Exposé Online banner

Kenso — Uchinaru Koe Ni Kaiki Seyo
(King Records KICS-3080, 2014, CD)

by Peter Thelen, Published 2014-12-13

Uchinaru Koe Ni Kaiki Seyo Cover art

For anyone who’s never heard anything by this Japanese (mostly) instrumental five-piece led by guitarist Yoshihisa Shimizu, it can be said that they carefully walk the line between symphonic prog and jazz-rock fusion, without being either, with some serious Canterbury influence and just enough Japanese melodic hints to let the listener know that’s where they are from. But come on, everyone’s heard or maybe even seen Kenso, at Progfest or NearFest or some-fest-somewhere, right? Even though their releases are less frequent than they used to be, anyone who has followed the band since their excellent 2002 album Fabulis Mirabilibus De Bombycosi Scriptis will know what to expect, they are right along that trajectory they have set for themselves, channeling superb compositions through guitar-bass-drums and dual-keyboard arrangements, busy and complex with surprises around every turn, but you’ll always know it’s Kenso. Across the eight tracks presented here, there are numerous stand-outs and surprises, as well as many that fall in line with pieces the band has done before.

One surprise this time is the inclusion of female vocals on two cuts: on “Shinjuku Kousel Nenkin Ni Sora” (otherwise known as track 2), the voice of singer Miwako Handa is wordless, and becomes like a warm expressive instrument in the otherwise instrumental mix, but on the closing track “A Song of Hope” she sings some English lyrics, written by Shimizu, that takes the piece to a whole new level. The lyrics are included in the booklet, and it would be advisable to follow along the first few plays. For the most part, these don’t sound like the typical compositions of a guitarist, as the arrangements are elaborate and the guitar only occasionally takes a lead role, but the exception to that rule is “Kou Ten Bo Setsu,” one of the album’s standouts and generally a more classically oriented guitar based piece. There’s a crunchy rocker in “Noukou Minzoku ni Tsugu!” which is eventually smoothed out by the synth arrangements opposing a harder swirly organ sound, and here again the electric guitar plays a powerful role but leaves enough room for every other player to shine. Yeah, Uchinaru Koe Ni Kaiki Seyo is a Japanese import only, and you know what that means, but it’s worth every penny.


Filed under: New releases, 2014 releases

Related artist(s): Kenso

Latest news

2019-03-20
Freedom to Spend Unearths June Chikuma's Archives – Jun (June) Chikuma is well known for her video game and anime soundtracks, but she also released an album of experimental electronic music back in 1986 called Divertimento where she indulged the kind of spontaneity that wouldn't work in a soundtrack. RVNG Int'l label Freedom to Spend is bringing this overlooked item to broader attention with a deluxe reissue. » Read more

2019-03-03
Seaprog 2019 Lineup Almost Complete – The Seaprog festival in Seattle is scheduled for June 7-9 this year, and they've announced their lineup of performers. The revitalized Trettioåriga Kriget will cap Friday night, perennial favorites Marbin are on Saturday, and District 97 will finish off the fest on Sunday night. In support, they've booked a stellar variety of artists from the Northwest and around the world, including EchoTest, Markus Reuter and Trey Gunn, and the live debut of the amazing Troot project. » Read more

2019-02-21
You Can Be Part of an Ambient Electronic Project – The Gesture of History is a new electronic project put together by Sam Rosenthal of Black Tape for a Blue Girl, Steve Roach, and violist Sam Shadow. The music started as an instrumental track Rosenthal was working on for a Black Tape album, but took on a life of its own and demanded further enhancements. The majority of the funds raised will go to manufacturing costs for LP and CD editions, as well as other items as detailed on the Kickstarter page. » Read more

2019-01-31
Keyboardist Ingo Bischof R.I.P. – Keyboard player Ingo Bischof, best known as the longtime keyboard player of German band Kraan, passed away on January 29th, 2019. Bischof was born January 2, 1951 in Berlin-Kreuzberg and joined Kraan in 1975. » Read more

2019-01-11
Jazz Composer Mark Lomax, II Releases Epic 12CD Set – In addition to being a fine jazz drummer, Dr. Mark Lomax, II is a composer in residence at Ohio State University, where he has been very busy on the compositional front. The year 2019 is the 400th anniversary of the arrival of the first ship bringing African slaves to North America, and in commemoration of this, Lomax has produced 400: An Afrikan Epic, a 12 volume set of CDs featuring a variety of different musical ensembles. » Read more


Previously in Exposé...

George & Caplin - Electronic Eulogy from Morse Code Infinity – The electronic duo of George and Caplin (AKA Jason Fredrick Iselin and Jeffrey Wentworth Stevens) has obviously been paying attention in their History of Electronic Music classes. On several of the...  (2006) » Read more



Listen & discover



Print issues