Jean-Pascal Boffo — Nomades
(Musea FGBG 4100.AR, 1994, CD)
by Peter Thelen, 1994-08-01:The master of surprises is back. Apparently this was to be his fifth album, but work on a fourth album became too expensive and time consuming, so it was temporarily placed on the back burner — so in the ten years since the demise of his original group Troll, he has released four albums which bear little or no resemblance to one another. Nomades is no exception, I would have been hard pressed to identify it as a Boffo album had I not known before playing it. The basic music here occupies an unlikely area between world-jazz and lite-instrumental rock, possibly somewhere along the Windham Hill axis, with a profusion of Arabic and North-African influences. Boffo's guitar lacings are eloquent and fluid, as might be expected, yet on some of the tracks the guitar doesn't assert itself and gets lost in a sea of dreamy orchestrations or sax wanderings. The finest moments on Nomades are those when Boffo's guitar is firmly in control, with strong melodies provided by the violin of Florence Dionisio and/or the soprano sax of Gerard Delesse, tied to earth by the strong percussive anchorings of Hervé Rouyer. When Rouyer and Boffo ease up and yield too much to the sax and synths, the music starts to stray off into new-age territory. Finally, I am often tempted to compare this with Bag's Soudain l'éleéhant, yet Nomades only achieves that kind of driving force in its most powerful moments; still, the best material on this disc (the title track, "Turbulence," "Opprande," "Snake's Dance," "Levana") shines easily through its weaknesses.
by Rob Walker, 1994-08-01:The long-awaited fourth solo album from French guitarist Jean-Pascal Boffo is in many ways a fusion of the various styles he explored on his first three albums. Nomades is a musical journey through a strange and mysterious aural landscape, full of eastern influences. Ethnic percussion, modal scales, and prominent use of the violin and soprano saxophone help to create a beautifully exotic atmosphere which serves as a foundation to showcase Boffo's considerable talent and versatility. The CD opens and closes with short pieces featuring classical guitar stylings reminiscent of Ralph Towner. Boffo's electric guitar skills emerge in the intervening eight songs, which alternately feature his soaring guitar melodies and his elegant background work, allowing the violin and sax ample spotlight as well. The overall sound is at times similar to Oregon or the Paul Winter Consort, but much more energetic and driving. For a guitarist's solo album, Boffo displays admirable restraint, only stepping forward when the music requires it. He has a keen sense of musical texture, and this CD is as much a testament to Boffo's creativity as a composer as anything else. The songs provide vivid musical depictions of various eastern themes, hinted at in titles like "Caravane," "Snake's Dance," "Turbulences," and "Arabesques." Usually an undesireable element in progressive music, the repetitive rhythms and percussion are here a critical part of the overall atmosphere. The product of all of this is a haunting yet beautiful musical portrait. For those who have looked forward to this album’s release for years, Nomades will most certainly prove more than worth the wait.
by Dan Casey, 1994-08-01:Some will recall J.P. Boffo as one of the original members of Troll and naturally expect (or perhaps hope for) a strong zeuhl influence on this effort. Well, you certainly won't find it here. Which is not to say the album is devoid of the zeuhl tradition, but it is only alluded to briefly in a couple of places. However, Nomades is still a success in many regards. The emphasis here is exclusively in the jazz realm, with ethnic and Middle Eastern melodies as the focus for each of the album's ten cuts. Boffo milks his Stratocaster for everything it's worth, using classic clean tones for rhythm and soaring lead tones for melodies and solos. In fact, some of his soloing is so classy and tasteful that one wonders why he doesn't do it more often within the well-defined framework of his finely-honed compositional chops. Boffo's understanding of the importance of melody is refreshing, and the whole album is very professional, to say the least. On the down side, some of the occasional sequenced lines are rather cold and mechanical. More importantly, the album focuses too tightly on a single style, which without offering enough variety to the listener will certainly limit the shelf life. It should also be re-emphasized that the music here only touches on the progressive realm (it's much more a jazz album than anything else) but because of Boffo's background it is likely to be endearing to a lot of prog fans.
Related artist(s): Jean Pascal Boffo
Legendary Co-Founder of The 13th Floor Elevators Passes Away at Age 71 – Sadly, Roky Erickson passed away on May 31, 2019. Known as the father of psychedelic music and co-founder of the ground breaking 13th Floor Elevators, Roky had a profound influence on music from the 60s to today. Plagued by his own personal demons, Roky had a difficult life and is now free of these burdens. » Read more
Help MoonJune Bring Great Music to Life – Like many music lovers around the world, we’ve been thrilled and amazed to hear the recordings that have been released by MoonJune from sessions at La Casa Murada in Spain. Such label stalwarts as Mark Wingfield, Markus Reuter, Asaf Sirkis, Tony Levin, Dusan Jevtovic, Vasil Hadzimanov, and many more have gathered in various combinations at the studio to produce some of the most creative music in recent years. Now, label head Leonardo Pavkovic is offering a compilation, La Casa Murada - MoonJune Sessions, Volume One, as a fundraiser for upcoming sessions. » Read more
The Pineapple Thief to Tour North America – November and December of 2019 will see The Pineapple Thief bringing their music to Canada, Mexico, and the US, and famed drummer Gavin Harrison will be on board. The band has been touring extensively in Europe, but North America will be new territory for them. » Read more
Scott Walker RIP – Noel Scott Engel, better known as Scott Walker, was one of the most intriguing and enigmatic musical figures in the second half of the 20th Century. His strange career started with The Walker Brothers, an American pop group that featured no one named Walker and no brothers. After moving to England in 1965, they had a series of hit singles. Scott's solo work started with Scott in 1967. Starting in the 80s, his work took an increasingly avant-garde turn. » Read more
Freedom to Spend Unearths June Chikuma's Archives – Jun (June) Chikuma is well known for her video game and anime soundtracks, but she also released an album of experimental electronic music back in 1986 called Divertimento where she indulged the kind of spontaneity that wouldn't work in a soundtrack. RVNG Int'l label Freedom to Spend is bringing this overlooked item to broader attention with a deluxe reissue. » Read more
Nels Cline - New Monastery: A View into the Music of Andrew Hill – Nels Cline’s affinity for pummeling sound boundaries as well as working within jam bands and standard song structures (e.g. – Wilco) is now further realized within the works of another... (2008) » Read more