Exposé Online banner

Cast — Endless Signs
((Not on label) no#, 1995, CD)

by Mike Grimes, 1996-03-01:

Endless Signs Cover art

Cast has carved a niche for themselves in the neo-prog scene for good reasons. Their sound is very melodic and flowing. As with almost all bands lumped into the "neo-prog" classification, these guys certainly have their share of the ever-heard Genesis (R.I.P.) influence. If anything though, Cast sounds more like they should be compared to a Tony Banks solo album than any Genesis outing. That's probably because Cast's keyboard player Alfonso Vidales pens all the group's music. As you would probably expect knowing that, the keyboards are the dominant instrument of the group. However, he's not the only good thing. Drummer Antonio Bringas pounds out some hot fills — especially the ones with double bass drums. The fuzz guitar soloing of Francisco Hernandez fits rightly over the top of the other instruments. It would be nice if he used more sounds though. Basically, only one guitar tone is used on solos for the entire album. This is in stark contrast to the many, many keyboard textures utilized in each tune. The musical themes repeat enough to be recognizable, but not so often that they become stale. They reappear in different time signatures and keys — subtle changes to keep the listener alert. If you like some of the more popular neo bands and want to hear a slightly different version of that style of music, Cast just might be for you.


by Peter Thelen, 1996-03-01:

Cast has dropped five CDs in just over two years, yet much of that material was recorded in the 80s and early 90s, and not released until now. Endless Signs, however, is their latest release featuring all new material, and shows the band coming into their own, finding the best elements of their sound and refining it into an identifiable style. A quintet that hails from Mexicali, just across the border from California, their sound recalls the best elements of mid-period Genesis (circa A Trick of the Tail, Wind and Wuthering, primarily due to the keys and compositional style), a little of the neo-prog style (accessibility and vocals) as well as trace elements of seventies Italian and Spanish prog (the biting, ever busy fuzz guitar). Endless Signs is a concept album about man's search for spiritual truth, and as such, many of the tunes are tied together by themes that recur throughout the album. The lyrics are in English, and filtered through Dino Brassea's expressive and semi-tortured vocals. Keys are lush and powerful, and provide much of the texture and melodics throughout the eight tracks. Like 70s Genesis, the rhythm section is a powerhouse, yet they know when to show restraint, building up tension while the keys and guitars take the fore. The brightest moments, though, are when the entire band breaks out in a speedy, cohesive frenzy — it's this, more than anything else, that sets Cast apart from all the average neo-proggers, and identifies them more closely with their countrymen Iconoclasta, Delerium, and Praxis. There has also been a very noticeable improvement in sound clarity over the last two albums, this being their best-engineered to date. More than anything, Endless Signs signals the arrival of Cast.


by Mike Ohman, 1996-03-01:

The perpetually industrious Cast have done it again, with yet another release, Endless Signs. One of the big surprises of Progfest '95, Cast delighted with their strikingly commendable brand of neo-prog. Endless Signs seems to be their breakthrough. Cast's appeal seems to be simple in that they make melodic, obviously Genesis-inspired prog like many other neo-prog bands you'd care to mention, yet they do it very well. Guitarist Francisco Hernandez certainly has his Hackett chops down, while singer Dino Brassea sounds something like IQ's Peter Nicholls (he even sings in English). In fact, prime-era IQ is an estimable comparison, if you can imagine The Wake with all-digital keys, you're halfway there. Speaking of the keyboards, board-man Luis Vidales is certainly one of the most talented players in neo-prog today. His Banks-ian piano phrasings are the unifying element of this album, his digital synth voicings constantly creative. If you have been lamenting the state of the British neo-prog scene, and have been disappointed that they haven't been producing bands of the caliber of IQ anymore, perhaps you have been looking to the wrong place. Cast have really come into their own with this release. Even if you usually find yourself cold towards neo-prog, I have a feeling you may find yourself warming up to this.


Filed under: New releases , Issue 9 , 1995 releases

Related artist(s): Dino Brassea, Cast, Alfonso Vidales

More info

Latest news

2017-11-16
Celebrate 10 Years of Fruits de Mer – As a special celebration for a decade of cool vinyl releases, our friends at Fruits de Mer records have prepared a limited edition reissue of an album by the first band ever to appear on the label: Schizo Fun Addict. The band is known for unusual release strag » Read more

2017-11-02
Mega Dodo Presents New Charity Album – Our friends at Mega Dodo have put together a lovely compilation of their artists performing new arrangements of nursery rhymes, and all the profits from sales of the album will benefit Save the Children. It features a number of artists we've covered. » Read more

2017-10-18
Phil Miller RIP – Sad word reaches us today of the passing of another of the great musicians of the Canterbury Scene — guitarist Phil Miller. His distinctive sound added greatly to Matching Mole, Hatfield and the North, and National Health, and he also contributed to albums by Caravan, Dave Stewart & Barbara Gaskin, and many others. He was 68. » Read more

2017-10-13
Moonjune to Distribute Tony Levin's Back Catalog – It has been announced that Moonjune will now handle distribution for Tony Levin's catalog of releases. These great albums will now be a bit easier to get hold of, so check out the site and see what you're missing. The veteran of King Crimson and Stick Men worked with a host of great players on these albums, and we've reviewed most of them over the course of the years. » Read more

2017-09-26
Bandcamp Shines Light on Niches We Like – Bandcamp has developed into one of the best places to discover new music, and even a lot of old music is showing up there. In addition, their staff has been producing periodic articles spotlighting some interesting stylistic areas. On 20 September, they published one called "The New Face of Prog Rock" which bears checking out. » Read more


Previously in Exposé...

Urban Sax - Urban Sax à Jakarta – For those unfamiliar with Urban Sax, check out the reviews of their earlier albums in issue #5 for all the background information. This four-track mini-CD (eighteen minutes total) captures a live...  (1996) » Read more

Phish - A Live One – Ask any Phish fan and they'll tell you that the band's natural habitat is most definitely on stage, in front of a live audience. So after five studio albums, Phish finally present a sonically...  (1995) » Read more

Dada - Dada & Castle Wall – From the ashes of Charisma, the duo of Mutsuhiko Izumi and Kenji Konishi – both on guitars and synthesizers – released two albums during its existence. Their 1978 debut, entitled Jyo,...  (1996) » Read more

Marc Barreca - Subterrane – You know you’ve entered the modern era when the sole musician on a CD is credited with “acoustic and synthesized sources” — which in this case apparently involves a lot of...  (2011) » Read more

Jeffrey Koepper - Momentium – Etherea, his debuut album, was more than a pleasant surprise, it was a discovery of a new talent in EM in the USA. Etherea distinguished itself by soft undulations of melodic emotions or shades of...  (2007) » Read more



Listen & discover



Print issues