Exposé Online banner

Cymbeline — 1965 - 1971
(Guerssen GUESSCD061, 1971/2017, CD)

by Henry Schneider, Published 2018-03-04

1965 - 1971 Cover art

This time Guerssen has unearthed some excellent Swedish DIY psychedelia from the late 60s / early 70s. To give you a bit of history, Cymbeline (aka Motala Ström and W&J) formed in the Swedish industrial town of Norrköping in the mid 60s. By the time the band broke up in 1971 they had only released a single 45 rpm record, “New York” b/w “Sixth Image.” But Cymbeline had recorded a lot of demos and started work on an LP as well. Now for the first time in 46 years this music is available for everyone to hear. Cymbeline began as the two musicians, Michael Journath and Anders Weyde, who had been playing in teen beat bands. They had grown tired of playing cover songs, so decided to start recording more experimental stuff using armchairs and furniture as percussion, sounds from nature (sea gulls and birds), an electric cocktail mixer, and improvising lyrics. These experiments took form as their series of “Image” tracks. Over the years they honed their skills, playing a few gigs, and in 1970 Ulf Ryberg joined the group and they released their 45 rpm. This archival release, 1965 - 1971, contains 15 tracks, kicking off with the crazed lo-fi garage psych tune “Third Image.” The progression of tracks does not appear to be chronological as the recording quality varies from track to track. The second track, “Mittuppslag,” is a psych track with a clean sound and a funky bass line. Their alter ego, “Motala Ström,” features a bluesy piano augmenting a cool psych rock boogie tune. “Flicka” is an acid folk tune that turns jazzy about the mid point. “Stolta Vingar” is a tasteful acoustic acid folk ballad. etc. The high points for me are the trippy teen beat song “Look at the Stars,” the dreamy and transcendental “Imagination,” and the minimal acid folk “Ur Asfalt Ropar Rösterna” accompanied by the sounds of running water, birds, and seagulls. And then I was pleasantly surprised by “Vinden Viskar Mary,” a cover of Jimi Hendrix’ “The Wind Cries Mary.” This cover is a quiet lo-fi interpretation that does not have Jimi’s edge, but it works! So if you are a fan of US garage-psych, teen beat, and/or psychedelic experiments, be sure to pick up a copy of Cymbeline’s archived music.


Filed under: New releases, 2017 releases, 1971 recordings

Related artist(s): Cymbeline

Latest news

2021-04-01
New Aristocrats Live Album on the Way – No foolin'! These supreme musicians toured Europe early in 2020, just before touring ceased to be a thing musicians could do, and there were some hot performances captured. On May 7, some of these will be releases as Freeze! Live in Europe 2020. » Read more

2021-03-25
Return of Jerry Lucky's Progressive Rock Files – After much consideration and surprisingly, positive feedback, Jerry Lucky is announcing the launch of the progressive Rock Files podcast, featuring the latest progressive rock music from around the world. » Read more

2021-03-14
Jewlia Eisenberg RIP – The sad news has come out that Jewlia Eisenberg has died. As a founding member of Charming Hostess, Eisenberg changed the face of music, bringing together Balkan klezmer, American folk, and experimental rock in a distinctive blend that garnered much praise. » Read more

2021-03-11
RIP Roger Trigaux – The sad news has come to our attention that Roger Trigaux, the guiding force of Present and former member of Univers Zero, passed away on the evening of March 10, 2021 after a long ilness. » Read more

2021-02-14
SoundQuest Fest 2021 – SoundQuest Fest, first experienced as a live festival in Tucson Arizona in 2010 was created by ambient music pioneer Steve Roach. This 2021 event will unite a worldwide gathering of artists and audience members together for a 3-day online event unique in the realm of ambient music. From March 26-28th a continuous flow of streamed performances, audio-video wonder worlds and deep immersion zones will burn bright on Roach’s YouTube channel. » Read more


Previously in Exposé...

Harmonia 76 - Tracks and Traces – 1976 was a transitional year where Brian Eno changed his context for working with electronics to an ambient perspective. This was due in part to his meeting with synthesizer duo Cluster (Moebius and...  (2000) » Read more



Listen & discover



Print issues