Jack Mazzenga's Space-Time Trio — Had to Say
((Not on label) no#, 2013, CD)
by Jon Davis, Published 2013-12-19As a young and undoubtedly snobbish listener, I remember the time in the late 70s when I first heard Dixie Dregs. It was obviously related to progressive rock, and the musicians were superbly talented, but it had elements of the detestable genres of country and bluegrass. I've since come to realize that every genre has its good and bad representatives, but at the time I was thrown for a loop. Jack Mazzenga operates in a similar vein, at least sometimes, plus some elements of blues, surf, and more tossed in as well. With the added twist that his main instrument is a fretless electric guitar, an instrument I had previously only encountered in the context of either avant-jazz or being used for "exotic" lead lines. Mazzenga somehow manages to play chords, mostly broken up rhythmically in ways more common in funk and country pickin' than in boundary-pushing music. That being said, most of the tunes here wouldn't raise any eyebrows if they showed up in a different context where you might expect to hear somewhat jazzy southern rock. In addition to the Dregs, you could compare it to Derek Trucks' or Little Feat's instrumental tunes. Mazzenga's band is augmented by horns on several of the tunes, and he also has Neil Haverstick along as a guest. There's nothing pretentious or grandiose here, just a great sense of fun and the feeling that these guys could crank out this stuff all night. There's superb playing throughout, and enough variety to keep interest for 15 tracks. One of my favorites is "Lefthanded Compliment," which features some of the craziest, most distorted lead work, a bit like Jeff Beck playing the nastiest slide, and when the wah-wah kicks in, you just gotta yell, "Woo-ha!" There are also some really nice acoustic tracks, all with the edge of tonal ambiguity possible when you don't have frets to tie you to standard intonation. So all you guitar geeks out there, give Mazzenga a listen and have your horizon expanded a bit. And now my bottle of Jack is dry, so I'm outta here.
Alex's Hand Seeks Spa Treatment – American / European band Alex's Hand has a new album in the works called Hungarian Spa, which looks to be their biggest and best yet, featuring a large roster of guest musicians. They're seeking funding to take the project on the road, and are looking for help from the crowd of wisdom. » Read more
Legendary Co-Founder of The 13th Floor Elevators Passes Away at Age 71 – Sadly, Roky Erickson passed away on May 31, 2019. Known as the father of psychedelic music and co-founder of the ground breaking 13th Floor Elevators, Roky had a profound influence on music from the 60s to today. Plagued by his own personal demons, Roky had a difficult life and is now free of these burdens. » Read more
Help MoonJune Bring Great Music to Life – Like many music lovers around the world, we’ve been thrilled and amazed to hear the recordings that have been released by MoonJune from sessions at La Casa Murada in Spain. Such label stalwarts as Mark Wingfield, Markus Reuter, Asaf Sirkis, Tony Levin, Dusan Jevtovic, Vasil Hadzimanov, and many more have gathered in various combinations at the studio to produce some of the most creative music in recent years. Now, label head Leonardo Pavkovic is offering a compilation, La Casa Murada - MoonJune Sessions, Volume One, as a fundraiser for upcoming sessions. » Read more
The Pineapple Thief to Tour North America – November and December of 2019 will see The Pineapple Thief bringing their music to Canada, Mexico, and the US, and famed drummer Gavin Harrison will be on board. The band has been touring extensively in Europe, but North America will be new territory for them. » Read more
Scott Walker RIP – Noel Scott Engel, better known as Scott Walker, was one of the most intriguing and enigmatic musical figures in the second half of the 20th Century. His strange career started with The Walker Brothers, an American pop group that featured no one named Walker and no brothers. After moving to England in 1965, they had a series of hit singles. Scott's solo work started with Scott in 1967. Starting in the 80s, his work took an increasingly avant-garde turn. » Read more