Exposé Online banner

Landberk — Indian Summer
(Musea FGBG 4198.AR, 1996, CD)

by Mike McLatchey, 1997-02-01:

Indian Summer Cover art

Landberk makes me sleepy. Now before this is taken as criticism, remember that sleep is a good thing at the right time, which is as good an analogy as I can get to their music. This is essentially their fourth album (not counting their translations and EPs) and if you've read the review last issue of the Dream Dance EP then you'll be fully acquainted with the style of music here. As Landberk's main focus is on a gloomy night-time symphonic rock, there aren't really a lot of those upbeat and thrilling moments that I'd normally associate with the Swedish scene and since there is no attempt at these, the dynamics tend to plod at times. Landberk's vocalist seems to be sounding more and more like Bono these days which also doesn’t exactly score points on my scale but as I've said many times before Landberk do what they do quite well. I am starting to tire of the sameness in material though. I mean regardless of the style there should be some attempt to come at it differently every time. Maybe they don't have any more tricks up their sleeves or maybe it works for them, it's hard to tell. Every once in a while on a candlelit night with the fumes of Baltic amber incense wafting in the air I'll still give them a listen.


by Dan Casey, 1997-02-01:

Landberk's third album is basically what you'd expect from this Swedish outfit: every bit as melancholy and organic as their first two releases. Mellotrons weave in and out of clean guitar arpeggios, smooth vocal lines wail in and out of straight-forward drum patterns while 70s-style bass sounds tie it all down. Imagine Anekdoten on sedatives and this is what you'd get. Sometimes Landberk comes dangerously close to sounding mainstream, perhaps because of the modern vocal stylings or maybe the repetitive song structures. Nevertheless, sometimes you can't help but think this is "Crimson meets U2." Fans of their prior efforts are sure to be thrilled with this effort as well. On the other hand, Landberk's minimalist approach combined with some less-than-inspired performances makes this album as a whole a bit too shallow and leaves this reviewer feeling empty. It's as if these songs are still only half-baked, when they could be so much more. But that's been my gripe with Landberk since day one. Nevertheless, this is a distinctly Swedish album, and will please many and probably bore just as many. Proceed according to your tastes...


by Mike Grimes, 1997-02-01:

Before Änglagård and Anekdoten were household prog names, Landberk was paving the way for the new breed of Swedish progressive rock bands. It's strange in a way because Landberk doesn't sound anything like either of those bands. Indian Summer is a picturesque title and the music is equally interesting. Honing their musical skills over the last several years and albums, Landberk has clearly got the slow groove down! They should patent it if they haven't already. Their trademark moody, pulsating, surreal passages are subtle yet powerful. They are experts at taking parts down and building them back up — very slowly of course. If you took the middle section to King Crimson's "Starless" and made a theme and variation album around it, it might sound something like Landberk. If the term "low-key" could apply to any band, it would certainly be these guys. The guitars and vocals are at the forefront of Indian Summer. The keyboards seem to be a bit in the background compared with the other releases and live performances I've seen and heard. The Mellotron is definitely there, but the Hammond and friends are noticeably quiet. There is a cool vocal part that sounds like it's been run through a Leslie speaker however. That rules! At times, Landberk can sound more like they are from Seattle than Sweden, and the vocals sometimes sound like Bono from U2. So, fans expecting heartbeat-accelerating, loud, complex prog should look elsewhere. Those looking to chill, grab a seat and put on the headphones.


Filed under: New releases , Issue 11 , 1996 releases

Related artist(s): Landberk

More info

Latest news

2018-11-16
The Seventeenth Dream of Dr Sardonicus Festival Tickets Now Available – Fruits de Mer Records and their merry crew of psychedelic explorers are getting set to present the next The Seventeenth Dream of Dr. Sardonicus Festival. The dates are set for August 2-4, 2019 at The Cellar Bar in Cardigan, Wales. They've also announced that the legendary Groundhogs will top the bill. » Read more

2018-11-02
Charles O'Meara (C.W. Vrtacek) RIP – A true musical original has left us. Charles O'Meara, who recorded under the name C.W. Vrtacek, was a wild-card musical talent, ranging from complex progressive rock to introspective modern compositions, with stops at many places inbetween. » Read more

2018-10-17
Eurock Documentary Seeks Funding – We've been fans and fellow travelers with Archie Patterson and his Eurock project on the journey to discover great music. After many years of promoting and trying to spread the word,a new phase is beginning: a documentary film. Things like this don't just happen, and money does not magically appear to make it happen, so it's up to the fans to get it done. » Read more

2018-09-29
Marty Balin RIP – One of the architects of the 60s psychedelic sound of San Francisco has died at the age of 76. Marty Balin was a singer, songwriter, and guitarist who was one of the founders of Jefferson Airplane. After the split of the original Airplane, Balin went on to form the highly successful Jefferson Starship. » Read more

2018-09-25
Help the Psychic Equalizer Avoid Extinction – Last year we reviewed the debut album by Psychic Equalizer, a musical project of Hugo Selles. He's now working on the ambitious follow-up to that release, and is seeking funding from listeners around the world. » Read more


Previously in Exposé...

Kenso - Kenso's Guide to Making Progressive Rock Music – Well, in all my years or reviewing things, this is really a first. The 2DVD set is part performances, part music theory lectures, part insights, and part interviews; this is basically the members of...  (2009) » Read more

Henry Cow - Western Culture – Western Culture was originally released in 1978 as the final official album from Henry Cow. This single disc is separated into two 18 minute tracks: "History and Broken Prospects" (written...  (1996) » Read more

Wilde Flowers - Tales of Canterbury: The Wilde Flowers Story - Brian's Tale – For those of you still uninitiated, Canterbury was a place in the UK where a music scene originated in the 60s (complementary to that of San Francisco Haight-Ashbury). Several known European groups...  (1995) » Read more

Various Artists - Burning Shed Sampler Two – Burning Shed is an independent U.K. label that tries its best to span many genres. The label’s second sampler puts an emphasis on chilling out as ambient is the forte with a few notable...  (2003) » Read more

Minoke? - Sangaky – This is the follow up to this Japanese quartet’s impressive 2003 debut, Taneshina. The jazz approach seen on the debut is carried forward here, though this time even more non-jazz references and...  (2008) » Read more



Listen & discover



Print issues