Golden Blonde — Gwen
(Tenzenmen 135tzm, 2013, CD)
by Jon Davis, Published 2013-09-26I had no idea what to expect when Gwen crossed my desk (so to speak). I knew nothing about Golden Blonde aside from their Australian location. The first time I listened to this music, it made little impression on me. "Interesting," I thought, "but I don't really get it." It didn't sound like electronic music, but it also wasn't really rock of any normal stripe. There were lyrics and melodies, but they weren't backed in any conventional way (chords on guitar or keyboard, bass parts, drum patterns). Under the press of other music to listen to, I moved on to other things. But I kept revisiting it every so often, trying to make sense of it, and eventually it started to come together. Golden Blonde has given us one of the most creative sets of modern music I've heard in a long time, and it's been a challenge to think of words to describe it to those who haven't heard it. Try to imagine Radiohead's strangest sonic experiments, and then take those as a base and move further out. Guitars and keyboards are present, but they don't play typical roles, often manipulated into soundscapes utterly unlike typical songs. These are mixed with field recordings and samples from widely ranging sources. The drums seem to be sometimes more or less played real-time, at other times sliced and diced along with everything else. The vocals are more straightforward, though often overdubbed into many layers. I'm also reminded of something Bob Drake might come up with, though perhaps less frenetic. Other references might include Animal Collective, Dirty Projectors, and Haco. And in spite of the manifest weirdness, these pieces actually work as songs, with engaging melodies and appealing vocal delivery. Golden Blonde is obviously neither destined for the top of the pop charts, nor aiming for that, but they deserve a dedicated fanbase among the true seekers of new possibilities.
Related artist(s): Golden Blonde
Audion Is Back in Business – Our esteemed colleague Alan Freeman has restarted Audion Magazine after a seven year hiatus. The new incarnation is available online on their Bandcamp site. Audion's history goes back to 1984, and included 58 issues up to 2013. Issue #59 is available now, and #60 is in the works. » Read more
Romantic Warriors IV – Krautrock (Part 2) Is in the Works – Zeitgeist Media, the people who have brought us the great series of documentary films chronicling the history of progressive rock, are working on the second installment of their examination of German music. Krautrock 2 will focus on artists from Münich such as Guru Guru, Amon Düül II, Xhol Caravan, Kraan, Witthüser & Westrupp, and Popol Vuh. » Read more
Simeon Coxe RIP – Simeon Coxe, best known for his experimental electronics in the band Silver Apples, has died at the age of 82. The band's 1968 debut album set the stage for both German electronic music and experimental punk music a decade later. Coxe died on September 8 from pulmonary fibrosis. » Read more
Chris Béya Atoll - Illian, J’entends gronder la Terre – There are several reasons to expect the worst from this release. Many “reunions” and “reformations” of bands from the 70s have not turned out well; a look at the credits shows... (2005) » Read more