Exposé Online banner

Manuel Göttsching — Die Mulde
(MG.ART 301, 1997/2005, CD)

Manuel Göttsching — Concert for Murnau
(MG.ART 302, 2003/2005, CD)

Manuel Göttsching — E2-E4 Live
(MG.ART 303, 2005, CD+DVD)

by Henry Schneider, Published 2006-05-01

Die Mulde Cover artConcert for Murnau Cover artE2-E4 Live Cover art

As 2005 neared its end, Manuel Göttsching released three new CDs: Die Mulde, Concert for Murnau and E2-E4 Live. Die Mulde is a composition Manuel recorded September 6, 1997 for an art installation at the Denkmalschmiede Höfgen, close to the river Mulde. The CD contains the title track plus “hp little cry” recorded in 2004. Concert for Murnau is Manuel’s foray into semi-classical music and was performed live to the silent film Schloss Vogelöd (The Haunted Castle) by F. W. Murnau October 31 – November 1, 2003 at the Stattstheater Braunschweig, Kleines Haus, Germany. And of course, E2-E4 Live is a live recording of Manuel’s 1989 studio release at the Volksbühne am Rosa-Luxemburg Platz, Berlin on March 25, 2005.

In my opinion, Die Mulde is by far the best of the lot. It clearly shows the influence of his long time friend and musical colleague Klaus Schulze. It is pure electronic bliss. “Die Mulde” consists of four movements that flow seamlessly from one to the next, just like a river, and clocks in at 40:05. This is soothing, floating music and if Manuel’s guitar is present, it is certainly way down in the mix of arpeggios, keyboards, and electronics. Near the end of “Die Mulde”, it begins to sound more like Manuel’s music from the same time. “hp little cry” has an entirely different feel to it. Manuel recorded the background ambient electronics in 1981 and added guitar in 2004. It is 32 minutes of quiet, guitar tinklings layered over washes of drifting electronic chords. Gone are the days of his fiery guitar jams.

In contrast is Concert for Murnau. This release contains 12 tracks that range in duration from under a minute to almost 10 minutes. This CD is a combination of electronics and classical music. Some tracks are a combination of the two genres, others are either pure electronics or pure acoustic strings and horns. The music is a bit uneven. For me, the electronic pieces and the combination pieces work best. Some of the classical pieces sound a bit forced, and since Manuel is not noted for composing this type of music, they tend to be a bit long in exploring some simple motifs. These types of variations and experiments are much better suited for synths. As the Concert for Murnau was composed as a film score, perhaps it works better when the listener can also enjoy it with the visual experience of the horror film. The electronic pieces do offset the weaknesses of the classical pieces, but Concert for Murnau is not the recording to start with for a novice, it is more for the Göttsching completist.

Lastly, there is E2-E4 Live, which also happens to be the shortest Göttsching release in years. It is only 21:11 long, which is a blessing for E2-E4. The original studio recording was 59:20 and got a bit monotonous if you were to concentrate on the music. This live recording from earlier this year still communicates all of Manuel’s original musical ideas, but with new instrumentation in a shorter version that will keep you entertained.

Overall, we are very lucky to have this much new Göttsching music in 2005, which shows that he continues to be contributor in the ever growing amount of music available today.


Filed under: New releases, Issue 33, 2005 releases, 1997 recordings, 2003 recordings

Related artist(s): Manuel Göttsching

Latest news

2019-11-07
Glenn Smith RIP – Glenn Smith, founder, mandolinist, and primary composer of the DeLand, Florida based prog / fusion band Magnatar, passed away on October 18th 2019 at the age of 68, after a brief illness.  » Read more

2019-11-04
Dino Brassea RIP – Word reaches us of the passing of Dino Brassea, who sang and played flute in Cast for many years. By our count, Brassea appeared on 11 Cast albums between 1994 and 2002. He also released music as a solo artist. » Read more

2019-10-06
Ginger Baker RIP – Legendary English drummer Ginger Baker has died at the age of 80. After coming to fame with Cream in the 60s alongside Eric Clapton and Jack Bruce, he became one of the most recognized and influential drummers of the rock era. On September 25, his family announced that he was critically ill, and on October 6 his death was confirmed. » Read more

2019-08-20
Alex's Hand Seeks Spa Treatment – American / European band Alex's Hand has a new album in the works called Hungarian Spa, which looks to be their biggest and best yet, featuring a large roster of guest musicians. They're seeking funding to take the project on the road, and are looking for help from the crowd of wisdom. » Read more

2019-06-05
Legendary Co-Founder of The 13th Floor Elevators Passes Away at Age 71 – Sadly, Roky Erickson passed away on May 31, 2019. Known as the father of psychedelic music and co-founder of the ground breaking 13th Floor Elevators, Roky had a profound influence on music from the 60s to today. Plagued by his own personal demons, Roky had a difficult life and is now free of these burdens. » Read more


Previously in Exposé...

Ancient Future - Planet Passion – The previous release by this SF Bay Area world-fusion unit led by guitarist Matthew Montfort was 1993’s Asian Fusion (reviewed in Exposé #2), so after such a long lapse we were caught off guard...  (2003) » Read more



Listen & discover



Print issues