Burnin Red Ivanhoe — Canal Trip - An Anthology 1969-1974
(Esoteric Recordings ECLEC 22395, 1974/2013, 2CD)
by Peter Thelen, Published 2014-01-17During their initial period from 1969-72, which this compilation covers, Burnin Red Ivanhoe was probably the most important Danish rock band; their sound was a proto-progressive style that blended heavy rock, blues and jazz with a higher than typical presence of woodwinds (sax and flute) and extended jams, and while most bands of the day sang exclusively in English, Burnin Red Ivanhoe also sang in their native Danish, and had no qualms about serving up numerous instrumental pieces on their albums either. The band’s debut album M 144 in fact was a sprawling double LP, an unusual thing for any band on their debut album in those times (only The Mothers’ Freak Out, Chicago Transit Authority and Loosen up Naturally by The Sons of Champlin come to mind), an album whose genesis was in an earlier collaboration between organist, saxophonist, chief composer and bandleader Karsten Vogel, and lyricist Niels Erik Wille. They had written songs together, but Vogel wanted to perform them live, so a band was needed, and Burnin Red Ivanhoe was born. The first ten tracks on disc one of this compilation are taken from M 144, fully half of that album, while the remaining four cuts on disc one are drawn from the six cuts on the band’s second eponymous LP, including the powerful opener and ten minute closer “Across the Windowsill” and “Secret Oyster Service,” respectively. The second disc opens with four pieces from the band’s highly regarded 1971 album W.W.W., then pulls five tracks each from the post-breakup live album Miley Smile / Stage Recall, and the 1974 reunion album Right On. Songs from these last two represented albums are beginning to show a change in the band’s style away from the instrumentally powered jammy sound of the first three toward a more concise songwriting approach, yet the material is still quite good. For those only casually familiar with Burnin Red Ivanhoe, Canal Trip is an excellent starting point, collecting a respectable cross-section of the band’s early material.
Related artist(s): Burnin Red Ivanhoe
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From the press release:
To Wake a Dream in Moving Water takes from Echo Us' past and spins it into a whole new direction, one closer to traditional acoustic Celtic music than ever before.
To Wake a Dream in Moving Water was composed and recorded during the first few months of 2017. Although Celtic influenced and comprised of a number of re-workings of Irish folk tunes and Breton aires, the album is still in large part new and original Echo Us music that fits right in the Echo Us ‘canon’. “Wake” is a natural progression from “A Priori Memoriae”, which was released to critical acclaim in Europe in 2014.
To Wake a Dream in Moving Water is Echo Us’ ‘Celtic’ album that was planned for a long time but never executed because of the work on the trilogy that came before it. The album title is a typical ‘Echo Us’ play on words which one can find their own meaning.
“It is also both evocative of the Oregon rain, which I am told is not too unlike the rain in Ireland.”(Matthews)
To Wake a Dream in Moving Water is also a comment on conception- which was unintentional when the lyric was written. Matthews surprised himself a few months after writing it, realizing that the song was actually about the nitty gritty, biological workings of what happens when a child is conceived. The folk song it derives from musically describes a courting ritual, one that even today we can all relate to in our own way.
“Come With Me Over the Mountain" in acapella was the musical inspiration for the song, and came into my consciousness after the lyrics were written a few months prior. “ (Matthews)
As with all Echo Us recordings, a number of seeming coincidences resulted in connections being drawn where prior there were none. Another experience of similar capacity was found in oboe samples from A Priori Memoriae that echoed the traditional “May Morning Dew’, also reworked for guitar on the new album.