Exposé Online banner

Djam Karet — No Commercial Potential... and Still Getting the Ladies
(HC Productions HC 013, 2002/2004, 2CD)

by Jon Davis, Published 2005-03-01

No Commercial Potential... and Still Getting the Ladies Cover artIn some respects, Djam Karet can be viewed as a band with a split personality. Sometimes they are a tightly rehearsed unit performing composed music; sometimes they are purveyors of ambient soundscapes; and sometimes they are a spacey jam band devising lengthy improvisations. Or you could look at them as a band measured by two main parameters: improvised vs. composed, and ambient vs. rocking. Their recordings have had a fair range of values on these scales, from mostly composed like A Night for Baku, to this collection of improvisations. Their earliest recordings were improvised in April of 1985 and released on cassette as No Commercial Potential. Obviously the degree of composition is near zero, and the rock factor varies from “nil” to “rather.” Boiling the music down to simplest terms, these are one-chord jams with a healthy dose of freefloating space texture. The four musicians are good at allowing each other room, so when the bass steps out, the guitars back off; they also manage to pick up on rhythmic cues and provide good accents on the fly. For its long-delayed CD release, those original improvs are paired with a similar set from 2002, another group of three extended jams. The main differences are that they use keyboards a lot more, and they have better effects devices to play with. The keys mainly set up droning tones, as when they dominate the first ten minutes of the first track — though even within the droning, there are many subtleties to keep the music interesting. As the bass and drums appear, another one-chord jam develops, one with a lot of open space rather than cluttered attention-hogging. The second, shorter piece, gives us only the droning part, and ends rather than developing. The third follows the same pattern as the first, with a spaced-out drone featuring keys and effects that develops into a rhythmic section for guitar solos built on a single chord. It’s pleasant enough if you’re not in the mood for complexity, and the guitar work is occasionally brilliant, but a bit more variety would be welcome.

Filed under: Reissues, Issue 31, 2004 releases, 2002 recordings

Related artist(s): Djam Karet, Mike Henderson, Chuck Oken, Gayle Ellett

Latest news

2018-11-16
The Seventeenth Dream of Dr Sardonicus Festival Tickets Now Available – Fruits de Mer Records and their merry crew of psychedelic explorers are getting set to present the next The Seventeenth Dream of Dr. Sardonicus Festival. The dates are set for August 2-4, 2019 at The Cellar Bar in Cardigan, Wales. They've also announced that the legendary Groundhogs will top the bill. » Read more

2018-11-02
Charles O'Meara (C.W. Vrtacek) RIP – A true musical original has left us. Charles O'Meara, who recorded under the name C.W. Vrtacek, was a wild-card musical talent, ranging from complex progressive rock to introspective modern compositions, with stops at many places inbetween. » Read more

2018-10-17
Eurock Documentary Seeks Funding – We've been fans and fellow travelers with Archie Patterson and his Eurock project on the journey to discover great music. After many years of promoting and trying to spread the word,a new phase is beginning: a documentary film. Things like this don't just happen, and money does not magically appear to make it happen, so it's up to the fans to get it done. » Read more

2018-09-29
Marty Balin RIP – One of the architects of the 60s psychedelic sound of San Francisco has died at the age of 76. Marty Balin was a singer, songwriter, and guitarist who was one of the founders of Jefferson Airplane. After the split of the original Airplane, Balin went on to form the highly successful Jefferson Starship. » Read more

2018-09-25
Help the Psychic Equalizer Avoid Extinction – Last year we reviewed the debut album by Psychic Equalizer, a musical project of Hugo Selles. He's now working on the ambitious follow-up to that release, and is seeking funding from listeners around the world. » Read more


Previously in Exposé...

Five-O-One AM - 21st Century Dream – Somewhere between Marillion (Season's End) and the SI label bands Lies Five-O-One AM. That is, song oriented pop with elements of prog. Combine that with WMMS's reputation and Five-O-One AM...  (1999) » Read more



Listen & discover



Print issues