Exposé Online banner

Blituri — Blituri
((Not on label) BLI01, 2014, CD)

by Jon Davis, 2014-11-12:

Blituri Cover art It has been said that progressive rock was what happened when young English musicians trained in classical music started playing rock music (and the anything-goes attitude of the late 60s helped as well). Blituri is proof that the process is still happening. Certainly the sound has quite a lot in common with RIO groups such as Univers Zero, but composer Vincent Lachambre is mostly inspired by modern classical music. His pieces just happen to be arranged for guitar, bass, and drum kit, along with a variety of wind instruments (clarinet, bass clarinet, oboe, saxophones, and horn), vibraphone, and percussion. Certainly the tropes of rock music are avoided: there are no riffs backing solos, there are no 1-4-5 progressions, no feeling of a basis in the blues. Special mention should be made of Lachambre's guitar playing, which avoids rock licks, instead fitting into the arrangements as one voice among many. And Louis-Michel Tougas' drumming is perfect for these arrangements, almost never playing a set pattern that resembles a "rock beat." Blituri is one of those things that comes seemingly out of nowhere, unexpected and wonderful and fully formed. And as much as I enjoy this debut, I'm really intrigued to think what Lachambre and company might come up with in the future. There's a real excitement, a feeling of being at the start of something really special. This is a sure bet for the year's best list.

by Peter Thelen, 2014-11-12:

Blituri is a new Canadian sextet led by multi-instrumentalist Vincent Lachambre (guitars, bass, synthesizers) and this eponymous, independently produced debut is a bold and innovative statement right out of the gate if there ever was one. Their stock in trade is powerful, compositionally intensive electric chamber music, shifting between the poles of power and subtlety, weaving melodic and rhythmic fragments into beautiful instrumental works that beg for repeat plays. The band is rounded out by Paul Carter (clarinet, bass clarinet, oboe), Zakari Frantz (alto and soprano saxes), Louis-Michael Tougas (drums), Evelyne Ridyard (vibraphone) and Lyne Santamaria (French horn). Lachambre’s eight compositions are at once brilliant and sophisticated, inspired by contemporary classical music but infused with the power of rock, free of any standard rock influences. It would be too easy to compare Blituri to Univers Zero, Miriodor, Simon Steensland, Far Corner, or any number of others operating in the chamber rock realm, but that would be both inaccurate and a disservice, as Blituri have created their own world, unique and unlike any other in the genre, although it’s safe to say that listeners who enjoy those other named artists will find plenty to enjoy herein. And one shouldn’t be too surprised if Blituri shows up on the bill of one of the international RIO festivals at some point sharing the stage with those same artists. In summary, this is one powerful opening salvo that must be heard to be fully appreciated.

Filed under: New releases , 2014 releases

Related artist(s): Blituri

More info

Latest news

2020-01-21
Gong Announces UK Tour for 2020 – Having spent the last few years touring the world, including dates in Japan with psych legend Steve Hillage, multiple headline European tours and festivals, America’s Cruise to the Edge festival, a South America headline tour, and a headline performance at Tomorrow Festival in China, the band have won the hearts of both traditional and modern Gong fanbases. During this live journey, Gong has delved further into the truly psychedelic, exploratory, and mind-expanding side of the music. » Read more

2020-01-15
Carlos Alvarado RIP – Carlos Alvarado, pioneering composer, multi-instrumentalist and pioneer of progressive rock and electronic experimental music in Mexico, passed away January 14th, 2020 at age 68 after a two year battle with cancer.  » Read more

2020-01-12
Wolfgang Dauner RIP – Pianist Wolfgang Dauner, one of the pioneers of both European free jazz and jazz rock, has died at the age of 84. With his own groups and with the United Jazz+Rock Ensemble, his playing and compositions were a prominent presence in European jazz from the mid-60s until just recently. » Read more

2020-01-12
Michael Allison RIP – Michael Allison, who since 1997 has been recording as Darshan Ambient, passed away on January 9th after a long and brave battle with cancer. He has been at at the forefront of the new ambient/electronic music scene, with over eighteen releases to his credit. » Read more

2020-01-10
Neil Peart RIP – One of rock music's defining drummers has died at the age of 67. Neil Peart's work with Rush provided one of the templates for percussion in rock, and he certainly ranks in the top ten most influential drummers of the 20th Century. Peart retired from playing in 2015 due to health issues, and succumbed to brain cancer on January 7, 2020. » Read more


Previously in Exposé...

Bob Lind - Elusive Butterfly - The Complete 1966 Jack Nitzsche Sessions – In the early sixties at the height of the folk boom, Denver based singer/songwriter Bob Lind was regularly working the coffee houses in the area, and later (as the local folk scene dried up) moved to...  (2008) » Read more

Tim Song Jones - The Plural of Hear – Could this be the musical interpretation of fractals, recursion, and random number generation ? This is highly original music, created using mostly DX-7 and Wavestation, E-Bow guitar, digital drums,...  (1995) » Read more

Dean de Benedictis - Salvaging the Past – De Benedictis, as the title points out, not only refers to the legacy, but even reinvents the past on this album. The stunning opener, “The Tech Atonement of Bilagana,” unearths a...  (2006) » Read more

Steve Roach - Possible Planet – Steve Roach in his EM always worked with the benefits of both analog and digital worlds. For this album he not only concentrated on analog, he directed his ideas solely to a new brand of mighty...  (2006) » Read more

Chaos Code - The Tragedy of Leaps and Bounds – I’m fairly convinced that in a blindfold test you could convince many listeners that this album was originally released in 1972. I’m reminded of the time when musicians all around the...  (2003) » Read more



Listen & discover



Print issues