Exposé Online banner

Carpe Diem — Cueille le Jour
(Musea FGBG 4127.AR, 1977/1994, CD)

by Peter Thelen, 1995-07-01:

Cueille le Jour Cover art Unjustifiably overlooked, Cueille de Jour is the follow-up to this quintet's monster debut — and an outstanding representation of the best that France had to offer in the seventies. Their highly melodic sound is powered primarily by keyboards and sax/flute, with solid support from the bottom end. Guitars (and to some extent keys) handle the overall rhythmic structure. Their sound is well balanced with no one instrument dominating the mix, often existing somewhere between a melodic Canterbury sound (However, Happy the Man, Camel) and the ethereal spaciness of Pulsar, with elements of jazz and chamber-rock blended in, even approaching a Soft Machine flavor on "Tramontane." Keyboardist Christian Truchi doubles on lead vocals, which are used sparingly and don't overwhelm the music when they appear — in fact three of the album's original six tracks are entirely instrumental. The album opens with a monster twenty-two minute five-part epic "Couleurs," which would be worth the ticket price alone; five shorter tracks on the back side offer further explorations in this band's unique vision. Interestingly enough, a version of the album with English lyrics was recorded, but never released; one track from the English version is included here as a bonus track. Overall, an outstanding album if not a classic.

by Henry Schneider, 2016-06-23:

A year after their first release Carpe Diem issued their second LP Cueille le Jour. Now we find the band stretching and exploring the jazz territory of Zao and Soft Machine. The CD opens with the epic "Couleurs." Over these 21 minutes Carpe Diem plays music ranging from beautiful acoustic guitar to quiet chamber music. Over the course of the year Carpe Diem honed their skills and produced a more polished release than their debut. This second album demonstrated their extraordinary creative ability with orchestration and melody. They developed a modern chamber music that has since been extended by bands like Universe Zero. Unfortunately for Carpe Diem just as they were hitting their stride, the musical winds of change ushered in punk and the record companies lost interest in this innovative band. Luckily for us Musea took the effort to bring this excellent music to the notice of a wider audience.


Filed under: Reissues , 1994 releases, 1977 releases

Related artist(s): Carpe Diem

More info

Latest news

2019-04-24
Help MoonJune Bring Great Music to Life – Like many music lovers around the world, we’ve been thrilled and amazed to hear the recordings that have been released by MoonJune from sessions at La Casa Murada in Spain. Such label stalwarts as Mark Wingfield, Markus Reuter, Asaf Sirkis, Tony Levin, Dusan Jevtovic, Vasil Hadzimanov, and many more have gathered in various combinations at the studio to produce some of the most creative music in recent years. Now, label head Leonardo Pavkovic is offering a compilation, La Casa Murada - MoonJune Sessions, Volume One, as a fundraiser for upcoming sessions. » Read more

2019-04-10
The Pineapple Thief to Tour North America – November and December of 2019 will see The Pineapple Thief bringing their music to Canada, Mexico, and the US, and famed drummer Gavin Harrison will be on board. The band has been touring extensively in Europe, but North America will be new territory for them. » Read more

2019-03-25
Scott Walker RIP – Noel Scott Engel, better known as Scott Walker, was one of the most intriguing and enigmatic musical figures in the second half of the 20th Century. His strange career started with The Walker Brothers, an American pop group that featured no one named Walker and no brothers. After moving to England in 1965, they had a series of hit singles. Scott's solo work started with Scott in 1967. Starting in the 80s, his work took an increasingly avant-garde turn. » Read more

2019-03-20
Freedom to Spend Unearths June Chikuma's Archives – Jun (June) Chikuma is well known for her video game and anime soundtracks, but she also released an album of experimental electronic music back in 1986 called Divertimento where she indulged the kind of spontaneity that wouldn't work in a soundtrack. RVNG Int'l label Freedom to Spend is bringing this overlooked item to broader attention with a deluxe reissue. » Read more

2019-03-03
Seaprog 2019 Lineup Almost Complete – The Seaprog festival in Seattle is scheduled for June 7-9 this year, and they've announced their lineup of performers. The revitalized Trettioåriga Kriget will cap Friday night, perennial favorites Marbin are on Saturday, and District 97 will finish off the fest on Sunday night. In support, they've booked a stellar variety of artists from the Northwest and around the world, including EchoTest, Markus Reuter and Trey Gunn, and the live debut of the amazing Troot project. » Read more


Previously in Exposé...

Pure Food and Drug Act - Choice Cuts – Their extended version of "Eleanor Rigby" sounds uncannily like "In Memory of Elizabeth Reed" with a splash of "Papa Was a Rolling Stone." Preferring jam over marmalade...  (2007) » Read more

Amorphis - Am Universum – Back when I was in my early teens, I went through a phase where I liked heavy metal. Black Sabbath’s Paranoid was my favorite LP. That phase didn’t last very long, and I haven’t...  (2001) » Read more

Rufus Zuphall - Outside the Gates of Eden – Rufus Zuphall is a German band from Aachen that first hit the stage in 1969. They released three albums in the early 70s and then disintegrated. Because of reissuing their albums on CD, there was...  (2008) » Read more

Jon Hassell & Bluescreen - Dressing for Pleasure – At least ten years before music journalists coined the term "world music," Jon Hassell was developing his fourth world music concepts. Most prog fans are familiar with Jon Hassell from his...  (1994) » Read more

Kornelyans - Not an Ordinary Life – Quite rightly hailed as a minor classic, this Yugoslavian band led by keys-man Kornell Kovach (originally called Korni Grupa on earlier albums) became heavily influenced by the early 70s Italian...  (1995) » Read more



Listen & discover



Print issues