Jack Mazzenga's Space-Time Trio — Had to Say
((Not on label) no#, 2013, CD)
by Jon Davis, Published 2013-12-19As a young and undoubtedly snobbish listener, I remember the time in the late 70s when I first heard Dixie Dregs. It was obviously related to progressive rock, and the musicians were superbly talented, but it had elements of the detestable genres of country and bluegrass. I've since come to realize that every genre has its good and bad representatives, but at the time I was thrown for a loop. Jack Mazzenga operates in a similar vein, at least sometimes, plus some elements of blues, surf, and more tossed in as well. With the added twist that his main instrument is a fretless electric guitar, an instrument I had previously only encountered in the context of either avant-jazz or being used for "exotic" lead lines. Mazzenga somehow manages to play chords, mostly broken up rhythmically in ways more common in funk and country pickin' than in boundary-pushing music. That being said, most of the tunes here wouldn't raise any eyebrows if they showed up in a different context where you might expect to hear somewhat jazzy southern rock. In addition to the Dregs, you could compare it to Derek Trucks' or Little Feat's instrumental tunes. Mazzenga's band is augmented by horns on several of the tunes, and he also has Neil Haverstick along as a guest. There's nothing pretentious or grandiose here, just a great sense of fun and the feeling that these guys could crank out this stuff all night. There's superb playing throughout, and enough variety to keep interest for 15 tracks. One of my favorites is "Lefthanded Compliment," which features some of the craziest, most distorted lead work, a bit like Jeff Beck playing the nastiest slide, and when the wah-wah kicks in, you just gotta yell, "Woo-ha!" There are also some really nice acoustic tracks, all with the edge of tonal ambiguity possible when you don't have frets to tie you to standard intonation. So all you guitar geeks out there, give Mazzenga a listen and have your horizon expanded a bit. And now my bottle of Jack is dry, so I'm outta here.
Freedom to Spend Unearths June Chikuma's Archives – Jun (June) Chikuma is well known for her video game and anime soundtracks, but she also released an album of experimental electronic music back in 1986 called Divertimento where she indulged the kind of spontaneity that wouldn't work in a soundtrack. RVNG Int'l label Freedom to Spend is bringing this overlooked item to broader attention with a deluxe reissue. » Read more
Seaprog 2019 Lineup Almost Complete – The Seaprog festival in Seattle is scheduled for June 7-9 this year, and they've announced their lineup of performers. The revitalized Trettioåriga Kriget will cap Friday night, perennial favorites Marbin are on Saturday, and District 97 will finish off the fest on Sunday night. In support, they've booked a stellar variety of artists from the Northwest and around the world, including EchoTest, Markus Reuter and Trey Gunn, and the live debut of the amazing Troot project. » Read more
You Can Be Part of an Ambient Electronic Project – The Gesture of History is a new electronic project put together by Sam Rosenthal of Black Tape for a Blue Girl, Steve Roach, and violist Sam Shadow. The music started as an instrumental track Rosenthal was working on for a Black Tape album, but took on a life of its own and demanded further enhancements. The majority of the funds raised will go to manufacturing costs for LP and CD editions, as well as other items as detailed on the Kickstarter page. » Read more
Jazz Composer Mark Lomax, II Releases Epic 12CD Set – In addition to being a fine jazz drummer, Dr. Mark Lomax, II is a composer in residence at Ohio State University, where he has been very busy on the compositional front. The year 2019 is the 400th anniversary of the arrival of the first ship bringing African slaves to North America, and in commemoration of this, Lomax has produced 400: An Afrikan Epic, a 12 volume set of CDs featuring a variety of different musical ensembles. » Read more