Exposé Online banner

Luiz Pérez — En el Ombligo de la Luna
((Not on label) no#, 1981/2013, CD)

by Peter Thelen, 2013-04-01:

En el Ombligo de la Luna Cover art One of the earliest examples of "Prehispanic Fusion," a style combining the pre-colonial music of Mexico with modern electronics and progressive rock, channeling the spirit of ancient cultures. The style later gained broader recognition with Jorge Reyes, Antonio Zepeda and others. En el Ombligo de la Luna is pretty much where it all started. The first track "In Alteptl Tonal" introduces the percussion, ancient wooden flutes and bird-whistles that form the cornerstone of this style, but as the album progresses modern instrumentation is slowly introduced; electric guitars, then synthesizers and bass are in full deployment by the middle of the third track that closed side one of the original LP, along with wordless vocalizing. The side-long title suite features many haunting quiet parts that can thankfully now be heard clearly, utilizing winds, layered percussion, guitars, and synths, building slowly to a climax, followed by a short section of ancient poetry, leading into the spirited midsection where pulsating bass mixes with jagged synth sounds, morphing into a magnificent passage for layered synths. The closing section then reintroduces the percussion and flutes from the opening section. This is most welcome reissue, especially given that most Mexican LP pressings of the 1980s were very noisy, full of clicks and pops and other irregularities. While the limitations of the original analog recording are still audible on a very close listen, all of those horrible pressing issues are now gone; what remains is one of the magical gems of Mexican progressive music sounding better than it ever has before.

by Jon Davis, 2013-12-10:

I would imagine that when this album was first released back in 1981, people referred to it as "timeless." It starts out with a wooden flute and a wide array of shakers and other percussion, and in the listener's imagination, it's something that could have been recorded 500 years ago if the technology had existed to record it. The second track continues with wooden flute and percussion, though it concentrates more on drums and wooden sounds than on shakers; there's also something that sounds like a conch shell being blown. The credits (as far as my Spanish will get me) merely say that all instruments are of Pre-Columbian origin with the exception of guitar, bass, echo chambers, frequency analyzer, phase shifter, sin-ei (not sure what that is, maybe a synthesizer, since I'd swear I hear one), and gong. The modern instruments start appearing on the third track, but Pérez handles the transition so smoothly that it's not jarring. About five minutes into "Ketzakoatl Yauh Miktlan" he develops a groove reminiscent of Mike Oldfield, which isn't a bad reference point since both are multi-instrumentalists who build up music part by part in the studio. The way Pérez combines these ancient and modern instruments seems perfectly natural, which leads to another "timeless" factor — this is music not rooted in any particular time, which could exist anywhere on the timeline from ancient times into the future. In some ways, En el Ombligo de la Luna is a precursor to some World Music, but I wouldn't push that comparison too far. This recording stands on its own regardless of its innovation at the time of original release, another way in which it is "timeless."

Filed under: Reissues , 2013 releases, 1981 releases

Related artist(s): Luiz Pérez

More info

Latest news

2019-06-05
Legendary Co-Founder of The 13th Floor Elevators Passes Away at Age 71 – Sadly, Roky Erickson passed away on May 31, 2019. Known as the father of psychedelic music and co-founder of the ground breaking 13th Floor Elevators, Roky had a profound influence on music from the 60s to today. Plagued by his own personal demons, Roky had a difficult life and is now free of these burdens. » Read more

2019-04-24
Help MoonJune Bring Great Music to Life – Like many music lovers around the world, we’ve been thrilled and amazed to hear the recordings that have been released by MoonJune from sessions at La Casa Murada in Spain. Such label stalwarts as Mark Wingfield, Markus Reuter, Asaf Sirkis, Tony Levin, Dusan Jevtovic, Vasil Hadzimanov, and many more have gathered in various combinations at the studio to produce some of the most creative music in recent years. Now, label head Leonardo Pavkovic is offering a compilation, La Casa Murada - MoonJune Sessions, Volume One, as a fundraiser for upcoming sessions. » Read more

2019-04-10
The Pineapple Thief to Tour North America – November and December of 2019 will see The Pineapple Thief bringing their music to Canada, Mexico, and the US, and famed drummer Gavin Harrison will be on board. The band has been touring extensively in Europe, but North America will be new territory for them. » Read more

2019-03-25
Scott Walker RIP – Noel Scott Engel, better known as Scott Walker, was one of the most intriguing and enigmatic musical figures in the second half of the 20th Century. His strange career started with The Walker Brothers, an American pop group that featured no one named Walker and no brothers. After moving to England in 1965, they had a series of hit singles. Scott's solo work started with Scott in 1967. Starting in the 80s, his work took an increasingly avant-garde turn. » Read more

2019-03-20
Freedom to Spend Unearths June Chikuma's Archives – Jun (June) Chikuma is well known for her video game and anime soundtracks, but she also released an album of experimental electronic music back in 1986 called Divertimento where she indulged the kind of spontaneity that wouldn't work in a soundtrack. RVNG Int'l label Freedom to Spend is bringing this overlooked item to broader attention with a deluxe reissue. » Read more


Previously in Exposé...

Christian Décamps et Fils - Nu – Décamps is, of course, the longtime lead vocalist and rock-poet emeritus of Ange, returning here to solo-career status (technically, Ange is still together - sort of - I have an album titled Les...  (1994) » Read more

Homestead & Wolfe - Our Times – Homestead & Wolfe represents an obscure bit of early 70s Bay Area music history. The name refers to the location of the church in Cupertino, California, where this group formed out of a youth...  (2006) » Read more

Birdsongs of the Mesozoic - Dancing on A'a – What started out as an arty project composed mostly of ex-members of Boston noise-band Mission of Burma seems to have become primarily the vehicle for keyboardist/composer Erik Lindgren. Lindgren...  (1995) » Read more

S/T - Catatonic Airkraut – The spirit of the original German space rock "untirirdisch" lives on in the musik of S/T. This 10" mini-klassik of neo-psychedelic, space rock flashes back to the early days of Amon...  (1995) » Read more

Rova - Bingo – For 20 years now, California's Rova Sax Quartet has been unrelentingly pursuing the ambitious task of inventing new music from the most traditional instrumental family in jazz history – the...  (1999) » Read more



Listen & discover



Print issues