Carpe Diem — Cueille le Jour
(Musea FGBG 4127.AR, 1977/1994, CD)
by Peter Thelen, 1995-07-01:Unjustifiably overlooked, Cueille de Jour is the follow-up to this quintet's monster debut — and an outstanding representation of the best that France had to offer in the seventies. Their highly melodic sound is powered primarily by keyboards and sax/flute, with solid support from the bottom end. Guitars (and to some extent keys) handle the overall rhythmic structure. Their sound is well balanced with no one instrument dominating the mix, often existing somewhere between a melodic Canterbury sound (However, Happy the Man, Camel) and the ethereal spaciness of Pulsar, with elements of jazz and chamber-rock blended in, even approaching a Soft Machine flavor on "Tramontane." Keyboardist Christian Truchi doubles on lead vocals, which are used sparingly and don't overwhelm the music when they appear — in fact three of the album's original six tracks are entirely instrumental. The album opens with a monster twenty-two minute five-part epic "Couleurs," which would be worth the ticket price alone; five shorter tracks on the back side offer further explorations in this band's unique vision. Interestingly enough, a version of the album with English lyrics was recorded, but never released; one track from the English version is included here as a bonus track. Overall, an outstanding album if not a classic.
by Henry Schneider, 2016-06-23:
A year after their first release Carpe Diem issued their second LP Cueille le Jour. Now we find the band stretching and exploring the jazz territory of Zao and Soft Machine. The CD opens with the epic "Couleurs." Over these 21 minutes Carpe Diem plays music ranging from beautiful acoustic guitar to quiet chamber music. Over the course of the year Carpe Diem honed their skills and produced a more polished release than their debut. This second album demonstrated their extraordinary creative ability with orchestration and melody. They developed a modern chamber music that has since been extended by bands like Universe Zero. Unfortunately for Carpe Diem just as they were hitting their stride, the musical winds of change ushered in punk and the record companies lost interest in this innovative band. Luckily for us Musea took the effort to bring this excellent music to the notice of a wider audience.
Related artist(s): Carpe Diem
Legendary Co-Founder of The 13th Floor Elevators Passes Away at Age 71 – Sadly, Roky Erickson passed away on May 31, 2019. Known as the father of psychedelic music and co-founder of the ground breaking 13th Floor Elevators, Roky had a profound influence on music from the 60s to today. Plagued by his own personal demons, Roky had a difficult life and is now free of these burdens. » Read more
Help MoonJune Bring Great Music to Life – Like many music lovers around the world, we’ve been thrilled and amazed to hear the recordings that have been released by MoonJune from sessions at La Casa Murada in Spain. Such label stalwarts as Mark Wingfield, Markus Reuter, Asaf Sirkis, Tony Levin, Dusan Jevtovic, Vasil Hadzimanov, and many more have gathered in various combinations at the studio to produce some of the most creative music in recent years. Now, label head Leonardo Pavkovic is offering a compilation, La Casa Murada - MoonJune Sessions, Volume One, as a fundraiser for upcoming sessions. » Read more
The Pineapple Thief to Tour North America – November and December of 2019 will see The Pineapple Thief bringing their music to Canada, Mexico, and the US, and famed drummer Gavin Harrison will be on board. The band has been touring extensively in Europe, but North America will be new territory for them. » Read more
Scott Walker RIP – Noel Scott Engel, better known as Scott Walker, was one of the most intriguing and enigmatic musical figures in the second half of the 20th Century. His strange career started with The Walker Brothers, an American pop group that featured no one named Walker and no brothers. After moving to England in 1965, they had a series of hit singles. Scott's solo work started with Scott in 1967. Starting in the 80s, his work took an increasingly avant-garde turn. » Read more
Freedom to Spend Unearths June Chikuma's Archives – Jun (June) Chikuma is well known for her video game and anime soundtracks, but she also released an album of experimental electronic music back in 1986 called Divertimento where she indulged the kind of spontaneity that wouldn't work in a soundtrack. RVNG Int'l label Freedom to Spend is bringing this overlooked item to broader attention with a deluxe reissue. » Read more