Carpe Diem — Cueille le Jour
(Musea FGBG 4127.AR, 1977/1994, CD)
by Peter Thelen, 1995-07-01:Unjustifiably overlooked, Cueille de Jour is the follow-up to this quintet's monster debut — and an outstanding representation of the best that France had to offer in the seventies. Their highly melodic sound is powered primarily by keyboards and sax/flute, with solid support from the bottom end. Guitars (and to some extent keys) handle the overall rhythmic structure. Their sound is well balanced with no one instrument dominating the mix, often existing somewhere between a melodic Canterbury sound (However, Happy the Man, Camel) and the ethereal spaciness of Pulsar, with elements of jazz and chamber-rock blended in, even approaching a Soft Machine flavor on "Tramontane." Keyboardist Christian Truchi doubles on lead vocals, which are used sparingly and don't overwhelm the music when they appear — in fact three of the album's original six tracks are entirely instrumental. The album opens with a monster twenty-two minute five-part epic "Couleurs," which would be worth the ticket price alone; five shorter tracks on the back side offer further explorations in this band's unique vision. Interestingly enough, a version of the album with English lyrics was recorded, but never released; one track from the English version is included here as a bonus track. Overall, an outstanding album if not a classic.
by Henry Schneider, 2016-06-23:
A year after their first release Carpe Diem issued their second LP Cueille le Jour. Now we find the band stretching and exploring the jazz territory of Zao and Soft Machine. The CD opens with the epic "Couleurs." Over these 21 minutes Carpe Diem plays music ranging from beautiful acoustic guitar to quiet chamber music. Over the course of the year Carpe Diem honed their skills and produced a more polished release than their debut. This second album demonstrated their extraordinary creative ability with orchestration and melody. They developed a modern chamber music that has since been extended by bands like Universe Zero. Unfortunately for Carpe Diem just as they were hitting their stride, the musical winds of change ushered in punk and the record companies lost interest in this innovative band. Luckily for us Musea took the effort to bring this excellent music to the notice of a wider audience.
Related artist(s): Carpe Diem
ProgDay 2017 Announces First Bands – Flor de Loto, Sonar, and Infinien are the first three performers to be announced for the 2017 edition of the long-running ProgDay Festival. The 23rd ProgDay takes place Saturday and Sunday, September 2nd and 3rd, at Storybook Farm in Chapel Hill, North Carolina. » Read more
Allan Holdsworth RIP – Surely in the list of artists who have contributed to the sound of modern music, there is a special spot for guitarist Allan Holdsworth. His name is known to virtually every student of the instrument in jazz and rock, and his style has been so widely emulated that it's hardly worth mentioning anymore — we can just assume that every guitarist has Holdsworth as an influence. » Read more
Larry Coryell RIP – One of the greats of jazz guitar has left us at the age of 73. Larry Coryell was one of the founding figures of jazz fusion, but produced a significant body of work the bridged many styles. His group Eleventh House provided a unique take on the combination of jazz and rock that was distinct from contemporaries such as Mahavishnu Orchestra, Return to Forever, and Weather Report. » Read more
John Wetton RIP – After a long battle with colon cancer, singer and bassist John Wetton has died at the age of 67. As an integral member of such bands as King Crimson, UK, and Asia, his was one of the distinctive voices in progressive rock, lending a human touch to often difficult music. » Read more
Seaprog Announces First Artists for 2017 – The organizers of the Seaprog Festival in Seattle have announced the first set of confirmed performers for the 2017 festival. The best known names are Jack o' the Clock and Zero Times Everything, but a host of other bands are featured, mostly from the Northwest. The festival will take place June 2-4, 2017. » Read more