Exposé Online banner

Ozric Tentacles — Arborescence
(IRS 72438 29486 29, 1994, CD)

by Peter Thelen, 1994-08-01:

Arborescence Cover art The Ozrics are masters of the hypnotic groove, finding that seemingly endless psychedelic guitar and synth riff, a repetitive - nearly trance-like structure, and then exploring all of its possibilities to some sort of conclusion. The writing isn't particularly flashy, certainly not complex, nor does it have many of the traditional progressive traits. But the music, embellished by plenty of synth dweedling and strong rhythm patterns, is nonetheless powerful, and does take the listener somewhere special if the mind is open and the spirit free. The latest disc Arborescence is no different. The focus is only slightly different from previous releases, so anyone who was looking for some grand scale changes can rest assured that there are no major surprises here. The tracks alternate between power-drive ("Myriapod," "Shima Koto," "Astro Cortex"), more spacey tunes ("Dance of the Loomi," "There's a Planet Here," the title track), and those with a specific ethnic flavor ("Al-Saloog"). Of course that's the same as all the other Ozrics albums before it - which I suppose means the band is in a huge rut, offering only predictability, or perhaps consistency. Either way, they do one thing very well and that's exactly what they've done here; after twelve-plus albums I'm not tired of it yet.

by Dan Casey, 1994-08-01:

With Arborescence Ozric Tentacles have their fifth studio effort in as many years. As usual the texturing of the soundscape remains their focus and their foremost strength. Alarmingly unique in their ability to dress up crude and simple compositions with unbelievably rich synth textures and electronic effects/samples, the Ozrics certainly make up for their lack of songwriting with production and atmospherics. But they've been doing that for 10 years now, and for many longtime fans the formula has grown tiresome. Some feared that the Tentacles would sell out when they signed with IRS but, in fact, the opposite has happened - they have set new standards in stagnation. Those who have never heard Ozrics before shouldn't let this stand in their way, though. Arborescene is as good a place to start as any, with the trademark Hillage-like guitar, gurgling and whirling synths, tight (but awfully simplistic) bass and drums, wrapped around rave, techno, African, and Middle Eastern influences. Highly recommended for beginners, but not much to get excited about for those who have been following the band for more than two albums.

by Mike Borella, 1994-08-01:

The Ozrics seem to be believers in the old saying, "If it ain't broke, don't fix it." They've found a style that works for them and that their fans seem to like. On this, their latest release, they've recorded 45 minutes of music that uses ideas from their previous four studio CDs, especially Erpland and Pungent Effulgent. As usual, Ed Wynne's guitar is the focal point of the music, with the expected swishy keyboards and repetitive bass lines simple enough to be sequenced (in some cases, I'm pretty sure they are). The drummer plays snare-bass rhythms and, unlike Strangeitude and Jurassic Shift, adds some interesting fills. But as a whole the band rarely breaks 4/4, uses the same key changes, many of the same riffs, and the same basic feel and sound as their previous works. What this adds up to is that fans of the old Ozric sound will most likely enjoy Arborescence, while those of us looking for something new and exciting (or even slightly different from their previous work) will be impressed with how well Ozrics can repeat themselves.

Filed under: New releases , Issue 4 , 1994 releases

Related artist(s): Ozric Tentacles

More info

Latest news

2018-11-02
Charles O'Meara (C.W. Vrtacek) RIP – A true musical original has left us. Charles O'Meara, who recorded under the name C.W. Vrtacek, was a wild-card musical talent, ranging from complex progressive rock to introspective modern compositions, with stops at many places inbetween. » Read more

2018-10-17
Eurock Documentary Seeks Funding – We've been fans and fellow travelers with Archie Patterson and his Eurock project on the journey to discover great music. After many years of promoting and trying to spread the word,a new phase is beginning: a documentary film. Things like this don't just happen, and money does not magically appear to make it happen, so it's up to the fans to get it done. » Read more

2018-09-29
Marty Balin RIP – One of the architects of the 60s psychedelic sound of San Francisco has died at the age of 76. Marty Balin was a singer, songwriter, and guitarist who was one of the founders of Jefferson Airplane. After the split of the original Airplane, Balin went on to form the highly successful Jefferson Starship. » Read more

2018-09-25
Help the Psychic Equalizer Avoid Extinction – Last year we reviewed the debut album by Psychic Equalizer, a musical project of Hugo Selles. He's now working on the ambitious follow-up to that release, and is seeking funding from listeners around the world. » Read more

2018-09-05
Krautrock Documentary Seeks Funding – The next installment of the Progressive Warriors documentary series will focus on the vast body of music that falls under the banner of "krautrock." As most of our readers will know, previous films have tackled RIO and the Canterbury scene, as well as what we might call "mainstream" prog rock. » Read more


Previously in Exposé...

Born Again Floozies - Street Music – This Indiana based quintet led by singer, guitarist and songwriter Joey Welch caught this writer's ear a few years ago with their debut EP Novelties, Addenda and Ephemera, five songs that...  (2008) » Read more

Acid Mothers Temple & The Melting Paraiso UFO - Interstellar Guru and Zero – I find it extremely challenging to keep up with this prolific band with their myriad lineups and bazillions of releases. This time around, the band is Tsuyama Atsushi (monster bass, tortoiseshell...  (2010) » Read more

George & Caplin - Electronic Eulogy from Morse Code Infinity – The electronic duo of George and Caplin (AKA Jason Fredrick Iselin and Jeffrey Wentworth Stevens) has obviously been paying attention in their History of Electronic Music classes. On several of the...  (2006) » Read more

Various Artists - Vae Victis I & II – So here are two samplers chock full of French hard rock and heavy metal. Why should you care? Well, I guess cuz it comes from Musea’s hard rock offshoot label, Brennus. But then again, a quick...  (2000) » Read more

Wappa Gappa - Yamatai Koku (AKA Wappa Gappa) – Combining elements of several types of rock into one package, Wappa Gappa touches on just about everything. Vocalist Tamami Yamamoto is a mezzo with a really smooth voice, and she typically sings...  (1997) » Read more



Listen & discover



Print issues