Garmarna — Vedergällningen (Vengeance)
(NorthSide NSD6028, 1999, CD)
by Jon Davis, Published 2000-05-01Garmarna’s newest release starts out with a grab for the listener’s throat. “Gamen (Vulture)” begins with a flanged rhythmic pattern on two fiddles which builds up to a powerful crash as the drums and bass enter. The snare-heavy drum pattern would not sound too out of place on a Chemical Brothers album, and the bass is more than a little fuzzed. Then Emma Härdelin’s serene vocal comes in, singing in Swedish. A check of the liner notes tells what she’s singing: the traditional story of King Vallemo, who, with the help of a talking vulture, rescues his daughter on the verge of being burned at the stake. Emma’s verses are alternated with reprises of the fiddle melody, accompanied sometimes by acoustic guitar, sometimes by a twist of feedback from an electric guitar. Of the many acts currently fusing Scandinavian folk music with modern sounds, Garmarna is perhaps the most aggressive. They concentrate for the most part on stories of murder, deception, and revenge, complementing the words with music that is sometimes very rhythmic and forceful, sometimes atmospheric and moody. Of the ten tracks on Vengeance, only two are not based on traditional material: “Euchari,” a relatively cheerful love song which veers near trip-hop territory; and “Polska,” an instrumental piece featuring hurdy-gurdy and a loping three-four drum part. Several of the songs feature a low drone with indistinct distorted noises providing a rhythmic pattern. The most common melodic sounds are fiddles and Emma’s crisp, versatile voice. Drummer Jens Höglin favors pounding patterns on his toms rather than kick and snare beats. The electric guitar is used more as a source of feedback than for chords or melodies. Ever since I heard Vittrad, Garmarna’s first American release, I’ve been fascinated by their unique sound. Vengeance, their third, continues the progression admirably, building on an impressive past and promising great things to come.
Related artist(s): Garmarna
First ProgStock Festival Set for October – October 2017 will see the inaugural edition of a festival called ProgStock in Rahway, New Jersey at the Union County Performing Arts Center. With a definite slant towards neo-progressive music, the event is sure to please many fans with the inclusion of such artists as Echolyn, Glass Hammer, and Aisles. The festival will take place October 13-15. » Read more
Clive Brooks RIP – Word reaches us today of another sad passing in the music world. Drummer Clive Brooks, best known as a member of such Canterbury bands as Egg, Uriel / Arzachel, and Groundhogs, has died at the age of 67. Details are sketchy at this point. The news was reported on Nick Mason's Facebook page — Brooks was Mason's drum tech. » Read more
Col. Bruce Hampton RIP – The phrase "He died doing what he loved" is almost a cliche, but in the case of Col. Bruce Hampton, it couldn't be more true. Hampton, who was born Gustav Berglund III, collapsed on stage at his own 70th birthday celebration and later passed away. The event took place at the Fox Theater in Atlanta. » Read more
ProgDay 2017 Announces First Bands – Flor de Loto, Sonar, and Infinien are the first three performers to be announced for the 2017 edition of the long-running ProgDay Festival. The 23rd ProgDay takes place Saturday and Sunday, September 2nd and 3rd, at Storybook Farm in Chapel Hill, North Carolina. » Read more