title: Time (“Kairos,” “The Clockwork Time Dragon,” “Aeon,” “Chronos,” and “30 Years”) and Motion (“Equatorial Pitch,” “Fission Ships Parts 1 and 2,” “Maybe a Last Look at Joe’s House,” and “Nine:Four:One”). The Time tracks are propelled by pulsating Tangerine Dream-like pentatonic sequences, occasional doses of Ummagumma, and Manuel Göttsching style riffing. While the Motion tracks are more abstract, ethereal, and analog with Saucerful references and the occasional sequence and scorching guitar solo thrown in for good measure. Some of the tracks take inspiration from cosmology, plasma, and nuclear physics hence the titles “Equatorial Pitch” and “Fission Ships.” I definitely get the impression of charged particles spiraling along magnetic field lines as they race through the vacuum of space sporadically annihilating each other. Even though RMI are known for their improvisations, these tracks are not random noodlings, folks. Each is well orchestrated and truly a mind-expanding listening experience! Highly recommended!


Filed under: New releases , Issue 39 , 2010 releases

Related artist(s): Radio Massacre International

More info

Latest news

2020-01-21
Gong Announces UK Tour for 2020 – Having spent the last few years touring the world, including dates in Japan with psych legend Steve Hillage, multiple headline European tours and festivals, America’s Cruise to the Edge festival, a South America headline tour, and a headline performance at Tomorrow Festival in China, the band have won the hearts of both traditional and modern Gong fanbases. During this live journey, Gong has delved further into the truly psychedelic, exploratory, and mind-expanding side of the music. » Read more

2020-01-15
Carlos Alvarado RIP – Carlos Alvarado, pioneering composer, multi-instrumentalist and pioneer of progressive rock and electronic experimental music in Mexico, passed away January 14th, 2020 at age 68 after a two year battle with cancer.  » Read more

2020-01-12
Wolfgang Dauner RIP – Pianist Wolfgang Dauner, one of the pioneers of both European free jazz and jazz rock, has died at the age of 84. With his own groups and with the United Jazz+Rock Ensemble, his playing and compositions were a prominent presence in European jazz from the mid-60s until just recently. » Read more

2020-01-12
Michael Allison RIP – Michael Allison, who since 1997 has been recording as Darshan Ambient, passed away on January 9th after a long and brave battle with cancer. He has been at at the forefront of the new ambient/electronic music scene, with over eighteen releases to his credit. » Read more

2020-01-10
Neil Peart RIP – One of rock music's defining drummers has died at the age of 67. Neil Peart's work with Rush provided one of the templates for percussion in rock, and he certainly ranks in the top ten most influential drummers of the 20th Century. Peart retired from playing in 2015 due to health issues, and succumbed to brain cancer on January 7, 2020. » Read more


Previously in Exposé...

Ars Nova - Transi – Transi is the second release from this Japanese trio, fronted by talented keyboardist Keiko Kumagai. Writing all the music and commanding an arsenal of analog and digital keys, she leads the group...  (1995) » Read more

King Crimson - Thrak – While the earlier release Vrooom was essentially a rehearsal of material destined for this album, it was also a far more condensed unit of what would be the most important tracks on the full length...  (1995) » Read more

José Luis Fernández Ledesma - Extractos – Expose #12 featured a review with background information of the worthwhile, if a bit patchy, previous outing by Ledesma, Motivos para Perdere. This time around the former (?) Nirgal Vallis member...  (1999) » Read more

Ynos - Chill out Sector – Creating floating formless sound sculptures that aggregate and dissolve, referentially in the early Tangerine Dream style, albeit on more modern digital style equipment, Ynos is apparently two guys,...  (1995) » Read more

Worldbeat - Worldbeat & Worldbeat Brazil – I first started listening to world music back in the early 80s, when there wasn’t a whole lot of it released in the US. You could find a few African artists if you looked around, and there was...  (2001) » Read more



Listen & discover



Print issues