Byron Metcalf / Steve Roach / Rob Thomas — Monuments of Ecstasy
(Projekt 313, 2015, CD)
by Peter Thelen, Published 2015-02-11Metcalf and Roach collaborated on many endeavors in the past, back around the turn of the current century we had The Serpent’s Lair (2000), and a few years later Mantram (2004) and The Shaman’s Heart (2005), and in fact these collaborations have continued right up through the present. The release at hand, Monuments of Ecstasy, falls into a similar general style, with one foot set firmly in the grooves of ancient tribal sounds, the other in the fluid, dreamy and expansive textures of ambient electronic sounds. The six tracks here explore different variations of the style, anchored by Metcalf’s powerful hypnotic drumming, as well as Thomas’ didgeridoo, voices, clay and wood percussion. Roach weaves into this powerful fabric a dreamy wall of primal textures created with various analog and modular synths and processing, along with percussive grooves and sounds of mysterious origins. The pulsating framework that the trio operate within make this a very different animal than most of Roach’s solo works, which tend to float into a crossweb of organic flowing textures without any percussive elements. Here the mix of hand drums, didgeridoo and other indigenous percussion keep the sound alive and the listener in a constantly flowing state of hyper-perception, while the synths weave in and out creating a magical trance-like quality; one won’t fall asleep listening to this one, but its primal nature does tend to induce a spiritual euphoric feeling that permeates the being.
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