Jü — Summa
(RareNoise RNR074, 2017, CD)
by Jon Davis, Published 2017-06-30
After the glorious noise that comprised most of Jü’s collaboration with saxophonist Kjetil Møster, I was expecting something similar from Summa. What I got was something rather different, but I’m a listener who likes it when musicians defy expectations, so that’s not necessarily a bad thing. Not that they’ve gone all easy listening — far from it — but there are more sections of building intensity than outright thrashing. The album starts out with a half minute of electronic fiddling before a drum pattern comes in, with Halmos András heavy on the toms providing a nice groove. The bass and guitar make indistinct noises for a while, and the bass joins in the rhythmic feel with the drums a couple minutes later. It sounds like a semi-structured improvisation, one where rhythmic motion takes precedence over melody. There are several stretches during the course of Summa where the musicians are playing sparsely, eking out dissonant, distorted sounds rather quietly. Guitarist Ádám Mészáros will play two clashing notes and let them ring out, an unsettling noise drifting into space. Ernő Hock’s bass is usually fuzzed, and he often provides more texture than harmonic content. There are notable exceptions, however. “My Heart Is Somewhere Else” is the album’s short rock tune, with fast riffs and an aggressive beat. “Mongrel Mangrove” also has a set riff, but it’s slowed down into the sludge range, plodding ominously. “Partir” features a couple of guests: saxophone from Kjetil Møster and electronics from Bálint Bolcsó. This lengthy track coalesces out of nothingness, and about three minutes in, you realize that a riff is taking form, loosely coordinated between the bass and sax while the guitar makes drifting noises. The piece ebbs and flows, slipping back into the void only to reemerge with the bassline, sometimes with the sax in the lead, sometimes the guitar. These are musicians not afraid to defy conventions, ready to explore unexpected places, and their music should appeal to listeners with a sense of adventure.
First ProgStock Festival Set for October – October 2017 will see the inaugural edition of a festival called ProgStock in Rahway, New Jersey at the Union County Performing Arts Center. With a definite slant towards neo-progressive music, the event is sure to please many fans with the inclusion of such artists as Echolyn, Glass Hammer, and Aisles. The festival will take place October 13-15. » Read more
Clive Brooks RIP – Word reaches us today of another sad passing in the music world. Drummer Clive Brooks, best known as a member of such Canterbury bands as Egg, Uriel / Arzachel, and Groundhogs, has died at the age of 67. Details are sketchy at this point. The news was reported on Nick Mason's Facebook page — Brooks was Mason's drum tech. » Read more
Col. Bruce Hampton RIP – The phrase "He died doing what he loved" is almost a cliche, but in the case of Col. Bruce Hampton, it couldn't be more true. Hampton, who was born Gustav Berglund III, collapsed on stage at his own 70th birthday celebration and later passed away. The event took place at the Fox Theater in Atlanta. » Read more
ProgDay 2017 Announces First Bands – Flor de Loto, Sonar, and Infinien are the first three performers to be announced for the 2017 edition of the long-running ProgDay Festival. The 23rd ProgDay takes place Saturday and Sunday, September 2nd and 3rd, at Storybook Farm in Chapel Hill, North Carolina. » Read more