Exposé Online banner

For once my timing seems to have been right on. It appears that I saw the first and last Björk concert ever to happen in mainland China. By now, most everyone knows why I say "last," and I'll get to my perspective on that in due time. I was living and working in Beijing, but this concert was a special enough occasion that I booked a weekend trip to Shanghai and pulled in some favors to get a good seat.

by Jon Davis, Published 2008-03-05

photography by Jon Davis

Shanghai Gymnastics Center

This concert review originally appeared on my Rocket to China blog back in 2008. It's being reprinted (so to speak) with slight revisions here.

The concert was held at the Shanghai International Gymnastics Center, which is in the western part of the city, but not too terribly far from the Zhongshan Metro station. One thing that seems a little odd is that there’s a Tesco discount market underneath the auditorium so you can save money on your shopping and catch a show in one convenient location. And if you need to shop for any kids’ things, there’s a Baby Mall below the Tesco. There was also a little wine shop called Trader Zhou's (pronounced basically the same as Trader Joe's).

There was a sign outside the entrance that said “No Cameras,” but neither I nor any others in the majority of the crowd had any problems taking pictures. The audience was about half and half Chinese and foreigners, which is pretty typical of attendance at performances by non-Chinese artists.

Björk on stage in Shanghai

Björk is known for experimenting with different kinds of instrumentation from typical pop and rock lineups. This time she had a nine-piece brass section (three each of trumpets and French horns, two trombones, and a tuba), a keyboard player (clavichord, organ, piano and so on, all artificial of course), a drummer/percussionist, and two guys with laptops and keyboards. No guitar, no bass.

Anyone who’s heard her current album (Volta) knows that brass figures prominently in the arrangements, so those tunes came off much like the studio versions. The surprise was how well the arrangements worked on some of the older tunes which did not originally have brass, such as “Jóga” and “Army of Me.” I found it quite refreshing that the brass parts were not simple chordal accompaniment, but very nicely arranged polyphonic lines, with many touches of modern classical music. Kudos to whoever took care of that. And while there were no crazy solo spots for the players, all the parts were handled impeccably.
Björk on stage at the Shanghai Gymnastics Center

The show opened with an abrupt lights-out, then the brass section trooped in playing a catchy tune and wearing colorful costumes with flags attached to their backs, swaying with their movements. They took their places on the stage, and Björk came out to launch into “Earth Intruders,” the lead track of Volta. Her voice, the brass, and the electronics were all crystal clear in sound, loud enough to be impressive, but not so loud as to be uncomfortable.

The crowd was reservedly enthusiastic for the first four tunes or so, cheering loudly but stuck in seats (the priminent line of uniformed security at the front of the stage and lining the sides of the seating might have had something to do with that), until she asked, “Can you dance?” The result was an instantaneous eruption of bodies from chairs; the center aisle on the floor filled up, and people approached the stage barrier. Half a dozen extra security guys rushed out to keep people back from the fence, but from then on there was no sitting that I saw.

Things really kicked into overdrive when her hit “Army of Me” started. A green laser beam flicked around the room, hitting strategically placed mirrors, and the energy level hit a new high, both on stage and in the audience.

Björk on stage at the Shanghai Gymnastics CenterThere were some quiet, reflective moments as well.

For me, as a fan of the new album, I didn’t mind the concentration on new material. There were enough old favorites to keep me happy: “Hunter,” “Pluto,” “Possibly Maybe,” “I Miss You” and so on. Sure, I could have wished for “Human Behaviour” but there is nothing she played that I regretted hearing.

All through the show, I was amazed at the strength, accuracy, and expression of her voice. I’m well aware that the excitement of seeing a good show can make things sound better than they really are, but I didn’t hear a single note off-key, and I noticed no vocal fatigue as the evening wore on.

Björk on stage at the Shanghai Gymnastics CenterAll too soon (around 9:30) Björk and crew left the stage. The crowd kept up a racket for a long time before the brass came out again, forming a half circle at center stage. Björk sang in the center, and when they segued into “Declare Independence” all the stops were pulled out. The lasers flashed around, the lights went crazy, everyone on stage was jumping around chaotically, and finally a snowstorm of confetti came over the arena.

Later, I heard many reports that she mentioned Tibet in the song, but I honestly did not hear it. Everyone was jumping up and down around me, and I was trying to get a photo around the 6’6” guy in front of me, and we were all chanting “Declare independence! – Don’t let them do that to you!” so loud that I missed the little interjections between the lines. Of course, when you’re in China, mentioning that an Autonomous Region should maybe have some other status (such as the one mentioned in the song title) is not looked upon kindly. It is not a subject of public debate. Once the story started spreading about what she shouted, people came to the likely conclusion that should she ever apply for a visa to perform (or even visit) China again, it was unlikely to be approved. There have also been stories that those at the Ministry of Culture who gave approval for her performance (given her track record on such issues) would be looking for new jobs.

Björk on stage at the Shanghai Gymnastics Center

Anyway, this is a show that goes right up there in the list of all-time best shows for me, which puts it in pretty good company. And given the notoriety the concert has garnered over the time since then, it's kind of cool to be able to say, "I was there."

In spite of China's rapid ascension into status as a highly developed country, the experience of concert-going is kind of hit-or-miss. While the sound and staging were first-rate (and likely they brought a lot of the gear with them from overseas), some of the other factors were lacking. Restrooms were small and awkward to get to. And as far as I could tell, there were no concessions inside the building at all, nor any room for them – the concourse on the floor level was very small, and I think it was similar upstairs. The promoter, Emma, set up folding tables outside on the deck selling water, soft drinks, beer, and posters. For the drinks, they had 2-liter bottles, and for 10rmb they would fill a paper cup out of it. You had to get a wristband going out in order to re-enter, and luckily you were allowed to bring the cups in. I also saw people in the auditorium with Tesco bags of snacks and water bottles.


Filed under: Concerts

Related artist(s): Björk

Latest news

2017-02-20
Larry Coryell RIP – One of the greats of jazz guitar has left us at the age of 73. Larry Coryell was one of the founding figures of jazz fusion, but produced a significant body of work the bridged many styles. His group Eleventh House provided a unique take on the combination of jazz and rock that was distinct from contemporaries such as Mahavishnu Orchestra, Return to Forever, and Weather Report. » Read more

2017-01-31
John Wetton RIP – After a long battle with colon cancer, singer and bassist John Wetton has died at the age of 67. As an integral member of such bands as King Crimson, UK, and Asia, his was one of the distinctive voices in progressive rock, lending a human touch to often difficult music. » Read more

2017-01-30
Seaprog Announces First Artists for 2017 – The organizers of the Seaprog Festival in Seattle have announced the first set of confirmed performers for the 2017 festival. The best known names are Cabezas de Cera and Jack o' the Clock, but a host of other bands are featured, mostly from the Northwest. The festival will take place June 2-4, 2017. » Read more

2017-01-27
Acoustic Festival of Britain 2017 Announces Eclectic Lineup – The Acoustic Festival of Britain has been going since 2006, and this year's event sees a number of outstanding artists on the bill. Fairport Convention, Tir na nOg, and Martin Turner are some of the artists we've covered, and there are many more, including The Men They Couldn't Hang, Howard Jones, Chantel McGregor, and many more. The festival runs June 2-4, 2017 at Uttoxeter Racecourse in Staffordshire. » Read more

2017-01-26
Butch Trucks RIP – Butch Trucks was one of two drummers in the first incarnation of the Allman Brothers Band in 1969, helping the band achieve its legendary status as an American original. He died on January 24, 2017 of a self-inflicted gunshot would. He was 69. » Read more


Previously in Exposé...

Various Artists - Electroacoustic Music Vol.1 - Russia 1997, Disc 1 & 2 – Interestingly enough, this excellent – what should be a 2CD set – is packaged as two separate discs with almost identical covers. Only the careful eye will note the small red "Disc...  (1999) » Read more

Yūgen - Iridule – This is the third Yūgen release, and the band continues to grow by leaps and bounds. This time out the composing duties went to guitarist Francesco Zago, who seems to be influenced by a combination...  (2011) » Read more

Bill Frisell - Ghost Town – Despite the fact that this disc is six years old, this all-solo album is a vital indicator in the Bill Frisell catalog. The guitarist’s penchant to merge Americana stylings with country and...  (2006) » Read more

Judy Dyble - Talking with Strangers – For those of you not old enough to remember, Judy Dyble was Fairport Convention’s original vocalist who left after their first album. She then hooked up with Ian McDonald and the original line...  (2011) » Read more

Mastermind - Volume One – Ten years after it was recorded and released as a cassette, and about six years after its original CD incarnation on ZNR records, Mastermind's debut is finally available once again. It establishes...  (1996) » Read more