Exposé Online banner

Jack Dupon — Démon Hardi
(Musea FGBG 4877, 2011, CD)

by Henry Schneider, 2015-06-08:

Démon Hardi Cover art

I’ve been debating with myself about how I would review this collection of music, individual reviews or one combined review. Jack Dupon’s music is difficult to describe, so instead of repeating myself over multiple reviews, I am writing one big honking piece. Where do I start? Perhaps with my impression of the music. So take a quart of Les Claypool and Primus, a cup of David Byrne and Talking Heads, and a dash of Frank Zappa’s insanity and blend well. Then swirl in the French insanity of Ptôse and Sebkha-Chott, topping it off with a garnish of Der Plan imagery. If this makes sense to you, then you will have some idea of Jack Dupon. Jack Dupon is not a person, but a young French band consisting of four slightly deranged musicians: Thomas Larsen (drums, vocals), Arnaud M’Doihoma (bass, vocals), Gregory Pozzoli (guitar, vocals), and Philip Prebet (guitar, vocals) who play some very intricate, intelligent, and overall outstanding music. They have been playing and recording since 2004 and what I am reviewing here are their third, fourth, and fifth albums plus their first DVD.

Démon Hardi is a studio album, while Bascule à Vif and Tête de Chien are live recordings. Démon Hardi is a collection of seven songs that jump from rock to progressive rock to Rock in Opposition based on themes using counter melodies and polyrhythms performed by one or more of the band members. Taking pages from Fripp’s and Zappa’s books they improvise during their live performances and then rework the tunes in the studio until they get them right. The result is highly complex music. The opening track “Le labyrinthe du cochon” is a complex interaction of heavy percussion, bass, and guitar that starts off like Primus and then travels through King Crimson, Present, and Univers Zero territory. This is a highly energetic piece. Next is “Jeudi poisson” with references to Ptôse in counterpoint with melodic interludes, bass riffs, and eventually some melodic and happy circus-style music. This tune is a conglomeration of music and emotions. Then we encounter the relatively short “Sombre Traffic” with its childlike Pascal Comelade intro leading into melodic guitar. With the fourth track “Marmite” we are back firmly in Primus territory and possibly Heldon. Track five “Le Chateau de L'Elephant “ takes us on a different journey, this time to San Francisco psychedelia, reminiscent of Jerry Garcia and the Grateful Dead! “Cravate Sauvage” changes direction again to quiet ambiance and dissonant guitar. And the disc closes with another excellent Fripp/Heldon-influenced masterpiece “Oppression/Depression/Les Valeurs du Cool.”

Bascule à Vif, recorded live on October 22, 2011 in the Salle Camille Claudel in Clermont-Ferrand, France covers three tracks from their 2008 album L’Echelle du Désir and the entirety of Démon Hardi. The instrumentation is so orchestrated and the band is so tight, the only indication that this was a live performance is the polite applause at the end of each song. The high point of this set is the 32-minute “La secte des mouches, le sacre de la reine, mille millions de mouches molles.” It is on this track that the band outdoes themselves.

I hesitate to say that Tête de Chien is more of the same, as that sounds negative. In this case, this is a good thing! Another live recording of six new songs performed at Vichy’s Onze Bis in December 2013. The Tête de Chien tunes are split between three short and three fairly long tracks. Jack Dupon is on a mission to fully explore their musical topography. I do not necessarily detect evolution and growth between 2011 and 2014, instead it is as if they are leaving no stone unturned in their search for musical ideas. I highly recommend any of the three CDs.

Now to the DVD Les Ronfleurs Dorment. There are four basic modes for the DVD: Play, Chapitres, Love, and Live Solo. If you want to view the DVD performance in one sitting click Play, otherwise you can jump to individual songs or spots in the performance by clicking Chapitres. This is the same performance as the Tête de Chien CD, interspersed with eight short, stop motion/Claymation clips of the band transforming into odd, and sometimes hideous creatures, as well as treated video clips. The Love link is basically the credits accompanied by animation and mumbled voices. And sad to say, I did not watch the Live Solo video all the way through for comparison, but it appears to be the same Tête de Chien performance as the Play link but sans the animation and artistic videos. The DVD comes housed in a digipack without a booklet or any other identifying information, so that does make it challenging to know what exactly you are viewing. If you long to see the band perform in their crazy costumes, jump suits, sweats, etc., then by all means check out the DVD. If you are only interested in the music, stick with the Tête de Chien CD.


by Peter Thelen, 2011-06-01:

An up-and-coming four-piece from the Auvergne region of France, there is nobody named Jack in the band – kind of like that other band that has nobody named Jethro. Démon Hardi is the band’s third CD release, and their style encompasses a juxtaposition of avant-garde rock idioms, a variety of cool influences, and wacky lyrics (although I must admit my limited understanding of the French language puts me at a disadvantage here). In that latter respect one may sometimes be reminded of Etron Fou Leloublan, especially in EFL’s mid-to-later period, although Jack Dupon’s instrumental approach is entirely different (sans woodwinds, and with lots of guitars), embracing a more rock oriented mode, often taking their sound close to the various incarnations of King Crimson. Those guitars can be edgy and thrashy, or inventive and tasty, creating a confluence of madness amid shifting meter and blistering compositional complexity, bolstered by an incredibly tight rhythm section. For nearly a decade the band has been touring around Europe appearing at festivals, even undertaking a tour of the Eastern USA last year starting with an appearance at ProgDay in North Carolina. But one listen to Démon Hardi makes it crystal clear they will be right at home at this years’ RIO Festival. Jack Dupon is no longer just a ‘band to watch’ – with this latest released they have arrived.


Filed under: New releases , Issue 39 , 2011 releases

Related artist(s): Jack Dupon

More info

Latest news

2019-03-20
Freedom to Spend Unearths June Chikuma's Archives – Jun (June) Chikuma is well known for her video game and anime soundtracks, but she also released an album of experimental electronic music back in 1986 called Divertimento where she indulged the kind of spontaneity that wouldn't work in a soundtrack. RVNG Int'l label Freedom to Spend is bringing this overlooked item to broader attention with a deluxe reissue. » Read more

2019-03-03
Seaprog 2019 Lineup Almost Complete – The Seaprog festival in Seattle is scheduled for June 7-9 this year, and they've announced their lineup of performers. The revitalized Trettioåriga Kriget will cap Friday night, perennial favorites Marbin are on Saturday, and District 97 will finish off the fest on Sunday night. In support, they've booked a stellar variety of artists from the Northwest and around the world, including EchoTest, Markus Reuter and Trey Gunn, and the live debut of the amazing Troot project. » Read more

2019-02-21
You Can Be Part of an Ambient Electronic Project – The Gesture of History is a new electronic project put together by Sam Rosenthal of Black Tape for a Blue Girl, Steve Roach, and violist Sam Shadow. The music started as an instrumental track Rosenthal was working on for a Black Tape album, but took on a life of its own and demanded further enhancements. The majority of the funds raised will go to manufacturing costs for LP and CD editions, as well as other items as detailed on the Kickstarter page. » Read more

2019-01-31
Keyboardist Ingo Bischof R.I.P. – Keyboard player Ingo Bischof, best known as the longtime keyboard player of German band Kraan, passed away on January 29th, 2019. Bischof was born January 2, 1951 in Berlin-Kreuzberg and joined Kraan in 1975. » Read more

2019-01-11
Jazz Composer Mark Lomax, II Releases Epic 12CD Set – In addition to being a fine jazz drummer, Dr. Mark Lomax, II is a composer in residence at Ohio State University, where he has been very busy on the compositional front. The year 2019 is the 400th anniversary of the arrival of the first ship bringing African slaves to North America, and in commemoration of this, Lomax has produced 400: An Afrikan Epic, a 12 volume set of CDs featuring a variety of different musical ensembles. » Read more


Previously in Exposé...

Sándor Szabó / Kevin Kastning - Resonance & Parallel Crossings – These are two collections of duos featuring New England based Kevin Kastning and Hungarian born guitarist Sándor Szabó, the latter with a number of previous releases to his credit. The...  (2008) » Read more

Chris Cutler - Twice Around the Earth: An Experiment in Listening – The subtitle “An experiment in listening” pretty much says it all. This is not so much a Chris Cutler solo album per se, but instead two suites (for lack of a better term) each comprised of a...  (2006) » Read more

Canartic - Bouncing Radar Beams off the Moon – For the quick-and-dirty part of the review I’ll say this: imagine Bill Laswell’s kind of dub production only with a dose of psychedelic space rock instead of world music. The Austin, Texas duo of...  (2008) » Read more

Honey Barbara - I-10 & W. Ave. – Singer/songwriter Ross Marlow’s conventional set of pieces with cohort James Sidlo (DreamLand) is called Honey Barbara. Together with drummer Lisa Kuehl and various guest artists, this trio has...  (2002) » Read more

Delta Saxophone Quartet - Dedicated to You... But You Weren't Listening – The subtle influences of the Soft Machine’s legacy are inherent in many European acts from Bill Bruford’s Earthworks to Theo Travis’s working ensembles. The Delta Saxophone Quartet...  (2008) » Read more



Listen & discover



Print issues