Exposé Online banner

Landberk — One Man Tell's Another
(Megarock MRRCD 007, 1994, CD)

by Rob Walker, 1994-08-01:

One Man Tell's Another Cover art From the opening moments of this CD, it is obvious that this Swedish band has greatly matured. The follow-up to 1992's well received but unspectacular debut Lonely Land, One Man Tell's Another features solid musicianship, diverse writing, strong production, and most of all an original sound which doesn't reflect the usual progressive influences. The five band members spread the writing duties around, and while the (English) lyrics, full of personal melancholy and angst, are rather thematically similar throughout, the music benefits greatly, covering a variety of styles over the seven songs. There is no outstanding musical virtuosity or complexity, but with some novel sounds and fresh chord progressions, the album moves beyond the more typical symphonic prog of their first album into areas that are more difficult to define. It is hard to point to any specific group or album that seems to be a predecessor to One Man Tell's Another; perhaps the latest Sylvian/Fripp album or even Talk Talk may exhibit similarities in mood and style, but that does not adequately describe this music. For much of the CD, the rhythm section is used to set up a strong foundation — I hesitate to use the word "groove" — that is developed and accented by the excellent use of dynamics and instrumentation, as well as the wonderful production. Some of the most tasteful use of the Mellotron in recent years can be found here. The modern sound of the album is an odd context for this well-traveled instrument, but it works extremely well and helps to create a unique atmosphere. Of all the band members, guitarist Reine Fiske is featured most prominently, but this remains very much a group effort. The lyrics, music and other elements are all brought together in each song into a strong, cohesive whole that is very engaging. One Man Tell's Another at times seems to fall into the nebulous area between prog and progressive pop; the sort of album that might perhaps bridge the gap to a larger audience for progressive music in general. Even if not, it still stands as a solid and original contribution to the 90s prog scene. I am not usually one to fall for this type of music, but I found Landberk's latest release to be impressive and thoroughly enjoyable.

by Mike Borella, 1994-08-01:

My first reaction to hearing this, the latest release from yet another of Sweden's newer bands, was, "What?" The opening chords sound all too similar to half a dozen or so U2 songs. However, this moment is soon over, and while Landberk has taken a slightly different approach here than on their debut, they haven't sold out or commercialized. Landberk has never been a band to impress one with complexity, rather they take a more atmospheric approach. The use of analog instruments and soft, yet ominous, interludes, reminds me of the slower moments of early Black Sabbath, with a touch of Crimson thrown in. While the guitarist has a style that mixes heavy riffing and discordant melodies, the rest of the band does little more than follow along. Throughout most of the album the drummer plods along, though he does lay down some interesting beats on a few of the tracks. The bass and keyboards add to the atmosphere, but contribute little else. Vocals are entirely in English this time, and the vocalist's style is very hit or miss. While some may like his strained singing, I find it rather distracting. Landberk's emphasis seems to be on vocally-oriented music, with predictable rhythms and structures. This isn't a bad release, though I find that little of it moves me. Outside of the guitarist's interesting textures and the brooding intensity, this album leaves me wanting. Recommended to those who enjoyed Landberk's debut.

by Dan Casey, 1994-08-01:

Landberk are one-third of the new wave of prog-rock from Sweden, along with countrymen Änglagård and Anekdoten. As with the other two bands, the sound here is based mostly upon organic, 70s-style instruments (like Hammond organs, Mellotrons, Rickenbacker bass, etc.) but with a 90s edge in the writing and production. One Man Tell's Another is Landberk's second offering and those who enjoyed their first one (Lonely Land) are sure to enjoy this one as well. The band is a five-piece, with a dedicated lead vocalist. But for a frontman who doesn't carry any other weight in the band, Patric Helje's voice is pretty thin and lacking confidence and strength. Furthermore, the lyrics (in English) suffer from the same overblown gothic imagery that Anekdoten's did (ex. "I am lonely/Wonder how you feel/Sit in darkness/Naked in my room"). While Landberk sound very much like Anekdoten overall, they approach the music with significantly less enthusiasm and energy, the result being like a subdued boil rather than the explosiveness the writing begs for. Since they also take a much simpler approach in songwriting, perhaps this suggests Landberk are already pushing their limits as an ensemble. There certainly are some fine moments on this album, but not enough to seriously compete with Änglagård or Anekdoten in this arena.

Filed under: New releases , Issue 4 , 1994 releases

Related artist(s): Landberk

More info

Latest news

2019-06-05
Legendary Co-Founder of The 13th Floor Elevators Passes Away at Age 71 – Sadly, Roky Erickson passed away on May 31, 2019. Known as the father of psychedelic music and co-founder of the ground breaking 13th Floor Elevators, Roky had a profound influence on music from the 60s to today. Plagued by his own personal demons, Roky had a difficult life and is now free of these burdens. » Read more

2019-04-24
Help MoonJune Bring Great Music to Life – Like many music lovers around the world, we’ve been thrilled and amazed to hear the recordings that have been released by MoonJune from sessions at La Casa Murada in Spain. Such label stalwarts as Mark Wingfield, Markus Reuter, Asaf Sirkis, Tony Levin, Dusan Jevtovic, Vasil Hadzimanov, and many more have gathered in various combinations at the studio to produce some of the most creative music in recent years. Now, label head Leonardo Pavkovic is offering a compilation, La Casa Murada - MoonJune Sessions, Volume One, as a fundraiser for upcoming sessions. » Read more

2019-04-10
The Pineapple Thief to Tour North America – November and December of 2019 will see The Pineapple Thief bringing their music to Canada, Mexico, and the US, and famed drummer Gavin Harrison will be on board. The band has been touring extensively in Europe, but North America will be new territory for them. » Read more

2019-03-25
Scott Walker RIP – Noel Scott Engel, better known as Scott Walker, was one of the most intriguing and enigmatic musical figures in the second half of the 20th Century. His strange career started with The Walker Brothers, an American pop group that featured no one named Walker and no brothers. After moving to England in 1965, they had a series of hit singles. Scott's solo work started with Scott in 1967. Starting in the 80s, his work took an increasingly avant-garde turn. » Read more

2019-03-20
Freedom to Spend Unearths June Chikuma's Archives – Jun (June) Chikuma is well known for her video game and anime soundtracks, but she also released an album of experimental electronic music back in 1986 called Divertimento where she indulged the kind of spontaneity that wouldn't work in a soundtrack. RVNG Int'l label Freedom to Spend is bringing this overlooked item to broader attention with a deluxe reissue. » Read more


Previously in Exposé...

Yes - Talk – Here's yet another album with the Yes name on it that bears almost no resemblance to the band's classic period, essentially a Trevor Rabin solo album with Jon Anderson singing. First, I've...  (1994) » Read more

Ded Ringer - Ded Ahead – Life in the past lane. Call it retro, but rock music like this just isn't made anymore. On their fifth full-length disc this Bay Area trio dishes it up with enough credibility and authenticity to...  (2007) » Read more

Hiromi - Spiral – For her previous two releases, Japanese pianist Hiromi Uehara has started off with a bang, throwing a full-throttle band workout at listeners for the first track (“XYZ” on Another Mind and...  (2006) » Read more

Kit Watkins - Beauty Drifting – The title of this work is as apt a description as you'll come by for this music. Using mostly grand piano, electronic treatments, a mite of sampling, and a nice sense of space, Kit has fashioned an...  (1996) » Read more

Folli di Dio - Folli di Dio – It sounds like Folli di Dio just missed being on Mellow's Fruit Salad label, as it fits into that most amorphous of genres – neo-psychedelic. Neo-psych is as ambiguous as most genre names...  (1996) » Read more



Listen & discover



Print issues