Exposé print issues (1993-2011)
Luiz Pérez — En el Ombligo de la Luna
((Not on label) no#, 1981/2013, CD)
One of the earliest examples of "Prehispanic Fusion," a style combining the pre-colonial music of Mexico with modern electronics and progressive rock, channeling the spirit of ancient cultures. The style later gained broader recognition with Jorge Reyes, Antonio Zepeda and others. En el Ombligo de la Luna is pretty much where it all started. The first track "In Alteptl Tonal" introduces the percussion, ancient wooden flutes and bird-whistles that form the cornerstone of this style, but as the album progresses modern instrumentation is slowly introduced; electric guitars, then synthesizers and bass are in full deployment by the middle of the third track that closed side one of the original LP, along with wordless vocalizing. The side-long title suite features many haunting quiet parts that can thankfully now be heard clearly, utilizing winds, layered percussion, guitars, and synths, building slowly to a climax, followed by a short section of ancient poetry, leading into the spirited midsection where pulsating bass mixes with jagged synth sounds, morphing into a magnificent passage for layered synths. The closing section then reintroduces the percussion and flutes from the opening section. This is most welcome reissue, especially given that most Mexican LP pressings of the 1980s were very noisy, full of clicks and pops and other irregularities. While the limitations of the original analog recording are still audible on a very close listen, all of those horrible pressing issues are now gone; what remains is one of the magical gems of Mexican progressive music sounding better than it ever has before.
by Peter Thelen, Published 2013-04-01
by Jon Davis, Published 2013-12-10
Related artist(s): Luiz Pérez
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