Exposé Online banner

Cast — Endless Signs
((Not on label) no#, 1995, CD)

by Mike Grimes, 1996-03-01:

Endless Signs Cover art

Cast has carved a niche for themselves in the neo-prog scene for good reasons. Their sound is very melodic and flowing. As with almost all bands lumped into the "neo-prog" classification, these guys certainly have their share of the ever-heard Genesis (R.I.P.) influence. If anything though, Cast sounds more like they should be compared to a Tony Banks solo album than any Genesis outing. That's probably because Cast's keyboard player Alfonso Vidales pens all the group's music. As you would probably expect knowing that, the keyboards are the dominant instrument of the group. However, he's not the only good thing. Drummer Antonio Bringas pounds out some hot fills — especially the ones with double bass drums. The fuzz guitar soloing of Francisco Hernandez fits rightly over the top of the other instruments. It would be nice if he used more sounds though. Basically, only one guitar tone is used on solos for the entire album. This is in stark contrast to the many, many keyboard textures utilized in each tune. The musical themes repeat enough to be recognizable, but not so often that they become stale. They reappear in different time signatures and keys — subtle changes to keep the listener alert. If you like some of the more popular neo bands and want to hear a slightly different version of that style of music, Cast just might be for you.


by Peter Thelen, 1996-03-01:

Cast has dropped five CDs in just over two years, yet much of that material was recorded in the 80s and early 90s, and not released until now. Endless Signs, however, is their latest release featuring all new material, and shows the band coming into their own, finding the best elements of their sound and refining it into an identifiable style. A quintet that hails from Mexicali, just across the border from California, their sound recalls the best elements of mid-period Genesis (circa A Trick of the Tail, Wind and Wuthering, primarily due to the keys and compositional style), a little of the neo-prog style (accessibility and vocals) as well as trace elements of seventies Italian and Spanish prog (the biting, ever busy fuzz guitar). Endless Signs is a concept album about man's search for spiritual truth, and as such, many of the tunes are tied together by themes that recur throughout the album. The lyrics are in English, and filtered through Dino Brassea's expressive and semi-tortured vocals. Keys are lush and powerful, and provide much of the texture and melodics throughout the eight tracks. Like 70s Genesis, the rhythm section is a powerhouse, yet they know when to show restraint, building up tension while the keys and guitars take the fore. The brightest moments, though, are when the entire band breaks out in a speedy, cohesive frenzy — it's this, more than anything else, that sets Cast apart from all the average neo-proggers, and identifies them more closely with their countrymen Iconoclasta, Delerium, and Praxis. There has also been a very noticeable improvement in sound clarity over the last two albums, this being their best-engineered to date. More than anything, Endless Signs signals the arrival of Cast.


by Mike Ohman, 1996-03-01:

The perpetually industrious Cast have done it again, with yet another release, Endless Signs. One of the big surprises of Progfest '95, Cast delighted with their strikingly commendable brand of neo-prog. Endless Signs seems to be their breakthrough. Cast's appeal seems to be simple in that they make melodic, obviously Genesis-inspired prog like many other neo-prog bands you'd care to mention, yet they do it very well. Guitarist Francisco Hernandez certainly has his Hackett chops down, while singer Dino Brassea sounds something like IQ's Peter Nicholls (he even sings in English). In fact, prime-era IQ is an estimable comparison, if you can imagine The Wake with all-digital keys, you're halfway there. Speaking of the keyboards, board-man Luis Vidales is certainly one of the most talented players in neo-prog today. His Banks-ian piano phrasings are the unifying element of this album, his digital synth voicings constantly creative. If you have been lamenting the state of the British neo-prog scene, and have been disappointed that they haven't been producing bands of the caliber of IQ anymore, perhaps you have been looking to the wrong place. Cast have really come into their own with this release. Even if you usually find yourself cold towards neo-prog, I have a feeling you may find yourself warming up to this.


Filed under: New releases , Issue 9 , 1995 releases

Related artist(s): Dino Brassea, Cast, Alfonso Vidales

More info

Latest news

2018-09-05
Krautrock Documentary Seeks Funding – The next installment of the Progressive Warriors documentary series will focus on the vast body of music that falls under the banner of "krautrock." As most of our readers will know, previous films have tackled RIO and the Canterbury scene, as well as what we might call "mainstream" prog rock. » Read more

2018-07-31
Tomasz Stańko RIP – Tomasz Stańko, one of the greats of Eastern European jazz, has died at the age of 76. Stańko's career started in Krzysztof Komeda's quintet, where he contributed trumpet from 1963-1967, when he formed his own group. He worked extensively with Edward Vesala, Don Cherry, Zbigniew Seifert, Chico Freeman, Howard Johnson, Cecil Taylor, and many others. Many of his recordings have been released by ECM, an association that began in the mid-70s. » Read more

2018-07-09
Soft Machine Set to Release New Music – It's been 50 years since The Soft Machine changed the face of music with their first album. Their blend of psychedelic rock and jazz was unique, and while the band went through many changes before disbanding in 1981 — by which time there were no original members remaining — they remained an innovative force with a style all their own. » Read more

2018-07-01
7d Surfaces Happy Rhodes Back Catalog – We've covered singer Happy Rhodes before, both for her solo work and recently with The Security Project, but her 11 albums have been hard to track down. Until now. 7d features high-quality downloads of all her releases, and several of them are also available on CD. » Read more

2018-06-25
Fred Chalenor RIP – We have news of another sad passing in the world of creative music. Bassist Fred Chalenor, whose creativity featured on albums by Tone Dogs, Caveman Shoestore, and many more, died on June 23, 2018 after a long battle with Alzheimer's. Tributes have poured in from the many musicians and fans whose lives he touched. » Read more


Previously in Exposé...

Mother Gong - The Best of Mother Gong – I suppose there's a large segment of the record-buying public (not many Exposé readers among them) for whom the concept of The Best of Mother Gong would be a strange one: that there should...  (1999) » Read more

Änglagård - Epilog – First off, I think change is good, so long as the change is in a positive direction. The world of music is a chaotic, complex entity, and to stay in the same place for too long is more than just a...  (1995) » Read more

Robert Schroeder - Brainchips (Vocal Version) – Robert Schroeder is back at last. Many years have passed, eleven years even, since Everdreams came out in 1994. After such a while, it’s a rarity that composers haven’t been touched by time. On...  (2006) » Read more

Present - High Infidelity – High Infidelity is Present’s seventh release of intelligent music that extends the tradition laid down in Trigaux’s previous releases. This new CD contains three songs: "Souls for Sale,"...  (2003) » Read more

Salle Gaveau - Alloy – A new French band, right? Not exactly, although this Japanese quintet of guitar, piano, violin, accordion and contrabass could give many a European folk-jazz-RIO band a surprisingly good challenge...  (2008) » Read more



Listen & discover



Print issues