Exposé Online banner

Luiz Pérez — En el Ombligo de la Luna
((Not on label) no#, 1981/2013, CD)

by Peter Thelen, 2013-04-01:

En el Ombligo de la Luna Cover art One of the earliest examples of "Prehispanic Fusion," a style combining the pre-colonial music of Mexico with modern electronics and progressive rock, channeling the spirit of ancient cultures. The style later gained broader recognition with Jorge Reyes, Antonio Zepeda and others. En el Ombligo de la Luna is pretty much where it all started. The first track "In Alteptl Tonal" introduces the percussion, ancient wooden flutes and bird-whistles that form the cornerstone of this style, but as the album progresses modern instrumentation is slowly introduced; electric guitars, then synthesizers and bass are in full deployment by the middle of the third track that closed side one of the original LP, along with wordless vocalizing. The side-long title suite features many haunting quiet parts that can thankfully now be heard clearly, utilizing winds, layered percussion, guitars, and synths, building slowly to a climax, followed by a short section of ancient poetry, leading into the spirited midsection where pulsating bass mixes with jagged synth sounds, morphing into a magnificent passage for layered synths. The closing section then reintroduces the percussion and flutes from the opening section. This is most welcome reissue, especially given that most Mexican LP pressings of the 1980s were very noisy, full of clicks and pops and other irregularities. While the limitations of the original analog recording are still audible on a very close listen, all of those horrible pressing issues are now gone; what remains is one of the magical gems of Mexican progressive music sounding better than it ever has before.

by Jon Davis, 2013-12-10:

I would imagine that when this album was first released back in 1981, people referred to it as "timeless." It starts out with a wooden flute and a wide array of shakers and other percussion, and in the listener's imagination, it's something that could have been recorded 500 years ago if the technology had existed to record it. The second track continues with wooden flute and percussion, though it concentrates more on drums and wooden sounds than on shakers; there's also something that sounds like a conch shell being blown. The credits (as far as my Spanish will get me) merely say that all instruments are of Pre-Columbian origin with the exception of guitar, bass, echo chambers, frequency analyzer, phase shifter, sin-ei (not sure what that is, maybe a synthesizer, since I'd swear I hear one), and gong. The modern instruments start appearing on the third track, but Pérez handles the transition so smoothly that it's not jarring. About five minutes into "Ketzakoatl Yauh Miktlan" he develops a groove reminiscent of Mike Oldfield, which isn't a bad reference point since both are multi-instrumentalists who build up music part by part in the studio. The way Pérez combines these ancient and modern instruments seems perfectly natural, which leads to another "timeless" factor — this is music not rooted in any particular time, which could exist anywhere on the timeline from ancient times into the future. In some ways, En el Ombligo de la Luna is a precursor to some World Music, but I wouldn't push that comparison too far. This recording stands on its own regardless of its innovation at the time of original release, another way in which it is "timeless."

Filed under: Reissues , 2013 releases, 1981 releases

Related artist(s): Luiz Pérez

More info

Latest news

2019-03-20
Freedom to Spend Unearths June Chikuma's Archives – Jun (June) Chikuma is well known for her video game and anime soundtracks, but she also released an album of experimental electronic music back in 1986 called Divertimento where she indulged the kind of spontaneity that wouldn't work in a soundtrack. RVNG Int'l label Freedom to Spend is bringing this overlooked item to broader attention with a deluxe reissue. » Read more

2019-03-03
Seaprog 2019 Lineup Almost Complete – The Seaprog festival in Seattle is scheduled for June 7-9 this year, and they've announced their lineup of performers. The revitalized Trettioåriga Kriget will cap Friday night, perennial favorites Marbin are on Saturday, and District 97 will finish off the fest on Sunday night. In support, they've booked a stellar variety of artists from the Northwest and around the world, including EchoTest, Markus Reuter and Trey Gunn, and the live debut of the amazing Troot project. » Read more

2019-02-21
You Can Be Part of an Ambient Electronic Project – The Gesture of History is a new electronic project put together by Sam Rosenthal of Black Tape for a Blue Girl, Steve Roach, and violist Sam Shadow. The music started as an instrumental track Rosenthal was working on for a Black Tape album, but took on a life of its own and demanded further enhancements. The majority of the funds raised will go to manufacturing costs for LP and CD editions, as well as other items as detailed on the Kickstarter page. » Read more

2019-01-31
Keyboardist Ingo Bischof R.I.P. – Keyboard player Ingo Bischof, best known as the longtime keyboard player of German band Kraan, passed away on January 29th, 2019. Bischof was born January 2, 1951 in Berlin-Kreuzberg and joined Kraan in 1975. » Read more

2019-01-11
Jazz Composer Mark Lomax, II Releases Epic 12CD Set – In addition to being a fine jazz drummer, Dr. Mark Lomax, II is a composer in residence at Ohio State University, where he has been very busy on the compositional front. The year 2019 is the 400th anniversary of the arrival of the first ship bringing African slaves to North America, and in commemoration of this, Lomax has produced 400: An Afrikan Epic, a 12 volume set of CDs featuring a variety of different musical ensembles. » Read more


Previously in Exposé...

Billy Currie - Stand up and Walk – The second solo album by violinist and composer Billy Currie (ex Ultravox, Visage) traces a narrow path down a lush musical side road. Having completed his tenure with those bands, moving into a...  (2002) » Read more

Various Artists - Eyewitness - A Tribute to VdGG – This one made it in just under the wire, finding release in the fading days of December. The fact that (at least in the USA) Van der Graaf Generator is not the household word that, say Genesis, Yes,...  (1996) » Read more

Willowglass - Book of Hours – Perhaps I’m just overly influenced by the artwork in the booklet, but it truly does seem like this music conjures up imagery of scenic rural England in times long gone by – green grass,...  (2008) » Read more

Orient Squeezers - Sadhu – Orient Squeezers, aside from being an especially nonsensical phrase, is a solo project of Håkan Almkvist, the driving force behind Ensemble Nimbus. The disc displays quite an obsession with...  (2000) » Read more

Steve Roach - Dreamtime Return – The myths and legends of the Australian Aborigines provided the inspiration for this expansive opus that is generally touted as Roach’s first masterpiece. Here it is presented again in 24-bit...  (2006) » Read more



Listen & discover

Merkaba streaming



Print issues