Exposé Online banner

Iona — Journey into the Morn
(ALD 050, 1995, CD)

by Peter Thelen, 1996-08-01:

Journey into the Morn Cover art

Released quietly at the end of last year, this seems to be the album that will earn Iona the recognition and following they have long deserved. This is clearly their strongest effort yet, touching all the bases from their previous releases, but with more surefooted self-confidence and dynamic strength. Led by the powerful voice of Joanne Hogg, and powered by a five-piece band playing numerous instruments plus guests, the uninitiated should know that Iona play what might be called Celtic Rock, similar in texture to Clannad, but with an adventurous edge. Similarities could also be drawn with Sandy Denny period Fairport, and even Heart in their better, more introspective moments, yet the whole intensity level is ratcheted up several notches here. The album begins with a short Gaelic tune, followed by three relatively accessible tracks. After "Everything Changes," the album quickly ascends into prog territory: longer, involved excursions with non-traditional structures, and traditional folk instrumentation: the tin whistles, Uillean pipes, violin, and hand drums integrated seamlessly into the sound of the rock ensemble. Blazing rock power surges punctuate the more gentle ethereal vocal passages on "Encircling" and "Inside My Heart," with fortified melodics carrying the moment on "Lindisfarne." They back down a bit with the more pop-styled "No Heart Beats," but quickly turn it around again for the remainder, with the instrumental "Heaven's Bright Sun" being perhaps the album's high point. Fripp adds his frippertronic touch as guest on a couple tracks. Overall, this is uplifting, powerful music that engages the soul. My highest recommendation.


by Rob Walker, 1996-08-01:

While this is for the most part an unabashedly pop-styled album, it also happens to be a solid, captivating, and thoroughly enjoyable listen. Similar to Clannad at times, Iona's music is a lush and energetic Celtic pop, with strong nods to both traditional Irish sounds as well as various contemporary pop styles. Carried by Joanne Hogg's enchanting voice, the songs have that air of majesty and melancholy that is uniquely Irish. The melodies are catchy and original and the instrumental accompaniment sophisticated, with some excellent acoustic guitar work and traditional tin whistles and Uilleann pipes mingling skillfully with the standard pop sounds. But the high points by far are the numerous finely executed instrumental features with powerful symphonic textures maneuvering through some surprise turns and supporting fluid leads and aggressive guitar solos from Dave Bainbridge. Also notable are guest appearances by Robert Fripp and Clannad's Maire Brennan. Though nominally a pop album, Journey into the Morn is a truly excellent recording by any standard and possesses an impressive amount of musical wealth and progressive ideas, all wrapped up within the grandious Celtic spirit. Strongly recommended, if you're not afraid of good pop music.


by Mike McLatchey, 1996-08-01:

The first 15 minutes of this album (except the two-minute opener) give the listener no idea of what is to come. If you judge an album based on a cursory listen of the first few songs , this one would certainly have thrown you for a loop. By track 4, "Everything Changes," I was wondering what the hell I was even reviewing this for as the practically soul/pop drumbeat was way too radio friendly for these ears. After the Clannad (well, Maire Brennan makes an appearance)/Kate Bush/Fleetwood Mac styled pop songs at the beginning I was fairly disillusioned. But bam just as I thought the cause was lost up comes "Inside My Heart" and a completely tremendous guitar solo. I was floored by this point and as it faded out and the 12-minute epic "Encircling" started up with a Celtic drone feel I was totally bewildered. What's going on? This album gets so good by this point with deep rich synths and a spacey feel that is so spiritually connected that you almost get used to the goosebumps. This is what "neo-progressive" should sound like in my opinion. It's rich, melodic, diverse, and not purposefully melancholy. By the time you get to "The Search" and "Divine Presence," Mr. Fripp has climbed aboard with his guitar synths and the deep spacey atmospherics take the album to a nearly ambient level. There’s even more here — reel like tracks and songs with a more accessible style that work as a vehicle for Joanne Hogg's beautiful voice. Even if you program out some of the more poppier tracks there is still a solid albums worth of fantastic music here. Iona are a rare breed, I can't help but recommend this highly, especially to those inclined to modern productions.


Filed under: New releases , Issue 10 , 1995 releases

Related artist(s): Robert Fripp, Iona, Dave Bainbridge

More info

Latest news

2021-04-01
New Aristocrats Live Album on the Way – No foolin'! These supreme musicians toured Europe early in 2020, just before touring ceased to be a thing musicians could do, and there were some hot performances captured. On May 7, some of these will be releases as Freeze! Live in Europe 2020. » Read more

2021-03-25
Return of Jerry Lucky's Progressive Rock Files – After much consideration and surprisingly, positive feedback, Jerry Lucky is announcing the launch of the progressive Rock Files podcast, featuring the latest progressive rock music from around the world. » Read more

2021-03-14
Jewlia Eisenberg RIP – The sad news has come out that Jewlia Eisenberg has died. As a founding member of Charming Hostess, Eisenberg changed the face of music, bringing together Balkan klezmer, American folk, and experimental rock in a distinctive blend that garnered much praise. » Read more

2021-03-11
RIP Roger Trigaux – The sad news has come to our attention that Roger Trigaux, the guiding force of Present and former member of Univers Zero, passed away on the evening of March 10, 2021 after a long ilness. » Read more

2021-02-14
SoundQuest Fest 2021 – SoundQuest Fest, first experienced as a live festival in Tucson Arizona in 2010 was created by ambient music pioneer Steve Roach. This 2021 event will unite a worldwide gathering of artists and audience members together for a 3-day online event unique in the realm of ambient music. From March 26-28th a continuous flow of streamed performances, audio-video wonder worlds and deep immersion zones will burn bright on Roach’s YouTube channel. » Read more


Previously in Exposé...

Versailles - Le Trésor de Valliesres – It’s amazing how with opinions on bands, even one or two can sway you. This is French group Versailles' third album, and by the reports of their first album Le Cathédrale du Temps, I was warned to...  (1994) » Read more

Mellow Candle - The Virgin Prophet – As the CD liner notes state, Mellow Candle's Swaddling Songs is the holy grail of folk rock. There really is no other album that even compares in this specific genre (Fairport Convention,...  (1996) » Read more

Paul Ellis - Appears to Vanish – This is the first solo effort by Paul Ellis, one of the two brains behind Dweller at the Threshold. It’s immediately clear that this is a professional musician who knows what he’s doing...  (2001) » Read more

Yolk - Die Dritte, Die Vierte, Oskivinis, This Is Syd & Fuenftens – This excellent Swiss band has been kicking around since the early 90s (not to be confused with another Yolk from NYC – we reviewed one of NYC Yolk’s live shows back in issue #11) but they...  (2004) » Read more

Haco - Haco – After an almost seven-year hiatus since Paradise of Replica (After Dinner's last, and only second full studio release), songstress and presumptive After Dinner leader, Haco resurfaces, this time...  (1997) » Read more



Listen & discover



Print issues