Exposé Online banner

Corima — Amaterasu
(Soleil Zeuhl 50, 2016, CD)

by Peter Thelen, 2017-05-09:

Amaterasu Cover art

This third album by Corima arrived late last year and here it is May already, and it’s definitely in need of a long overdue review. Their second solidly zeuhl-influenced album Quetzalcoatl has been out since 2012, and after blowing audiences away at Seaprog in Seattle and on other stages, it’s time for the follow-up. If the earlier album was a more Magma-clone-ish endeavor, now they have taken that influence, combined it with more of their own ideas, expanding on the vocal and jazz elements, as well as a frenetic and aggressive level of energy, growling bottom end, and the inclination to bombast, and put it all together for the listener into what are essentially two long suites, the three-part “Tsukutomi” and the six-part “Amaterasu.” The former, about 20 minutes in total length, contains a lot more growth and development in jazz areas, though listeners who appreciated the band’s dedication to the zeuhl sound will certainly not be the least bit disappointed. The dueling sax and violin solos throughout, with piano, bass, and drums driving hard behind them are at times purely magical. The title suite begins in a slightly more avant-garde zone, with piano and drums breaking and crashing throughout the opening section, eventually fading down to a beautiful and expressive violin solo with electric piano backing that opens the second phase. Later, as the volume and intensity build, the angular vocal elements come out for a slow build to a full-on screaming and shouting assault on the listener’s senses, eventually pulling back into a more Magma-like mode. The band remains the same as before, no changes in personnel, allowing their sound over time to coalesce into a stronger more concise singularity. A stronger third showing for a band that just keeps getting better.


by Jon Davis, 2017-05-09:

After a band produces an album as outstanding as Corima did with Quetzalcoatl, there’s always a risk that they won’t be able to match it next time round. The good news is that Amaterasu more than matches its predecessor; the bad news is that with the bar raised even higher, Corima has set themselves an even more difficult task next time they enter a studio. These two long compositions build on the zeuhl influences of the band’s roots and add many very nice touches. The personnel and instrumentation remain intact, with Sergio Ravelo’s outstanding drumming and Ryan Kamiyamazaki’s nimble bass driving the intensity to levels most bands could only dream of, navigating relentless riffs in varying meters with furious energy that is full of subtlety rather than brutality. Francisco “Paco” Casanova’s keyboards are the anchor point for much of the music, at times providing trance-like repeating figures, at other times venturing into manic flurries reminiscent of Satoko Fujii (check out the first section of the title track). The two primary melodic instruments are Andrea Calderón’s violin and Patrick Shiroishi’s saxophones, which are sometimes supplemented by vocals. The violin is often gritty and rhythmic, as fits the music, but often leaps into soaring melodies. Shiroishi’s work is amazing, balancing adherence to the complex melodies with sections of jazzy noise-making — he’s obviously been studying his Coltrane, and hearing that kind of playing in this context is one of the things that makes Corima so special. For the vocals, parts are sweet and pure, with Calderón taking the lead, and other parts devolve into shouting and harsh accents to the throbbing rhythms. Amaterasu is sophisticated, complex, and intense, marrying relentless beats with jazzy freedom in a way that no other band does. And somehow I’m not worried that they’ll let us down with the next one.


Filed under: New releases , 2016 releases

Related artist(s): Corima

More info

Latest news

2018-06-05
Koenjihyakkei Seeks Funding for New Album – It's been quite a few years since the last new studio album by the amazing Koenjihyakkei. Now they are preparing Dhormimviskha for worldwide release, and they're asking fans to pre-order via a Kickstarter campaign to help it happen. » Read more

2018-05-14
Glenn Branca RIP – Experimental guitarist and composer Glenn Branca has died at the age of 69. He was known for compositions featuring large ensembles of guitars, and for the use of feedback. He founded his band Theoretical Girls in the mid-70s as an art-punk answer to what he saw as the increasing commercialization of punk music. His compositions were highly influential, with such figures as David Bowie, Thurston Moore, and John Lurie among his fans. » Read more

2018-04-05
OBEY Convention XI Set for May 24-28 in Halifax – As the 2018 festival season rapidly approaches, we’d like you to be aware of a real treasure of diverse and creative music that’s going to take place in Halifax, Nova Scotia, next month. The OBEY Convention is on its 11th outing, and features a wide range of artists from around the world. From avant-industrial noise to experimental takes on Classical Chinese music, from chamber jazz to doom metal, from ambient soundscapes to Canadian First Nations drumming, you’d be hard pressed to find a festival with more variety in sound anywhere in the world. » Read more

2018-04-04
Close to the Rain Festival in Bergen Announces Lineup – Now in its second year, the Close to the Rain Festival of progressive music is scheduled to take place in Bergen, Norway, on June 7 - 9. They've got an amazing slate of bands lined up, including such powerhouses as Anekdoten, Major Parkinson, Arabs in Aspic, Tusmørke, and many more. » Read more

2018-03-01
Seaprog 2018 Artist Announcements Raise Festival's Profile – Seattle's Seaprog festival has been going since 2013, and the 2018 edition features a slate of artists that's sure to bring more attention to the event. Cheer-Accident, Bubblemath, and Free Salamander Exhibit are in the first round announcement of performers. In keeping with their tradition of focusing on regional artists, they will also present a number of artists from Washington and Oregon. [Edit: Just added: Inner Ear Brigade] » Read more


Previously in Exposé...

Colosseum - Valentyne Suite – Like so many British bands of the 60s, Colosseum suffered from label meddling when it came to the release of their albums across the Atlantic. Their first album, Those Who Are About to Die Salute You,...  (2005) » Read more

Sonus Umbra - Snapshots from Limbo – I was a little worried when I saw the names Luis Nasser and Jeff Laramee in the credits for this disc. They are both in the band Kurgan’s Bane, along with singer Lisa Francis (who provides guest...  (2002) » Read more

Halloween, Alaska - Too Tall to Hide – It hasn’t been that long since this Minneapolis band put out their debut (reviewed in #32), and here they come with the follow-up less than a year later. Far from merely avoiding the dreaded...  (2006) » Read more

Mystery - Destiny? – Yikes, my second guilty pleasure disc this time around! Mystery are a four piece from Quebec and on Destiny? they serve up some fine slices of progressive pop, often sounding like an updated version...  (1999) » Read more

Germán Bringas - El Salto – Bringas is a Mexican multi-instrumentalist operating along the experimental / jazz / new world music axis. El Salto is the latest of several albums, and is a solo project in the truest sense, as...  (1997) » Read more



Listen & discover



Print issues