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Not just outside the box, but denying the existence of boxes.
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Reviews

Carpe Diem — Cueille le Jour
(Musea FGBG 4127.AR, 1977/1994, CD)

Cueille le Jour Cover art Unjustifiably overlooked, Cueille de Jour is the follow-up to this quintet's monster debut — and an outstanding representation of the best that France had to offer in the seventies. Their highly melodic sound is powered primarily by keyboards and sax/flute, with solid support from the bottom end. Guitars (and to some extent keys) handle the overall rhythmic structure. Their sound is well balanced with no one instrument dominating the mix, often existing somewhere between a melodic Canterbury sound (However, Happy the Man, Camel) and the ethereal spaciness of Pulsar, with elements of jazz and chamber-rock blended in, even approaching a Soft Machine flavor on "Tramontane." Keyboardist Christian Truchi doubles on lead vocals, which are used sparingly and don't overwhelm the music when they appear — in fact three of the album's original six tracks are entirely instrumental. The album opens with a monster twenty-two minute five-part epic "Couleurs," which would be worth the ticket price alone; five shorter tracks on the back side offer further explorations in this band's unique vision. Interestingly enough, a version of the album with English lyrics was recorded, but never released; one track from the English version is included here as a bonus track. Overall, an outstanding album if not a classic.

by Peter Thelen, Published 1995-07-01


A year after their first release Carpe Diem issued their second LP Cueille le Jour. Now we find the band stretching and exploring the jazz territory of Zao and Soft Machine. The CD opens with the epic "Couleurs." Over these 21 minutes Carpe Diem plays music ranging from beautiful acoustic guitar to quiet chamber music. Over the course of the year Carpe Diem honed their skills and produced a more polished release than their debut. This second album demonstrated their extraordinary creative ability with orchestration and melody. They developed a modern chamber music that has since been extended by bands like Universe Zero. Unfortunately for Carpe Diem just as they were hitting their stride, the musical winds of change ushered in punk and the record companies lost interest in this innovative band. Luckily for us Musea took the effort to bring this excellent music to the notice of a wider audience.

by Henry Schneider, Published 2016-06-23


Filed under: Reissues, Issue 7, 1994 releases, 1977 recordings

Related artist(s): Carpe Diem

 

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