Cheer-Accident — No Ifs, Ands or Dogs
(Cuneiform Rune 326, 2011, CD)
by Jon Davis, Published 2013-04-01This is one of those reviews that won't write itself. Not that reviews ever really write themselves, but some albums I listen to and know what I want to say. Not this time. First off, I love this CD. It easily made my best of 2011 list, and in my book 2011 was a great year for creative music. That a band can make such a wildly interesting album after being at it so long (15+ releases in 15+ years) says a lot about their vision and talent. 2009's Fear Draws Misfortune rates very highly for me, and this one is right up there, tied (or nearly tied) for their best yet. The tracks are mostly on the short side - none pass the five minute mark, and there are a few under one minute - but there is a kind of flow to the album as a whole. Individual tracks can be singled out - several have made it into my phone's shuffle list - but taking the entire 48 minutes in creates the impression of a bigger picture, even if what exactly it represents is unclear. Cheer-Accident, unlike my cat, just refuses to sit in a box. The closest comparison is probably to American RIO-influenced bands like Thinking Plague, though Cheer-Accident seems to come at it from a different angle, like a more mainstream rock band that fell in love with complex musical structures. "Barely Breathing" is a good example, with its lovely falsetto lead voice and lush backing vocals. But then there are the horn parts, which fit perfectly from a musical standpoint but are well outside what you'd expect to hear on a typical indie-rock song. The next tune is "Life in Pollyanna," which jumps in with a complicated guitar riff and shifting meters underpinning another melodic vocal part, maybe like what Gentle Giant tried to do on The Missing Piece. Which, come to think of it, is a good comparison. No Ifs, Ands or Dogs has that same bright, energetic sound to it, with arrangements based on polyphony rather than riffs and chords. Somehow, Cheer-Accident manages to make it work. (Don't get me wrong, I'm a huge Gentle Giant fan, and even The Missing Piece has some great stuff on it, but I wouldn't call it a great album.) This is a great example of small-p progressive music that has very little of the large-P in it.
Related artist(s): Cheer-Accident
Larry Coryell RIP – One of the greats of jazz guitar has left us at the age of 73. Larry Coryell was one of the founding figures of jazz fusion, but produced a significant body of work the bridged many styles. His group Eleventh House provided a unique take on the combination of jazz and rock that was distinct from contemporaries such as Mahavishnu Orchestra, Return to Forever, and Weather Report. » Read more
John Wetton RIP – After a long battle with colon cancer, singer and bassist John Wetton has died at the age of 67. As an integral member of such bands as King Crimson, UK, and Asia, his was one of the distinctive voices in progressive rock, lending a human touch to often difficult music. » Read more
Seaprog Announces First Artists for 2017 – The organizers of the Seaprog Festival in Seattle have announced the first set of confirmed performers for the 2017 festival. The best known names are Cabezas de Cera and Jack o' the Clock, but a host of other bands are featured, mostly from the Northwest. The festival will take place June 2-4, 2017. » Read more
Acoustic Festival of Britain 2017 Announces Eclectic Lineup – The Acoustic Festival of Britain has been going since 2006, and this year's event sees a number of outstanding artists on the bill. Fairport Convention, Tir na nOg, and Martin Turner are some of the artists we've covered, and there are many more, including The Men They Couldn't Hang, Howard Jones, Chantel McGregor, and many more. The festival runs June 2-4, 2017 at Uttoxeter Racecourse in Staffordshire. » Read more