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Quasar Lux Symphoniæ — Abraham - One Act Rock Opera
(Music Is Intelligence WMMS 038/39, 1994, 2CD)
First, let's clear up any confusion: This is in no way related to the British neo-symphonic group Quasar that once featured Tracy Hitchings as vocalist. Instead, QLS is an Italian four-piece core band of Roberto Sgorlon (gtr, voc), Paolo Paroni (keys), Fabrizio Morassutto (drums) and Italo Cigainero (bass). In addition, several more vocalists add the parts of Sarah (Annalisa Malvasio), the voice of God (Giorgio Turcati), Ishmael (Hansi Fuchs), and the Pharaoh (Thommi Muller). Abraham's parts are sung by Sgorlon, in this ambitious attempt to create a rock opera based on the life of Abraham. The music was composed by Sgorlon and Paroni, while lyrics were written by Loris Furlan and Fabio Giacomello with spiritual collaboration from Franco Cautero. Musically, as the band's name implies, the approach is intensely symphonic, lush with orchestral synths and powerful dynamics, the instrumental sections painted with soaring guitars and colorful keyboards. The vocal sections are supported by more anchored stylings, vaguely recalling Procol Harum, Camel, Van der Graaf, and the more gothic sounding neo-prog like Asgard or Tale Cue. The vocals are, for the most part excellent — adequately conveying the story and emotion behind the English lyrics, and although the pronunciation is not always the best, it doesn't detract from the outcome. The loud and rocking passages are balanced well with the more quiet and introspective moments in such a way that the music flows quite well throughout this two disc set. There are many noteworthy tracks: "Sodom," which opens the second disc, builds tension with guitars and keys atop a drum solo, before the spoken words of God and Abraham give way to a powerful rock foundation topped off with Hammond musings, flowing directly into some strange and twisted choral arrangements, making it one of the most interesting. Choirs are used generously throughout, but not to excess — tunes like "The Purifying Fire," "Sacrifice," and "Berit" illustrate this well. 'Tron is used when the need calls, as in the disc one closer "Hospitality." The longest track here is "Ishmael," clocking in at nearly ten minutes, covering quite a bit of territory in the process, from Floydian vocal section to spirited rock jam with intense keyboard soloing. QLS is definitely a winner, and a total surprise to boot. Solidly in the symphonic prog vein, they eschew most of the cheesy and derivative neo-baggage and offer a set that — while quite lengthy — should please most fans of this genre.
by Peter Thelen, Published 1994-10-01
by Rob Walker, Published 1994-10-01
Related artist(s): Quasar Lux Symphoniæ
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